After losing her unborn child, Madeline Matheson insists on carrying the baby to term. Following the delivery, the child miraculously returns to life with an appetite for human blood. Madeline is faced with a mother's ultimate decision.
Charlie Ellison is a once famous writer suffering from writers block With the book advance spent, his agent and best friend Bernie sends him Dawn, a belligerent young woman in order to inspire and check on him - but she has her own ideas.
Director:
Devin Adair
Stars:
Katie Cassidy,
Tate Donovan,
Matthew Lillard
Karen, Sarah, and Emma Tunney are all moving to a small town in Pennsylvania where, unknown to them, in 1913, a horrid mine accident trapped dozens of children alive, underground. But there's a problem. They're still alive.
Director:
J.S. Cardone
Stars:
Lori Heuring,
Scout Taylor-Compton,
Chloë Grace Moretz
A quiet but disturbed young man puts the life of a woman he's obsessed with under a virtual microscope when he installs hidden cameras throughout her house.
Director:
Eric Nicholas
Stars:
Ana Claudia Talancón,
Colin Hanks,
Jordana Spiro
A socially awkward veterinary assistant with a lazy eye and obsession with perfection descends into depravity after developing a crush on a boy with perfect hands.
This is a story about a family man who succumbs to weakness and his failure to live a moral life condemns those he loves to an unspeakable horror. Only his path to redemption can save them.
A group of friends stop to pick up a hitchhiking woman only to end up getting drugged by her with a gas. They awaken to find that vials have been implanted in the base of their skulls - ... See full summary »
An agoraphobic father teams up with a renegade priest to save his daughter from the clutches of a gang of twisted feral children who committed an act of violence against his family years earlier.
Madeline Matheson is eight months pregnant and determined to deliver her unborn child, Grace, naturally. When an accident leaves Grace dead inside her, Madeline insists on carrying the baby's corpse to term. Weeks later, when Madeline delivers, the baby miraculously returns to life... With an appetite.Written by
Leomax Entertainment
The family cat is named Jonsey, most likely after the cat in Alien. See more »
Goofs
In one of the final scenes, Vivan hits Madeline in the forehead with a hammer. Madeline is seen on the floor with a cut over her right eye, with a fair amount of blood. Vivan then leans towards her to see if she is alright, but there is no more blood on her forehead. When Madeline bites Vivian, the blood returns. See more »
"Grace", the long feature debut of writer/director Paul Solet, is an oddly unsettling but refreshingly inventive horror-drama hybrid that can't possibly be categorized into one single genre. This film is deeply disturbing, emotionally moving, darkly comical and intellectually engaging all at the same time and that is quite a remarkable thing to achieve for a young director who only shot a few short movies before, is it not? "Grace" literally baths in an unclassifiable grisly atmosphere, the detailed character drawings are unique and plausible and the concept – although rationally impossible – is nightmarishly upsetting. The announcer at the Belgian Fantasy Festival, where I watched this movie, advised for couples with young children and particularly pregnant women to leave the theater and that was definitely a good move (not that there were many), as this instant gem covers pretty much all the imaginable horrors of motherhood, like troublesome conception, intrusive mother-in-laws, alternate delivery methods, loss of husband and – worst of all – a still born baby. Madeline doesn't really care about too much except for the 7-months-old fetus in her wombs and bringing it into this world in an old-fashioned and natural way, with a traditional midwife and vitamins instead of a hospital doctors and anesthetics. When the baby stops moving after a tragic car accident, in which also her docile husband dies, Madeline is nevertheless determined to give birth when the time is due. The baby, Grace, miraculously comes out of the womb alive and seemingly healthy, but soon after Madeline's biggest ordeal comes to the surface. Grace needs blood instead of breast milk and, the devoted mother she is, Madeline does everything within her power to provide this. Meanwhile, mother-in-law Vivian tries to do everything to obtain guardianship over Grace as she's convinced Madeline is mentally incapable of nursing her granddaughter. The sequences where Madeline "sacrifices" her own health in order to feed her eccentric baby girl are simultaneously disruptive and affectionate. This is a peculiar combination of sentiment that we're really not used to witnessing in the horror genre, but it's extremely compelling to say the least. Also the sub plot involving the aging Vivian rediscovering her femininity is disturbing, but in a totally and never before experienced fashion. "Grace" contains multiple shocking moments and grueling images, especially near the end, but the violence or bloodshed is never at one point exploitative or tasteless. So, cult loving horror fans please don't start thinking this is a modern update of Larry Cohen's early 70's crazed killer baby flick "It's Alive" or you risk feeling very much ripped off. This is an often uncomfortably slow-paced and intriguing psychological drama/thriller, with stylish photography and hypnotizing acting performances. Jordan Ladd is amazing as Madeline and this was probably the first film set where she could demonstrate her talented acting capacities, because until now I only saw her in lighter horror stuff like "Death Proof" and "Club Dread". Ladd also receives superb support from Gabrielle Rose as Vivian (truly a courageous performance) and Samantha Ferris as the alternative midwife. "Grace" honestly is a movie you won't forget about easily, that is one guarantee I can give you.
