Bertram Pincus is a man whose people skills leave much to be desired. When Pincus dies unexpectedly, but is miraculously revived after seven minutes, he wakes up to discover that he now has the annoying ability to see ghosts.
It's 1973 in Cemetery Junction, a Reading suburb. Three working class lads, best friends, are coming of age. Freddie wants to rise above his station, taking a job selling life insurance, wearing a suit and tie. Snork works at the railway station and wants a girlfriend some day. Bruce talks of leaving but seems on track to work at a factory, drink and fight, and become like his dad, in front of the telly with beer on hand; and he's trying the patience of the police officer who gets him out of jams. Freddie's job leads the lads toward a few small changes. He runs across a childhood friend, Julie, his boss's daughter who's engaged to the firm's top seller. Can the lads break out? Written by
The film is set in 1973, yet all of the trains seem are in liveries from the 1960's. (While it is true that the last of the crimson coaches weren't repainted until 1974, by 1973 almost all locomotives were blue and coaches blue or blue and grey.) See more »
Frederick Taylor. Freddie Taylor. Welcome to Vigilant Life Assurance. I see you grew up in Cemetery Junction. Went to Stone Meade, the worst school in the south of England.
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Good...Reminiscent of other films, but its not something that has not been told before
I can't say I'm disappointed in this film, because with Ricky's touch few things can remain boring, or uninteresting. If you have seen Ricky interviewed about this film, he'll tell you exactly what influenced him to write and direct this film. However, unlike Invention of Lying which was pretty original, though its influences were clear, one cannot look at Cemetery junction without thinking of the many, many coming to age films he or she has seen. In other words, in his other works, Ricky's influences blend in with his originality and gave a unique product. IN cemetery junction, however, his influences take center stage and dominate the film, not allowing for a great deal of originality to shine through.
This is a solid work from Gervais, and as he says, it is a beautiful love-letter to Britain. It is truly disappointing that Gervais could not make something original out of it. Maybe, I am pursuing this point fiercely, but it is the main problem of the movie. When you look at Cemetery junction, you can not stop to think of endless other films that have pursued the same content. If you are not a big movie buff, or just like to see Gervais and Merchant you won't be disappointed, but you are not going to get a highly original work as The Office.
The acting is also decent at best. The problem with the acting is not the actors themselves, but is their over-dominance on the role. They are not comfortable in playing the characters; they over-react in ways that are truly unnecessary for this film. They all want to take center stage (the main male, central characters), and this need for dominating the role really undermines the true talent that they posses.
I walked out of the theater not disappointed, but not charmed either. I can best describe my immediate reaction as indifference; it was kind of like, "oh, I just watched a Gervais' film that was okay;" unlike the admiration that I had for his TV work or earlier films.
In addition, the music in the film and the soundtrack is very typical of seventies and eighties music. I wish Gervais had chosen varied songs, similar to Tarantino, in his film. He chooses instead a large variety of popular songs by Roxy Music, Springsteen etc. They are too familiar to truly leave an impression on the audience.
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