While still out to destroy the evil Umbrella Corporation, Alice joins a group of survivors living in a prison surrounded by the infected who also want to relocate to the mysterious but supposedly unharmed safe haven known only as Arcadia.
In a world ravaged by a virus infection, turning its victims into the Undead, Alice (Jovovich), continues on her journey to find survivors and lead them to safety. Her deadly battle with the Umbrella Corporation reaches new heights, but Alice gets some unexpected help from an old friend. A new lead that promises a safe haven from the Undead takes them to Los Angeles, but when they arrive the city is overrun by thousands of Undead - and Alice and her comrades are about to step into a deadly trap.Written by
The fact that Japan is one of the last areas on the planet to be infected provides a viable explanation as to why the main headquarters of Umbrella would take refuge in Tokyo. See more »
When Alice is on the beach, she is sitting next to the Umbrella helicopter that Claire used in Resident Evil: Extinction to take her group to Alaska. In "Extinction" and the flashback seen in this movie, the helicopter is a single engine AS 350, but the helicopter seen sitting on the beach is the 350's successor the twin engine AS 355 F2. The difference can clearly be seen when looking at the exhaust area of each model. See more »
My name is Alice. I worked for the Umbrella Corporation in a secret laboratory developing experimental viral weaponry. There was an incident. A virus escaped. Everybody died. Trouble was, they didn't stay dead. This was the start of an apocalypse that would sweep the entire world. The men responsible for this disaster took refuge underground and continued to experiment with the deadly T-Virus. They felt secure in their high-tech fortress. But they were wrong.
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At the end of the credits, you can hear Alice say: "Hey boys, is that any way to treat a lady?" See more »
Dutch DVD is cut for violence (even more than the German theatrical version). See more »
Outsider (Apocalypse Remix)
Written by Maynard James Keenan & Billy Howerdel
Performed by A Perfect Circle
Courtesy of Virgin Records America
Under license from EMI Film & Television Music
[plays during the final fight and then again at the very end of the movie including the first part of end credits] See more »
This fourth Resident Evil instalment was only ever going to be worth seeing if it featured lots of amusing gore and entertaining action scenes that utilised the third dimension successfully. Evidently, director Anderson must've known this too, because nary a second is wasted on anything else. From the get go we're embroiled in a mass raid on Umbrella's high-tech underground headquarters by dozens of Alice replicates. It's Matrix-y slick, features a massive body count and is a great way to kick off proceedings, even if the CGI is occasionally substandard.
The remainder of the film becomes grubbier once it relocates to an abandoned maximum security prison surrounded by thousands of the "infected". Alice, and the ragtag bunch of Los Angeleno's she meets in the jail, encounter blood-thirsty zombies left, right and centre with murderous glee. The finest sequence on offer comes thanks to the inexplicably nonsensical inclusion of an unnamed 10ft creature with a mammoth axe-like weapon, who was apparently only introduced so we could witness its gruesome demise. With rain-drenched slow motion and heart pounding music, watching Alice and Claire despatch of this demented beast is a thrill.
To mention other dispensable elements of this movie – you know, acting, character development, dialogue, plot plausibility, etc – would be redundant for two reasons, (a) because your enjoyment of Afterlife can be measured wholly on your reaction to the above couple of paragraphs and (b) we all know that the aforementioned filmic elements will be close to non-existent anyhow.
3 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
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