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"Grace", the long feature debut of writer/director Paul Solet, is an oddly unsettling but refreshingly inventive horror-drama hybrid that can't possibly be categorized into one single genre. This film is deeply disturbing, emotionally moving, darkly comical and intellectually engaging all at the same time and that is quite a remarkable thing to achieve for a young director who only shot a few short movies before, is it not? "Grace" literally baths in an unclassifiable grisly atmosphere, the detailed character drawings are unique and plausible and the concept – although rationally impossible – is nightmarishly upsetting. The announcer at the Belgian Fantasy Festival, where I watched this movie, advised for couples with young children and particularly pregnant women to leave the theater and that was definitely a good move (not that there were many), as this instant gem covers pretty much all the imaginable horrors of motherhood, like troublesome conception, intrusive mother-in-laws, alternate delivery methods, loss of husband and – worst of all – a still born baby. Madeline doesn't really care about too much except for the 7-months-old fetus in her wombs and bringing it into this world in an old-fashioned and natural way, with a traditional midwife and vitamins instead of a hospital doctors and anesthetics. When the baby stops moving after a tragic car accident, in which also her docile husband dies, Madeline is nevertheless determined to give birth when the time is due. The baby, Grace, miraculously comes out of the womb alive and seemingly healthy, but soon after Madeline's biggest ordeal comes to the surface. Grace needs blood instead of breast milk and, the devoted mother she is, Madeline does everything within her power to provide this. Meanwhile, mother-in-law Vivian tries to do everything to obtain guardianship over Grace as she's convinced Madeline is mentally incapable of nursing her granddaughter. The sequences where Madeline "sacrifices" her own health in order to feed her eccentric baby girl are simultaneously disruptive and affectionate. This is a peculiar combination of sentiment that we're really not used to witnessing in the horror genre, but it's extremely compelling to say the least. Also the sub plot involving the aging Vivian rediscovering her femininity is disturbing, but in a totally and never before experienced fashion. "Grace" contains multiple shocking moments and grueling images, especially near the end, but the violence or bloodshed is never at one point exploitative or tasteless. So, cult loving horror fans please don't start thinking this is a modern update of Larry Cohen's early 70's crazed killer baby flick "It's Alive" or you risk feeling very much ripped off. This is an often uncomfortably slow-paced and intriguing psychological drama/thriller, with stylish photography and hypnotizing acting performances. Jordan Ladd is amazing as Madeline and this was probably the first film set where she could demonstrate her talented acting capacities, because until now I only saw her in lighter horror stuff like "Death Proof" and "Club Dread". Ladd also receives superb support from Gabrielle Rose as Vivian (truly a courageous performance) and Samantha Ferris as the alternative midwife. "Grace" honestly is a movie you won't forget about easily, that is one guarantee I can give you.