Ron Stallworth, an African American police officer from Colorado Springs, CO, successfully manages to infiltrate the local Ku Klux Klan branch with the help of a Jewish surrogate who eventually becomes its leader. Based on actual events.
John David Washington,
Circa 1969, several strangers, most with a secret to bury, meet by chance at Lake Tahoe's El Royale, a rundown hotel with a dark past. Over the course of one night, everyone will show their true colors - before everything goes to hell.
Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
A Biopic on the life of the legendary American Astronaut Neil Armstrong from 1961-1969, on his journey to becoming the first human to walk the moon. Exploring the sacrifices and costs on the Nation and Neil himself, during one of the most dangerous missions in the history of space travel.Written by
In this film Bob Gilruth is depicted as having a full head of hair and Buzz Aldrin is bald. In real life, at the time of the Apollo Program Gilruth was bald and Aldrin had hair. See more »
Jan, you have to trust us. We've got this under control.
No, you don't. All these protocols and procedures to make it seem like you have it under control. But you're a bunch of boys making models out of balsa wood! You don't have anything under control!
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Overall, I have to say, I found this pretty boring. Felt like I'd gone to church or something, if you can dig that type of boredom. Kind of a bewildered boredom that you can't put your finger on, but you know you'd have rather been doing something else. Almost anything else.
Yes, it told the story from the human side, from the side of a father and husband. Yes it was nice that the film wasn't over-glamorised with a whole heap of American chest-beating and back-slapping; if anything it showed the petty pride of the space race perhaps for what it was: a dick-swinging contest. And yes, it showed just how primitive 60s tech was, as though they were being strapped into a rocket-tomb. But boy is this film dry. When it ended I felt underwhelmed and wanting more.
Great acting from the two leads, who held the space really well. Certainly didn't find this 'visually stunning' as some reviews have said; I thought the visual treatment of the film was well considered and appropriate in that it felt very mid 60s. In fact, that's how I'd describe the film: considered and appropriate. Except for the music/score, which was c grade. But do we go to films because they're considered and appropriate? I know my father does. Yawn.
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