During the Japanese invasion of 1937, when a wealthy martial artist is forced to leave his home and work to support his family, he reluctantly agrees to train others in the art of Wing Chun for self-defense.
In postwar Hong Kong, legendary Wing Chun grandmaster Ip Man is reluctantly called into action once more, when what begin as simple challenges from rival kung fu styles soon draw him into ... See full summary »
Anthony Chau-Sang Wong,
A martial arts instructor from the police force gets imprisoned after killing a man by accident. But when a vicious killer starts targeting martial arts masters, the instructor offers to help the police in return for his freedom.
In 1935 in Foshan, south China, there are martial arts schools on every street corner. Ip Man is the undisputed martial arts champion, yet he has not devoted himself to teaching. Despite this, it seems that all the kung fu masters of the city are eager to fight him to improve their reputation.Written by
In this film Ip man's eldest son is portrayed as being around 4 or 5 years old, but in reality was around 12 and 14, during 1935 to 1937. See more »
When Ip Man gives Yuan the box that his dead brother cherished and walks away (towards the camera), near the end of the shot, Yuan is seen to open the box. On the next cut-scene, the box is closed and he is seen to open it again. See more »
Captain Lei Chiu:
Why am I a traitor? Their deaths have got nothing to do with me. I'm just an interpreter. I need to scrape a living too!
Scrape a living? You watch your countrymen get beaten to death. Where's your dignity?
Captain Lei Chiu:
I don't have any. You do. You have lots of it. If you have the guts, go beat them! Beat as many as you can! I'm an interpreter, not a traitor...
[throws book to the ground and shouts in Japanese]
Captain Lei Chiu:
I'm a Chinese man!
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Ip Man (1893-1972) is the expert in the Wushu fighting style of Wing Chun, and is the master of the famous Bruce Lee. As there has never been any previous film record of Ip Man, this film produced by Raymond Wong and directed by Wilson Yip will be the very first.
The movie opens and dates back to 1935 Foshan, with the city bustling with activities and various schools of martial arts are seen busy with the practice of their craft. In the people's mind however there would be only one martial artist who is the best. He however would have no interest in opening a school to teach his art. He is Ip Man, played by Hong Kong action star Donnie Yen.
Our introduction to Ip Man began on the day when Master Liu (Chen Zhi-Hui) visits Ip Man at his residence when the latter is having dinner with his wife and son. Being the typical martial arts enthusiast that Master Liu is, he declined to leave when advised by Ip Man to come back at another time, choosing instead to stay and wait until Ip Man have finished his dinner. He is eager to test his skills against Master Ip Man. The mood here is not of hostility but of a light hearted and humorous fashion. Ip Man even invited Master Liu to sit and have dinner with his family when he spots him restlessly waiting by the living room. We see here the humble and modest character of the protagonist.
When the sparring finally got underway, it ended as swiftly as Ip Man's strokes suggest. Because in three strokes and a set of quick fists, he had Master Liu at his peril, well defeated yet without injury, as this was all but a friendly exchange in the spirit of martial arts. The essence of Ip Man's fighting style, Wing Chun, is characterized by its tall narrow stance with effectiveness demonstrated through speed and power. It reminds of the time when Bruce Lee had to slow his punches down during filming, as they were just too fast for the cameras back then to capture.
In the world of martial arts, with all its attractiveness, it also brings with it the competitive nature of those who practice them. With competitiveness taken the wrong way, things can go awfully wrong when all one wants to achieve is to have the other beaten so as to prove who the superior fighter is. A thug in Kam Shan-chau (Fan Sui-Wong) later arrives and challenges the various schools, defeating their masters ruthlessly, until he came face to face with Ip Man. Kam lost to Ip Man with a lesson he ought to have learn, only that he did not and left Foshan with only disgrace in his mind. The people celebrate as they hail Ip Man the savior who brought glory to Foshan by sending the thug away.
The fight ends but the story have only just began, and with it a change of mood from lightness to heavy because war has broken. The Japanese have seized Foshan.
What follows will be Ip Man's struggles and challenges as he has to make ends meet for his family in the dreadful time of adversity. It is here we see the true character of Ip Man, who has captured the hearts of the people of Foshan and their respect. This is most notable among his friends in Chow Ching-chuen (Simon Yam), his son Chow Kong-yiu (Calvin Cheng), and Crazy Lam (Xing Yu).
To mistake this film, as one of just good versus evil is easy because in a movie that has a hero, there must be a villain. There are a few characters here befitting of the role. We have the Japanese general, Miura (Hiroyuki Ikeuchi). We have the aforementioned thug, Kam Shan-chau. We also have police officer turned interpreter, Li Chiu (Lam Ka-tung) who appears to be a traitor. The film here however should not to be seen as a fight against evil but rather of the depiction of humanistic values that Ip Man himself would possess.
There are many meaningful messages encrypted in the various plots and subplots in this wonderful film that really is about virtues more than anything else. As producer Raymond Wong would suggest on why the production team had chosen to make this film, it is that of really making a kung fu movie that is authentic and real, moving away from past attempts at glorifying and stylizing violence on screen. The intention is to make a film that would reflect the spirit of Chinese kung fu, and what better than to portray it through the virtuous character of Master Ip Man.
I would have like to compare this film to Fearless aka Huo Yuan Jia (2006), starring Jet Li, which strings from a similar root, but at the very core, the approach is different. While Fearless is written in a more dramatic nature, with a more compelling story and edited with a creative dimension, Ip Man is honest and direct because that is who our protagonist is.
What stood out for me in Ip Man is when he ponders in introspection about what use his training and expertise in Wing Chun all his years would come to. It would appear that there is destiny waiting to be fulfilled. And he would also influence those around him with what he has and even lead those who have been wrong to do right despite the pressure of circumstances, because to the very basis, it is the right thing to do in humanity.
History means nothing if its lessons are not learned.
The film also stars the stunning Xiong Dai Lin as Cheung Wing-sing, Ip Man's wife, and I must also not forget to mention that the acclaimed Sammo Hung directs the action.
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