La rabbia (2008)

A young director, lives with a girl. His only aim is to leave a footstep of his presence on this world realizing a film.

Director:

Louis Nero

Writers:

Louis Nero (story and screenplay), Timothy Keller (screenplay)

Stars:

Franco Nero, Nico Rogner, Giorgio Albertazzi

1 nomination.

Cast

Cast overview, first billed only:
Franco Nero	...	Mentore
Nico Rogner	...	Il regista
Giorgio Albertazzi	...	Produttore commerciale
Tinto Brass	...	Primo produttore
Lou Castel	...	Spazzino
Arnoldo Foà	...	Attore
Antonella Salvucci	...	Segretaria del primo produttore
Philippe Leroy	...	Nonno
Corso Salani	...	Primo sceneggiatore
Faye Dunaway	...	Madre
Corin Redgrave	...	Producer 1
Giampiero Lisarelli	...	Secondo sceneggiatore
Hal Yamanouchi	...	Personaggio orientale
Jun Ichikawa	...	Ragazza Cics
Barbara Enrichi	...	Segretaria

Storyline

A young director years old, lives with a girl. Active part of the Intellectual society, he represents perfectly the union between fear and determination, that changes deeply his way of understanding the world that surrounds him. His only aim is to leave a footstep of his presence on this world realizing a film.

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Plot Keywords:

director | surrealism | green light | blue light | set | 

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Genres:

Drama

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Details

Official Sites:

MySpace

Country:

Italy

Language:

Italian English

Release Date:

28 February 2008 (Italy)

Filming Locations:

Finale Ligure, Savona, Liguria, Italy

Company Credits

Production Co:

L'Altrofilm

Technical Specs

Runtime:

104 min

Color:

Color

User Reviews

The worst two hours of the last six months

La Rabbia of Louis Black, beyond a reasonable doubt, is a bad film. The continuous search for the director's approach to the atmospheres of Fellini's films, not only in this movie, maybe they're bringing it near the area of activity of the master but the smell is felt in the Nero's films is that of chemical baths used for the filming of 'Interview'. Of all the film is saved only the good soundtrack, everything else, to paraphrase trivially a singer, is boredom. Even the dream visions or passages that, presumably, could have interesting implications, they can attempt to ridicule the emancipation of the director of the true cinema. The director's desire to free himself from the shapeless and consistent mass may be appreciable, however, managed to bring in any place other than the utter emptiness that is the frightening lack of gravity in which La rabbia is floating.