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Gran Torino (2008)

R | | Drama | 9 January 2009 (USA)
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Disgruntled Korean War veteran Walt Kowalski sets out to reform his neighbor, a Hmong teenager who tried to steal Kowalski's prized possession: a 1972 Gran Torino.

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(screenplay), (story) | 1 more credit »
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Top Rated Movies #161 | Nominated for 1 Golden Globe. Another 20 wins & 17 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Walt Kowalski
... Father Janovich
... Thao
... Sue
... Mitch Kowalski
... Karen Kowalski
... Ashley Kowalski
... Steve Kowalski
... Barber Martin
... Tim Kennedy
... Vu
Chee Thao ... Grandma
Choua Kue ... Youa
... Trey (as Scott Reeves)
Xia Soua Chang ... Kor Khue
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Storyline

Walt Kowalski is a widower who holds onto his prejudices despite the changes in his Michigan neighborhood and the world around him. Kowalski is a grumpy, tough-minded, unhappy old man who can't get along with either his kids or his neighbors. He is a Korean War veteran whose prize possession is a 1972 Gran Torino he keeps in mint condition. When his neighbor Thao, a young Hmong teenager under pressure from his gang member cousin, tries to steal his Gran Torino, Kowalski sets out to reform the youth. Drawn against his will into the life of Thao's family, Kowalski is soon taking steps to protect them from the gangs that infest their neighborhood. Written by alfiehitchie

Plot Summary | Plot Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for language throughout, and some violence | See all certifications »

Parents Guide:

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Details

Country:

|

Language:

|

Release Date:

9 January 2009 (USA)  »

Also Known As:

Гран Торино  »

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Box Office

Budget:

$33,000,000 (estimated)

Opening Weekend USA:

$271,720, 14 December 2008, Limited Release

Gross USA:

$148,095,302, 18 June 2009

Cumulative Worldwide Gross:

$269,958,228, 18 June 2009
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

Walt Kowalski's gun collection seems to consist of weapons he used in the military. His rifle is an American M1 Garand, a 9.5lb .30-06 gas-operated rifle. It was first issued during WWII, then re-issued in Korea before being phased out by the M14 selective fire .308 rifle. His pistol is an M1911A1, a .45 ACP semi-automatic handgun also issued during the Korean war. See more »

Goofs

When the Hmong gangbangers drive up to the Mexican gangbangers, Spider drives, forward, then drives in reverse without changing gears. Then a break in the scene shows his car's backup lights. See more »

Quotes

[first lines]
Al: God, I am sorry for Dorothy, Walt. She was a real peach.
Walt Kowalski: Thanks for coming, Al.
See more »

Crazy Credits

The credits scroll over a highway overlooking the lake shore, with the Warner Logo appearing in black and white. See more »

Connections

Referenced in Sully (2016) See more »

Soundtracks

We Don't F* Around
Written and Performed by Budd-O, L.B. & Buddah
Courtesy of Kingpen Records
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Frequently Asked Questions

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User Reviews

 
Sour Humour and Pure Badassery
27 January 2009 | by See all my reviews

If movies like Indiana Jones, Iron Man and The Dark Knight were the thoroughbred hits of 2008, then Clint Eastwood's Gran Torino is the dark horse. This rousing crowd-pleaser is sure to surprise many, through its copious sour humour and pure badassery, while managing to still be an affecting and sombre dramatic entry in Eastwood's long-enduring and wildly successful career in front of and behind the camera.

You know that a movie has something going for it when it can a) pack in so many one-liners you can't bring yourself to remember them after the show from oversaturation of the brain, b) be unboundedly racist yet still never seen exploitative or condescending and c) make a pure, grit- and-nails, grimacing anti-hero, one man army out of a seventy-eight year old man. What is likely to surprise the most number of viewers is how funny this movie really is. Eastwood's direction and line delivery as a diamond-hard antisocial veteran is bang-on, but never makes the film into a farce or embarrassment. This is due in part to the handling of the more touching dramatic moments which anchors the film in reality and reminds us of what is at play, so to speak.

Following the death of his wife, Walt Kowalski (Eastwood) has nothing left but his dog to truly be with. His two sons and their families drift in and out, but Walt's less then cheerful demeanour and their impartiality keeps them in different worlds and in different times. Walt is peppered by visits from Father Janovich (Christopher Carley) of the local church at the request of his late wife to 'keep an eye on him', but has little place for religion on his heavy conscience; about as much time as he has for his new Hmong neighbours that move in next door. That is until the family's youngest son Thao (Bee Vang) begins to be harassed by a local gang who persuade him to steal Walt's prized Gran Torino as initiation. Saving Thao in an ensuing altercation, Walt sweeps the fatherless teen away from the pressures of the criminal life and puts him to work at the request of his mother. Thao and his sister Sue (Ahney Her) befriend Walt in a way, and for a reason none can truly explain.

All of the Hmong actors in Gran Torino are pure novices who have never acted before and this is readily apparent. While a weak link, the film as a whole is so satisfying it is really a moot point as it serves as no thorough determent. The arc of Walt is simple and easy to predict, but then anything but would not work. Many scenes with the cultural clashes are funny and touching as with an unspoken dynamic with the elderly grandmother of the Lor family next door. A number of exchanges between the few remaining people in Walt's life who he still respects such as his barber and a construction worker who gets Thao a job, are nothing short of comic genius and piece the Walt character into a true three- dimensional individual.

With a great song by Jamie Cullum to conclude the film (which stands as a horrendous Oscar snub, equalled only by the additional snub of the Bruce Springsteen Song from The Wrestler), Gran Torino is a pure gem; a film that both draws unexpected laughs, soft smiles and tears from an audience that is happy to oblige, as well as salute a screen legend in another iconic role that proves even at an old age a dark horse can still kick you in the face.


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