The license plate '788 KCI' is used twice for a taxi and later for Jack Abraham's private car. See more »
When Jack is shown teaching screen-writing to fellow inmates, he has written on the board the film title 'Papillion' rather than 'Papillon'. See more »
You know, I do a shitload of reading and studying and praying, and I've come to a few conclusions I want to share. People look at politicians and celebrities on the TV and the newspapers, glossy magazines - what do they see? "I'm just like them." That's what they say. "I'm special. I'm different. I could be any one of them." Well guess what, you can't. You know why? Cause in reality, mediocrity is where most people live. Mediocrity is the elephant in the room. It's ubiquitous. ...
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Brief footage of the real Jack Abramoff's introduction speech of Tom DeLay is shown during the end credits. See more »
Written by Shawn Morrison / Adam Francis
Performed by Peep Sho
Courtesy of ReSet Entertainment Group Inc. See more »
Typical HBO style docudrama.
Movies like this, Spinning Boris, Barbarians at the Gate, Recount, bla bla bla... A lot of the reviewers on this board are treating this like a real movie and complaining about the style, the pacing, the acting, or whatever. They don't realize that the HBO docudrama is a genre of its own, and they all are directed like this, and have this kind of music and structure and pacing and so on. If you've seen one, you've seen them all. They are fakey, boringly executed accounts of real things that happened, they feel like they take a million years to watch, and they really only appeal to people the first time they see one.
Republican culture is full of sleazy, cynical con artists with big dreams that hinge on manipulating people and ripping them off. This movie is about two such men, Jack Abramoff and Mike Scanlon, and they are worthless people that no one with a soul can empathize with or relate to at all. Watching them make their plans and cheat people and be disloyal to their friends and lovers is boring. there's no entertainment value to it.
In movies like this it is important for the screenwriters to feel that they've painted their main character as an irascible, charismatic character, rascally and witty, full of little zinger lines and whatnot. The real Jack Abramoff seems to be a boring douchebag, and he probably did constantly do impressions of celebrities, but I doubt he was as interesting to watch as Kevin Spacey (who is not interesting enough to save this movie).
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