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First Man (2018)

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In 38 theaters near Ashburn VA US [change]

A look at the life of the astronaut, Neil Armstrong, and the legendary space mission that led him to become the first man to walk on the Moon on July 20, 1969.

Director:

Damien Chazelle

Writers:

Josh Singer (screenplay by), James R. Hansen (based on the book by)
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Which Blockbusters Did Ryan Gosling Turn Down?

When you're two-time Oscar nominee and global fan favorite Ryan Gosling, sometimes it seems you can do whatever you want, like turning down some of Hollywood's hottest roles.

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Cast

Cast overview, first billed only:
Ryan Gosling ... Neil Armstrong
Claire Foy ... Janet Armstrong
Jason Clarke ... Ed White
Kyle Chandler ... Deke Slayton
Corey Stoll ... Buzz Aldrin
Patrick Fugit ... Elliott See
Christopher Abbott ... Dave Scott
Ciarán Hinds ... Bob Gilruth
Olivia Hamilton ... Pat White
Pablo Schreiber ... Jim Lovell
Shea Whigham ... Gus Grissom
Lukas Haas ... Mike Collins
Ethan Embry ... Pete Conrad
Brian d'Arcy James ... Joe Walker
Cory Michael Smith ... Roger Chaffee
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Storyline

A Biopic on the life of the legendary American Astronaut Neil Armstrong from 1961-1969, on his journey to becoming the first human to walk the moon. Exploring the sacrifices and costs on the Nation and Neil himself, during one of the most dangerous missions in the history of space travel. Written by Matthew Villella

Plot Summary | Add Synopsis

Taglines:

One giant leap into the unknown. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some thematic content involving peril, and brief strong language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

12 October 2018 (USA) See more »

Also Known As:

First Man See more »

Filming Locations:

Atlanta, Georgia, USA See more »

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Box Office

Budget:

$60,000,000 (estimated)

Opening Weekend USA:

$16,006,065, 14 October 2018, Wide Release

Gross USA:

$21,435,050, 18 October 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Atmos

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Actor Ryan Gosling first discovered Armstrong's love of the Theremin during his background research with Armstrong's family and friends. He brought it to Damien Chazelle and Justin Hurwitz's attention, who later chose to include the strange instrument in the score. See more »

Goofs

Transmissions between the earth and the Apollo capsule as it neared the moon were shown as comments and instant responses while, in fact, the moon is 240,000 miles away and there is a 1.4 second delay in the time it takes for electronic signals to travel that distance. Thus, a comment on one end would take 1.4 seconds to reach the receiver with another 1.4 seconds for the response - a total of 2.8 seconds minimum between making a comment and receiving a response. See more »

Quotes

Deke Slayton: We've got this under control.
Janet Armstrong: You're a bunch of boys making models out of balsa wood! You don't have anything under control!
See more »

Crazy Credits

Near the end of the closing credits, the music is replaced by radio chatter from the mission. See more »


Soundtracks

SURE OF LOVE
Written by George Goldner,Stuart Wiener
Performed by The Chantels
Courtesy of Rhino Entertainment Company
By arrangement with Warner Music Film & TV Licensing
See more »

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User Reviews

 
First Man (to leave the theater)
15 October 2018 | by marconjxSee all my reviews

In my opinion First Man fails on multiple levels. From a historical perspective, there is nearly no conveyance to the audience about the political motivation that was behind the entire program to get an American on the Moon before the Soviets. The Soviets' lead in the "space race" prior to the Apollo program had been considered an existential threat in the struggle for the hearts and minds of humanity and the American government considered it essential to win the race to the Moon. While the American flag is seen at a distance next to the lunar module, the actual planting of the flag on the moon was, in a certain sense, the entire raison d'être for the Apollo program and yet this moment was completely ignored by director Chazelle, making such a blatant omission seem an intentional anti-American political statement. From a cinematic perspective, Chazelle seems obsessive in his constant use of closeups for even mundane moments and downright abusive in his use of "shaky shots" during moments of physical trauma. I always feel "cheated" when a director wimps out by an excessive use of shaky-shots as a cheap way to avoid the expense and creative effort otherwise required to depict what is actually happening to cause trauma. From an acting and character development perspective, none of the characters gain our sympathy or empathy in this film. Its as if they are all reading their lines from a script rather than investing themselves with the spirit of the people they are supposed to be portraying. Armstrong, in particular, is portrayed by Gosling as extremely unemotional and cool, even when saying goodbye, perhaps forever, to his wife and children. And while Armstrong may or may not have been that way, it seems overdone in this film. Strangest of all was Claire Foy's depiction of Janet Armstrong who is portrayed as constantly annoyed with her husband and resentful of the sacrifices he had to make as the first human selected to set foot on the moon. I find it hard to believe that Armstrong's wife could have been this way in reality and if she was not then Chazelle and Foy have done her a great disservice. Finally, from a story-arc perspective, the movie's pace is plodding with Chazelle spending way too much time on the familial interactions of the Armstrong clan. While this may stem from the fact the movie was based on a biography of Armstrong rather than upon a depiction of the Apollo mission itself, the fact that this was, as far as I know, the first major cinematic portrayal of mankind's first voyage to the moon really deserved a much more expansive treatment than it receives in this film. I am confident that this film will not be, nor should it be, the definitive telling of America's triumphant landing of man on the moon, a story that is epic and will require a director with an epic vision to tell the tale. It is with regret that I say that this movie and this director were not up to that task.


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