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Moneyball (2011)

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Oakland A's general manager Billy Beane's successful attempt to assemble a baseball team on a lean budget by employing computer-generated analysis to acquire new players.

Director:

Bennett Miller

Writers:

Steven Zaillian (screenplay), Aaron Sorkin (screenplay) | 2 more credits »
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1,636 ( 109)
Nominated for 6 Oscars. Another 29 wins & 75 nominations. See more awards »

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Cast

Cast overview, first billed only:
Brad Pitt ... Billy Beane
Jonah Hill ... Peter Brand
Philip Seymour Hoffman ... Art Howe
Robin Wright ... Sharon
Chris Pratt ... Scott Hatteberg
Stephen Bishop ... David Justice
Reed Diamond ... Mark Shapiro
Brent Jennings ... Ron Washington
Ken Medlock ... Grady Fuson
Tammy Blanchard ... Elizabeth Hatteberg
Jack McGee ... John Poloni
Vyto Ruginis ... Pittaro
Nick Searcy ... Matt Keough
Glenn Morshower ... Ron Hopkins
Casey Bond ... Chad Bradford
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Storyline

Oakland A's GM Billy Beane is handicapped with the lowest salary constraint in baseball. If he ever wants to win the World Series, Billy must find a competitive advantage. Billy is about to turn baseball on its ear when he uses statistical data to analyze and place value on the players he picks for the team. Written by Douglas Young (the-movie-guy)

Plot Summary | Plot Synopsis

Taglines:

What are you really worth?

Genres:

Biography | Drama | Sport

Motion Picture Rating (MPAA)

Rated PG-13 for some strong language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

23 September 2011 (USA) See more »

Also Known As:

Moneyball See more »

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Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend USA:

$19,501,302, 25 September 2011, Wide Release

Gross USA:

$75,605,492, 29 January 2012

Cumulative Worldwide Gross:

$110,206,216, 2 February 2012
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | Datasat | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Arliss Howard, who plays the owner of the Boston Red Sox, is the same actor to play the adult "Smalls" from "The Sandlot". Brad Pitt even gives the movie a nod when he mentions "the Great Bambino". See more »

Goofs

In a flashback where Billy Beane is playing for the Mets, he strikes out swinging and the umpire yells "strike three." It is universal professional umpire protocol to only vocalize called strikes. Swinging strikes are always indicated by hand signals only. See more »

Quotes

Billy Beane: Guys, you're just talking. Talking, "la-la-la-la", like this is business as usual. It's not.
Grady Fuson: We're trying to solve the problem here, Billy.
Billy Beane: Not like this you're not. You're not even looking at the problem.
Grady Fuson: We're very aware of the problem. I mean...
Billy Beane: Okay, good. What's the problem?
Grady Fuson: Look, Billy, we all understand what the problem is. We have to...
Billy Beane: Okay, good. What's the problem?
Grady Fuson: The problem is we have to replace three key players in our lineup.
Billy Beane: Nope. What's the problem?
Pittaro: Same as it's ever been. ...
[...]
See more »

Connections

Featured in The 84th Annual Academy Awards (2012) See more »

Soundtracks

The Mighty Rio Grande
Written by Christopher Royal King, Jeremy Adam Galindo, Raymond Joseph Brown, and Andrew Thomas Miller
Performed by This Will Destroy You
Courtesy of Magic Bullet Records
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Frequently Asked Questions

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User Reviews

 
More than a game of numbers
1 October 2011 | by napierslogsSee all my reviews

It has long been said that professional sports are more a game of politics than an actual game. Major League Baseball is not just a game of money, but in "Moneyball" it's a game of numbers versus a game of people. It's callousness at its highest when general managers trade away people as if they're objects with little regard for them or their family. Brad Pitt as Billy Beane, the GM of the Oakland As, seems to take that even further, treating people as if they are only numbers, and yet there was something refreshing and humanistic about the whole thing.

It's 2001 and Oakland has just lost to the New York Yankees in the playoffs, not surprising, seeing as their payroll was 76 Million dollars less. The humour of "Moneyball" starts in the off-season when the team can't afford to keep their top players and Beane and his experienced scouts start tossing around some free agent ideas. One guy is no good because he frequents strip clubs too often, another guy is no good because his girlfriend is ugly, and on down the list they go. But then Beane meets Yale-educated, economics-, mathematics-, and computer-whiz, baseball fan, Peter Brand (Jonah Hill). He has no experience and he doesn't know these players. He doesn't know if they stand funny or if they swing ugly. He only knows their stats and their salary.

A lot of people took offense to Beane's approach of degrading players down to the sum total of their on-base percentage and runs-in potential. But I liked it. Since the game of baseball isn't changing any time soon and players will always just be elements that can help win games and make more money, why not view them as numbers rather than as people with ugly girlfriends? Like Peter Brand, I like numbers.

It's a movie about doing more with less, so I think we're just supposed to ignore the irony that they needed an excessively high budget to make it. In fact, it cost Sony Pictures more money to make this movie than it cost the Oakland A's to field their entire team for a season. Oh well, only one lesson for Hollywood at a time, and I still liked the movie.

For a movie about people trying to change the game of baseball, it's only fitting that they are changing the sports genre. This isn't about the team and how many games they're going to win. As in all cases, they win some and they lose some. And we really only meet one player, the rest are just names thrown in the air. The movie is about Billy Beane, a real person, and a multi-dimensional character. At first he realizes that he is going to have to play the game with more than just money, and then after he makes it about numbers too, he finds a balanced statistical and personal concept.

"Moneyball" says that the game is about money, but the movie is about people. Writer Aaron Sorkin knows how to write people, and as evidenced by "The Social Network" (2010), he also knows how to turn computer-programming into riveting cinema. We find humour in the least-expected of places, we find heart in the least-expected of people, and 'Moneyball" gives us a completely enjoyable movie that becomes so much more than numbers.


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