Juggling angry Russians, the British Mi5, and an international terrorist, debonair art dealer and part-time rogue Charlie Mortdecai races to recover a stolen painting rumored to contain a code that leads to lost gold.
In the 1930s, an elderly Tonto tells a young boy the tale of John Reid, the Lone Ranger. An idealistic lawyer, he rides with his brother and fellow Texas Rangers in pursuit of the notorious Butch Cavendish. Ambushed by the outlaw and left for dead, John Reid is rescued by the renegade Comanche, Tonto, at the insistence of a mysterious white horse and offers to help him to bring Cavendish to justice. Becoming a reluctant masked rider with a seemingly incomprehensible partner, Reid pursues the criminal against all obstacles. However, John and Tonto learn that Cavendish is only part of a far greater injustice and the pair must fight it in an adventure that would make them a legend.Written by
Kenneth Chisholm (firstname.lastname@example.org)
Gore Verbinski, Jerry Bruckheimer, Armie Hammer, and Johnny Depp openly criticized the American critics' The Lone Ranger (2013) reviews, with Depp saying "the reviews were written seven to eight months before we released the film." Bruckheimer felt the film was overlooked and that critics "were reviewing the budget, not reviewing the movie." It was also the similar manner of speaking when compared to John Carter (2012), when critics criticized the film by its similar problems, but not the film itself. Armie Hammer shared a very interesting point on the matter, "If you go back and read the negative reviews, most of them aren't about the content of the movie, but more what's behind it. It's got to the point with American critics, where if you're not as smart as Plato, you're stupid. That seems like a sad way to live your life. While we were making it, we knew people were gunning for it. I think it was the popular thing when the movie hit rocky terrain, they jumped on the bandwagon to try and bash it. They tried to do the same thing with World War Z (2013), it didn't work, the movie was successful. Instead, they decided to slit the jugular of our movie." See more »
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The early signs were not good, tales of production problems galore and early critical notices wading in to kick the film before it had even had a run at the theatres. The Lone Ranger seemed destined to be a blockbuster stinker. Yet in spite of it noticeably alienating original Lone Ranger purists, and some Western lovers as well, for a rollicking action fun packed time then Gore Verbinski's movie delivers in spades.
It's awash with the serial silliness of adventure films and TV shows of yore, pitching good guys against bad guys with buddy buddy shenanigans pulsing away at the core. The stunts are outrageously enjoyable, the landscape photography as beautiful as it is respectful in homage to past masters of the Western genre, while in Depp's Tonto there's a bona fide hero to root for just as much as he makes you laugh out loud.
This is an origin story, a tale of how John Reid (Armie Hammer) became The Lone Ranger, and of course how the noble steed Silver and Indian side-kick Tonto became integral to his villain fighting ways. Tom Wilkinson and William Fitchner file in for polar opposite villain duties, the former is the weasel business man trying to mould the West in is own image, the latter a repugnant psychopath with a penchant for eating human hearts! Then Helena Bonham Carter wanders in from some Grindhouse movie for a couple of cameos that are resplendent with sexual energy.
It's all very wacky and wild, and rightly so, but this is not at the expense of very good story telling. Some parts of the narrative could have been trimmed, but as the bromance builds between our two heroes, and Silver gets up to all sorts of comedy horse escapades, there's nary a dull moment here. Producer Jerry Bruckheimer and director Verbinski throw all the action staples into the pot. Chases, fights, swinging from ropes, shoot-outs, people dangling from speeding train (pic is bookended by awesome train sequences), grisly deaths and on it goes from start to end.
There's caustic asides to the machinations of organisations of the time, from railroad magnates to the cavalry, while the catchphrases and legends of The Lone Ranger TV series are deftly inserted into the tale. It was interesting to see Depp come out and defend the movie against those damning early critic reviews, it's not something he does, being as he is very much a guy who sees acting as just a job. Bruckheimer, Hammer and Verbinski backed Depp up, stating that some reviews were written before the film had even been released, the big budget and production problems clearly making this a big stinker
Not so, it's certainly not flawless, and those seriously into anachronisms are likely to have kittens. But if you haven't seen it yet, if you was put off by the venomous early reviews, then give it a chance, you may just be surprised at just how entertaining it is. It also looks and sounds brilliant on Blu-ray, where repeat viewings even show Hammer to be better than first thought as that masked man. 8.5/10
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