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Determined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom. Granted one wish, Merida must rely on her bravery and her archery skills to undo a beastly curse.

Writers:

Brenda Chapman (story by), Mark Andrews (screenplay by) | 3 more credits »
Reviews
Popularity
1,406 ( 145)
Won 1 Oscar. Another 18 wins & 48 nominations. See more awards »

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Cast

Complete credited cast:
Kelly Macdonald ... Merida (voice)
Billy Connolly ... Fergus (voice)
Emma Thompson ... Elinor (voice)
Julie Walters ... The Witch (voice)
Robbie Coltrane ... Lord Dingwall (voice)
Kevin McKidd ... Lord MacGuffin / Young MacGuffin (voice)
Craig Ferguson ... Lord Macintosh (voice)
Sally Kinghorn Sally Kinghorn ... Maudie (voice)
Eilidh Fraser Eilidh Fraser ... Maudie (voice)
Peigi Barker Peigi Barker ... Young Merida (voice)
Steven Cree ... Young Macintosh (voice)
Steve Purcell Steve Purcell ... The Crow (voice)
Callum O'Neill Callum O'Neill ... Wee Dingwall (voice)
Patrick Doyle ... Martin (voice)
John Ratzenberger ... Gordon (voice)
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Storyline

Set in Scotland in a rugged and mythical time, "Brave" features Merida, an aspiring archer and impetuous daughter of royalty. Merida makes a reckless choice that unleashes unintended peril and forces her to spring into action to set things right. Written by Walt Disney Pictures

Plot Summary | Plot Synopsis

Taglines:

Change your fate.


Motion Picture Rating (MPAA)

Rated PG for some scary action and rude humor | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA | UK

Language:

English

Release Date:

22 June 2012 (USA) See more »

Also Known As:

The Bear and the Bow See more »

Filming Locations:

Emeryville, California, USA See more »

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Box Office

Budget:

$185,000,000 (estimated)

Opening Weekend USA:

$66,323,594, 24 June 2012, Wide Release

Gross USA:

$237,283,207

Cumulative Worldwide Gross:

$538,983,207
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Atmos | Datasat | Dolby Surround 7.1 | SDDS | Dolby Digital | D-Cinema 96kHz Dolby Surround 7.1 | D-Cinema 48kHz Dolby Surround 7.1 | D-Cinema 48kHz 5.1 (D-Cinema prints) (5.1 Surround Sound) (5.1)| D-Cinema 96kHz 5.1 (D-Cinema prints) (5.1 Surround Sound) (5.1)

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

It took six years to make this film. Mark Andrews was initially the consultant, providing the Scottish themes for Brenda Chapman. However, by October 2010, Chapman left after four years of work with Andrews subsequently taking over but still keeping the intended story that Chapman wrote. Originally 80% of the film took place in snow, but when Chapman left the project so did much of the white stuff. See more »

Goofs

Queen Elinor uses the term "collywobbles", meaning a stomach ache, though this term was not coined until 1823. See more »

Quotes

[first lines]
Queen Elinor: Where are you? Come out! Come out! Come on out! I'm coming to get you!
[Young Merida laughs as she hides under the table]
Queen Elinor: Where are you, you little rascal? I'm coming to get you!
[Elinor looks under the table but Merida quickly moves to hide somewhere else]
Queen Elinor: Hmm. Where is my little birthday girl, hm? I'm going to gobble her up when I find her!
[Merida comes up behind Elinor and goes to run away but Elinor catches her]
Queen Elinor: Eat you!
[...]
See more »

Crazy Credits

When Mor'du is killed towards the end of the film he turns into a will o' the wisp and we realise that they are the spirit of the dead. During the credits a will o' the wisp appears over the credit "dedicated with love and gratitude to Steve Jobs, our partner, mentor and friend." See more »

Connections

Referenced in Monkey Up (2016) See more »

Soundtracks

Into the Open Air
Music and Lyrics by Alex Mandel
Performed by Julie Fowlis
Produced by Jim Sutherland with Éamon Doorley and Julie Fowlis
Julie Fowlis and Éamon Doorley appear courtesy of Machair Records
See more »

Frequently Asked Questions

See more »

User Reviews

 
Pixar's latest effort enchants us with stunning visuals, and charismatic characters, but misses the X factor that makes Pixar film's great
25 June 2012 | by Joe_ChadowskiSee all my reviews

This should have been an easy review to write. Brave should have been a film that cemented itself as one of the all time greats, a necessary addition to any Top Films list. It should have been a film that claimed a place in our hearts as so many other Pixar films have in the past. But it's not. And writing this review is proving anything but easy. It's hard because I'm sitting at my Dell Latitude feeling bewildered at how a film from the best animation studio in the world left me feeling lukewarm at best.

A bit of background on the film first; this film went through two directors. After Brenda Chapman left the film for reasons I don't know, Mark Andrews was hired as a shoe in. This wasn't the first Pixar film to have multiple directors, just unplanned multiple directors. This is where my major problem with this film stems. Everything from Brenda Chapman is textbook Pixar class and charisma, but once Mark Andrews gets the reins (and you WILL know when it happens), the film takes an abrupt and uncomfortable shift towards the dark, and really challenges the boundaries of PG. It feels like two different films tacked on to one another with Gorilla Glue, it's as if the directors had no collaboration with each other. A real shame because up until it takes this dark turn, the rest of this film is a class act bursting with potential.

However to lament on the pitfalls is to ignore the positives. Pixar created two characters with copybook classic credentials in Princess Merida, and her father Fergus. Merida as the independent, self-confident, inurbane princess has a tongue-in-cheek charm and a personality that brings a genuine smile to your face. The other hero of character is Fergus, his character of a bumbling king with an overpowering queen is cliché, but he's executed brilliantly and is the provider of the majority of humor on Brave. Another immensely impressive aspect is its supremely dazzling animation aesthetics, the resplendent beauty of the Scottish countryside sometimes stealing scenes from its characters. Whether or not you agree that's brilliant is more subjective.

Now this may seem like the ranting of a spoilt wannabe movie critic weaned on delusions of grandeur, and hollow satisfaction from demeaning films with hype behind them, but I can assure you my size 10.5s remain firmly on the ground. This film is still a damn sight better than a majority of animated films out there, and it no doubt sets a new bar for animation quality other films won't be able to reach without a pole vault. I generally like this film and its good moments are plentiful and remind you why we love these films so much. Pixar films are utterly infectious when done correctly, Brave isn't up to the standards of their best, you won't fall in love with it, but forget the scale of its predecessors and you'll definitely be impressed by it.


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