While still out to destroy the evil Umbrella Corporation, Alice joins a group of survivors living in a prison surrounded by the infected who also want to relocate to the mysterious but supposedly unharmed safe haven known only as Arcadia.
In a world ravaged by a virus infection, turning its victims into the Undead, Alice (Jovovich), continues on her journey to find survivors and lead them to safety. Her deadly battle with the Umbrella Corporation reaches new heights, but Alice gets some unexpected help from an old friend. A new lead that promises a safe haven from the Undead takes them to Los Angeles, but when they arrive the city is overrun by thousands of Undead - and Alice and her comrades are about to step into a deadly trap.Written by
The coordinates shown on the screen are N61.13° W148.54° See more »
During the initial fight scene, the clone who survives the Needle Dive is later on shot by Wesker, upon which she drops two grenades. Where did she pull those grenades from? Right before she jumps out of the window, you can see that there are no grenades dangling from a belt, and there isn't much room to hide something like that in a skintight catsuit. See more »
My name is Alice. I worked for the Umbrella Corporation in a secret laboratory developing experimental viral weaponry. There was an incident. A virus escaped. Everybody died. Trouble was, they didn't stay dead. This was the start of an apocalypse that would sweep the entire world. The men responsible for this disaster took refuge underground and continued to experiment with the deadly T-Virus. They felt secure in their high-tech fortress. But they were wrong.
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SPOILER WARNING: After about a 1 minute or so of end credits there comes a surprise scene with Jill Valentine, even though Sienna Guillory receives screen credit before the scene appears. See more »
Dutch DVD is cut for violence (even more than the German theatrical version). See more »
This fourth Resident Evil instalment was only ever going to be worth seeing if it featured lots of amusing gore and entertaining action scenes that utilised the third dimension successfully. Evidently, director Anderson must've known this too, because nary a second is wasted on anything else. From the get go we're embroiled in a mass raid on Umbrella's high-tech underground headquarters by dozens of Alice replicates. It's Matrix-y slick, features a massive body count and is a great way to kick off proceedings, even if the CGI is occasionally substandard.
The remainder of the film becomes grubbier once it relocates to an abandoned maximum security prison surrounded by thousands of the "infected". Alice, and the ragtag bunch of Los Angeleno's she meets in the jail, encounter blood-thirsty zombies left, right and centre with murderous glee. The finest sequence on offer comes thanks to the inexplicably nonsensical inclusion of an unnamed 10ft creature with a mammoth axe-like weapon, who was apparently only introduced so we could witness its gruesome demise. With rain-drenched slow motion and heart pounding music, watching Alice and Claire despatch of this demented beast is a thrill.
To mention other dispensable elements of this movie – you know, acting, character development, dialogue, plot plausibility, etc – would be redundant for two reasons, (a) because your enjoyment of Afterlife can be measured wholly on your reaction to the above couple of paragraphs and (b) we all know that the aforementioned filmic elements will be close to non-existent anyhow.
3 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
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