Journalist Gary Webb, California 1996, started investigating CIA's role in the 1980s in getting crack cocaine to the black part of LA to get money and weapons to the Contras/freedom fighters in Nicaragua.
A DEVGRU special forces soldier framed for a massacre in Afghanistan and sentenced to life in prison, fakes his death to escape incarceration and enact revenge on those who framed him.
CIA operative Valerie Plame discovers her identity is allegedly leaked by the government as payback for an op-ed article her husband wrote criticizing the Bush administration.
The story of Richard Kuklinski, the notorious contract killer and family man. When finally arrested in 1986, neither his wife nor daughters had any clue about his real profession.
When straight arrow FBI agent Roy Clayton heads up the investigation into a dangerous international conspiracy, all clues seem to lead back to former U.S. Special Operations officer, Samir Horn.
A troubled hedge fund magnate desperate to complete the sale of his trading empire makes an error that forces him to turn to an unlikely person for help.
Based on the true story of journalist Gary Webb. The film takes place in the mid-1990s, when Webb uncovered the CIA's past role in importing huge amounts of cocaine into the U.S. that was aggressively sold in ghettos across the country to raise money for the Nicaraguan Contras' rebel army. Despite enormous pressure not to, Webb chose to pursue the story and went public with his evidence, publishing the series "Dark Alliance". As a result he experienced a vicious smear campaign fueled by the CIA. At that point Webb found himself defending his integrity, his family, and his life.Written by
Milena Joy Morris
Following in Gary Webb's footsteps and charting his own course deeper "inside the Beltway" than Webb had been able to, screenwriter Peter Landesman spoke to a wealth of sources. He interviewed not the "name" drug kingpins but rather the traffickers and pilots who moved cocaine into the U.S. He talked to Webb's contemporaries. He met with the CIA's onetime "head of clandestine operations in Latin America." Landesman marveled: "Everyone, even the bad guys, want to be heard. People who were on the ground abroad, or got screwed or forgotten want their stories told." See more »
Goofs
There are new (large face) $100 bills in the crack-selling montage. See more »
Quotes
[first lines]
Richard Nixon:
Public enemy number one in the United States is drug abuse. In order to fight and defeat this enemy, it is necessary to wage a new, all-out offensive.
Gerald Ford:
For nearly a year, I have been devoting increasing attention to a problem which strikes at the very heart of our national well-being: Drug abuse.
Jimmy Carter:
I did not condone any drug abuse, and we'll do everything possible to reduce this serious threat to our society.
Ronald Reagan:
Drugs are menacing our society. They're threatening our values and undercutting...
[...] See more »
Crazy Credits
Just before the closing credits, there is a short video showing the real Gary Webb at home with his children. See more »
The longer I cogitate on Michael Cuesta's KILL THE MESSENGER, the more I realise just how unobtrusively compelling this film truly is.
Inspired by the life of Pulitzer prize-winning journalist Gary Webb (Jeremy Renner) and his 'Dark Alliance' exposé on the explosion of crack cocaine in the United States (which inevitably ruined his career), the film draws attention to the power and reach of fourth and fifth estate journalism and to the subjective objectivism of its gatekeepers.
Having said all that, if you take the time to reach beyond this controversial surface story and embrace Sean Bobbitt's intimate framing and selective foci, you'll discover Gary; a doggedly passionate and humanly flawed individual whose good intention to report a story 'just too true to tell' results in an overwhelmingly biased and unfair challenge on his credibility and integrity with devastating consequences.
Renner's (THE HURT LOCK, THE BOURNE LEGACY) performance is captivating in its subtlety; allowing momentary characters including Norwin Meneses (Andy Garcia), Fred Weil (Michael Sheen) and Jerry Ceppos (Oliver Platt) to drive the story's factual elements in a similar manner experienced by Webb. The use of medium and close-up shots and oscillating lighting gives you a bird's eye view to Renner's struggles as the voraciously shocking professional and personal smear campaign takes its toll. Renner becomes more unashamedly haggard with dwindling moments of indignation on screen at each roadblock. It may also explain why Cuesta opted to gloss over the pivotal points of this sad story and tie it up in Webb's panegyric acceptance speech and closing title card.
Overall, I quite enjoyed this film and would recommend that you take some time out to see it. Sure it has its flaws –but so does Gary Webb and the story itself - but that's why it works. As Webb said on reflection 'The reason I'd enjoyed such smooth sailing for so long hadn't been, as I'd assumed, because I was careful and diligent and good at my job. The truth was that, in all those years, I hadn't written anything important enough to suppress'.
You can catch me at my handle and at The Hollywood News.
32 of 39 people found this review helpful.
Was this review helpful to you?
| Report this
The longer I cogitate on Michael Cuesta's KILL THE MESSENGER, the more I realise just how unobtrusively compelling this film truly is.
Inspired by the life of Pulitzer prize-winning journalist Gary Webb (Jeremy Renner) and his 'Dark Alliance' exposé on the explosion of crack cocaine in the United States (which inevitably ruined his career), the film draws attention to the power and reach of fourth and fifth estate journalism and to the subjective objectivism of its gatekeepers.
Having said all that, if you take the time to reach beyond this controversial surface story and embrace Sean Bobbitt's intimate framing and selective foci, you'll discover Gary; a doggedly passionate and humanly flawed individual whose good intention to report a story 'just too true to tell' results in an overwhelmingly biased and unfair challenge on his credibility and integrity with devastating consequences.
Renner's (THE HURT LOCK, THE BOURNE LEGACY) performance is captivating in its subtlety; allowing momentary characters including Norwin Meneses (Andy Garcia), Fred Weil (Michael Sheen) and Jerry Ceppos (Oliver Platt) to drive the story's factual elements in a similar manner experienced by Webb. The use of medium and close-up shots and oscillating lighting gives you a bird's eye view to Renner's struggles as the voraciously shocking professional and personal smear campaign takes its toll. Renner becomes more unashamedly haggard with dwindling moments of indignation on screen at each roadblock. It may also explain why Cuesta opted to gloss over the pivotal points of this sad story and tie it up in Webb's panegyric acceptance speech and closing title card.
Overall, I quite enjoyed this film and would recommend that you take some time out to see it. Sure it has its flaws –but so does Gary Webb and the story itself - but that's why it works. As Webb said on reflection 'The reason I'd enjoyed such smooth sailing for so long hadn't been, as I'd assumed, because I was careful and diligent and good at my job. The truth was that, in all those years, I hadn't written anything important enough to suppress'.
You can catch me at my handle and at The Hollywood News.