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Pound of Flesh (2010)

R | | Crime, Drama, Thriller | 2010 (USA)
Based on true events: Noah Melville (Malcolm McDowell), a popular college professor and confirmed sensualist, provides scholarships for gorgeous college girls through an escort service, ... See full summary »

Director:

Tamar Simon Hoffs
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Cast

Cast overview, first billed only:
Malcolm McDowell ... Professor Noah Melville
Ashley Wren Collins ... Marina Carlson
Timothy Bottoms ... Cameron Morris
Whitney Able ... Rachel Fry
Lilly McDowell ... Evelyn Scott
Taryn Southern ... Dyonesia Cosa
Angus Macfadyen ... Detective Patrick Kelly
Robert Harvey ... Mayor (as Robert H. Harvey)
Eric Chaikin Eric Chaikin ... Desk Captain
Elizabeth Rodriguez ... Sgt. Rebecca Ferraro
Jeff D'Agostino ... Tom
Shahar Sorek ... Peter
Emily Roche ... Em (as Emily Pardee)
Nichole Joor Nichole Joor ... Student
Dee Wallace ... Dean Jean Clark
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Storyline

Based on true events: Noah Melville (Malcolm McDowell), a popular college professor and confirmed sensualist, provides scholarships for gorgeous college girls through an escort service, whose satisfied clients include the chairman of the school board (Timothy Bottoms), the chief of police, and even the Mayor of their idyllic college town. Written by Anonymous

Plot Summary | Add Synopsis

Plot Keywords:

f rated | See All (1) »

Taglines:

These students are hooked on learning.

Genres:

Crime | Drama | Thriller

Certificate:

R | See all certifications »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

2010 (USA) See more »

Also Known As:

A lányok nem angyalok See more »

Filming Locations:

Los Angeles, California, USA See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color
See full technical specs »
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Did You Know?

Soundtracks

Give / Take
Written by Bay Dariz and Ambre Leigh
Performed by Some Hear Explosions
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User Reviews

 
Bard or Bawd?
30 April 2011 | by mcknSee all my reviews

It would be very easy to sneer at this film. There are certainly flaws enough, but one should remember that a number of people spent a number of months creating a film which is not pornography, an action epic or teen horror extravaganza. More to the point, it is not an "art house" film either, so, in my book, some folk had faith in it and it deserves more than a shrug.

The positives: Malcolm McDowell – an actor who has specialised in off-the-wall roles from Anderson's anti-establishment films and Kubrick's "Clockwork Orange" , to the earnest, wife-loving Shakespeare lecturer who is also, with the best of intentions, a pimp.

His classes of nubile young students, who would, in the normal course of events, be screwing spotty undergraduates, are actually occasionally screwing very wealthy, if elderly, men in exchange for scholarships. Is this a problem? It depends on your point of view, and this gives the film its saving interest.

The opening shots leave one in no doubt that this is a film aimed at a "mature" audience. Things go wrong in a way which ensures that we drop into Professor Noah Melville's world at a point when it is about to unravel (His name is a rather forced amalgam of American literature and the Bible).

McDowell is an actor. He carries and almost saves the film. His Melville neither tastes his own wares nor benefits financially. He merely harnesses the "summer seeming lust" to get his students free education. Unfortunately not all of his clients are as high-minded.

Enter the negatives. The film loses its grip and spins into the bushes. A detective (Macfadyen), a cliché of the misunderstood divorced cop with food in one hand and a faint glint in the eye when he remembers why he joined the force before disillusionment and a justified killing, bumbles through a script Shakespeare could not save. If ever a character was created by a committee, this is it. His partner I shall not name because she will want to forget this film, as will several young women whose talents do not stretch to acting. It is a great pity that a thought-provoking idea was allowed to die on the altar of cast budget.

Does the film make one think? Yes, but mainly about how much better it could have been. The director has tried to span too large a ravine between an intelligent college human interest story like Educating Rita, and a poor man's Lethal Weapon. I'm afraid the film falls into the sad category of "nice try".


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