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Kill the Messenger (2014)

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Based on the true story of journalist Gary Webb. The film takes place in the mid-1990s, when Webb uncovered the CIA's past role in importing huge amounts of cocaine into the U.S. that was ... See full summary »

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3 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Quail's Girlfriend
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L.A. Sheriff
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DEA Agent
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Bob
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Eric Webb
Parker Douglas ...
Christine Webb
Kai Schmoll ...
Sacramento Journalist
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Rich Kline (as Josh Close)
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Rafael Cornejo
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Storyline

Based on the true story of journalist Gary Webb. The film takes place in the mid-1990s, when Webb uncovered the CIA's past role in importing huge amounts of cocaine into the U.S. that was aggressively sold in ghettos across the country to raise money for the Nicaraguan Contras' rebel army. Despite enormous pressure not to, Webb chose to pursue the story and went public with his evidence, publishing the series "Dark Alliance". As a result he experienced a vicious smear campaign fueled by the CIA. At that point Webb found himself defending his integrity, his family, and his life. Written by Milena Joy Morris

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Taglines:

How the CIA's crack-cocaine controversy destroyed journalist Gary Webb See more »


Motion Picture Rating (MPAA)

Rated R for language and drug content | See all certifications »

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Details

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Release Date:

9 October 2014 (Hungary)  »

Also Known As:

Secret d'état  »

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Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend USA:

$941,809, 10 October 2014, Limited Release

Gross USA:

$2,450,846, 27 January 2015
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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When working on the newsroom sets inside the Georgia Archives, the filmmakers and actors were all too aware that the milieu which the crew had painstakingly re-created was a vanished one; the profession and work environments that Gary Webb staked his reputation on and in, pursuing his leads in person, changed drastically in the years just following his efforts. Screenwriter Peter Landesman commented: "Newspapers don't have the resources they used to; they can't afford to spend a year on a story any more, and we now get superficial layers of understanding what is happening - especially with our government." See more »

Goofs

Jerry Ceppos announces that Gary has been named the National Press Association's Journalist of the Year. There is no such thing as the National Press Association. He was named Journalist of the Year by the Bay Area Society of Professional Journalists. This is why he is speaking at the SPJ awards at the end of the film. See more »

Quotes

[first lines]
Richard Nixon: Public enemy number one in the United States is drug abuse. In order to fight and defeat this enemy, it is necessary to wage a new, all-out offensive.
Gerald Ford: For nearly a year, I have been devoting increasing attention to a problem which strikes at the very heart of our national well-being: Drug abuse.
Jimmy Carter: I did not condone any drug abuse, and we'll do everything possible to reduce this serious threat to our society.
Ronald Reagan: Drugs are menacing our society. They're threatening our values and ...
[...]
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Crazy Credits

Just before the closing credits, there is a short video showing the real Gary Webb at home with his children. See more »

Connections

Featured in Filming in Georgia (2015) See more »

Soundtracks

Ritmo Del Sol
Written and Performed by Enzo Villaparedes
Courtesy of LMS Records
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User Reviews

 
Superb acting,writing & three interwoven themes: government corruption, whistle blower retaliation, rare integrity
13 October 2014 | by See all my reviews

I drove 140 miles, round trip, in foreboding weather, to attend the nearest U.S. opening.

It was well worth it.

First some context.

I've freelanced for decades, including during a war, successfully exposed major governmental corruption, weathered concerted retaliation and have been regularly appalled at the weakness of corporate, bureaucratic and political weasels who abandoned ideals, professionalism and integrity, "going along to get along." I was aware of Webb's writing and vilification at the time they occurred, in the late '90s, but for over 50 years I had a front row seat for even pre-Nixonian "drug wars" through the "crack epidemic," genocidal American imperialism, and the treatment of many other reporters who dared challenge the status quo, who had the courage to painfully examine the quaint and naive notion of collective national decency.

Webb's story, so artfully recounted and performed, was unfortunately true. He was accused of distorting the actuality of Reagan-era hypocrisy, but his reporting was accurate. He never accused the CIA of intentionally destroying the social fabric of minority communities, but made it clear that Harlem and Watts and Chicago's South Side were victims of "collateral damage," the inevitable consequences of the abandonment of any pretense of morality ostensibly possessed by the Reagan administration.

Indeed, spurred by new information about the practice of questionable property seizures, Webb had once again picked at the scab covering the decade-old, gangrenous infestation of our government, later well described by Robert Parry in his October 2004 Salon piece, "How Kerry exposed the Contra-cocaine scandal." To get the story, Webb had exposed himself to blood curdling danger, both at his own home in the U.S. and on the scene, in Central America.

Perhaps the worst betrayal of public trust by this film is depicted in recapitulation of the collective response of the New York Times, the Washington Post and the Los Angeles Times, after being pressured by the CIA and the State Department. The papers' responded with hyperactive involvement in the personal destruction of Webb's reporting, reputation and life. Previously. the same papers, pressured by Reagan administration officials, buried Senator John Kerry's investigation, and shared subsequent malfeasance in their facilitating the Bush/Cheney administration's illegal and genocidal invasion and occupation of Iraq.

The NY Times and Post had some odious history themselves. Reporters Ray Bonner and Alma Guillermoprieto were reassigned to boring beats after their courageous exposure of the incredibly savage El Mozote Massacre in El Salvador.

There, the U.S. trained, funded and armed Atlacatl Battalion murdered almost a thousand peasants, largely neutral evangelical Protestants, and mostly women and children, on December 11, 1981. Stanley Miesler's El Mozote Case Study, published in the Columbia Journalism Review, exhaustively documented their fates.

This film captured all those similar disgraceful elements. It needs to be seen by a wider audience just as it would be wise to make "Dr. Strangelove" part of a core curriculum in the formal education of American adolescents.


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