Circa 1968, several strangers, most with a secret to bury, meet by chance at Lake Tahoe's El Royale, a rundown hotel with a dark past. Over the course of one night, everyone will show their true colors - before everything goes to hell.
Stephanie is a single mother with a parenting vlog who befriends Emily, a secretive upper-class woman who has a child at the same elementary school. When Emily goes missing, Stephanie takes it upon herself to investigate.
A Biopic on the life of the legendary American Astronaut Neil Armstrong from 1961-1969, on his journey to becoming the first human to walk the moon. Exploring the sacrifices and costs on the Nation and Neil himself, during one of the most dangerous missions in the history of space travel.Written by
Original music composed by Justin Hurwitz features various uncommon instruments including theremin (which Hurwitz had learned to play and his performances are in the final score), Moog synthesizer and an Echoplex which give the score its uniqueness. He also rerecorded a string orchestra being played back through a Leslie rotor cabinet to create special sound effects. See more »
Armstrong is shown being introduced to Buzz Aldrin and Roger Chaffee in August 1965 as though he hadn't met them before. They had actually been selected into the space program in October 1963 so Armstrong would have known them quite well by then. In the same conversation he is told that Dave Scott has been assigned to be his pilot on Gemini 8. Scott was in the same astronaut group as Aldrin and Chaffee. See more »
"First Man," the highly anticipated (partial) bio-pic about Neil Armstrong, the commander of NASA's Apollo 11 mission and the first man (thus the title) to walk on the moon, is a muddled mess.
Director Damien Chazelle's film-making choices, from shaky, way-too-close cinema verite close-ups and long, long silences (OK, OK, we know Neil Armstrong was a Silent Sam type) to banging, shaking, roaring and rattling blackout shots where the viewer can't understand what's going on, to lack of exposition (about precisely that -- what's going on), to Armstrong's constantly angry wife, are not only disorienting, but unpleasantly distracting.
This film can't hold a candle to superior films like "The Right Stuff," "Apollo 13," or the excellent made-for-cable HBO series "From the Earth to the Moon."
Neil Armstrong deserved much better than this.
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