The Bourne Legacy (2012)

An expansion of the universe from Robert Ludlum's novels, centered on a new hero whose stakes have been triggered by the events of the previous three films.

Director:

Tony Gilroy

Writers:

Tony Gilroy (screenplay), Dan Gilroy (screenplay)

Stars:

Jeremy Renner, Rachel Weisz, Edward Norton

1 win & 11 nominations.

Cast

Cast overview, first billed only:
Jeremy Renner	...	Aaron Cross
Scott Glenn	...	Ezra Kramer
Stacy Keach	...	Adm Mark Turso USN Ret.
Edward Norton	...	Col Eric Byer, USAF, Ret.
Donna Murphy	...	Dita Mandy
Michael Chernus	...	Arthur Ingram
Corey Stoll	...	Zev Vendel
Alice Gainer	...	Lean Forward MSNBC Anchor
Prue Lewarne	...	CNN Reporter
Howard Leader	...	MSNBC Man Analyst
James Joseph O'Neil	...	Sterisyn-Morlanta Gateman
Rachel Weisz	...	Dr. Marta Shearing
Tony Guida	...	Dr. Benezara
Sonnie Brown	...	Dr. Lieberburg
Neil Brooks Cunningham	...	Dr. Dan Hillcott

Storyline

When a British reporter was writing an expose about Black Ops operations Treadstone and Black Briar, and the ones responsible for them are concerned. And when Jason Bourne, former Treadstone operative got the file on Treadstone and Black Briar and gave it to Pamela Landy who then passed it to the media. When the men behind Treadstone and Black Briar learn of this, they're concerned how this will affect other ops they have. They decide it's best to shut down all ops and make sure make everyone involved disappears. They try to take out Aaron Cross who is part of another op called Outcome, but he manages to survive. He then seeks out Dr. Marta Shearing who worked on him when he began. It seems part of the program is for all subjects to take medications but he has run out, which is why he seeks her. But someone tries to kill her. He saves her and she tells him, he should have stopped taking the medications long ago. They go to Manila so that she can help him. Later the men behind Outcome ...

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Plot Keywords:

wolf | drone | pill | assassin | riding a motorcycle up stairs | 

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Taglines:

There Was Never Just One

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Genres:

Action | Adventure | Thriller

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Motion Picture Rating (MPAA)

Rated PG-13 for violence and action sequences

Did You Know?

Trivia

(At around seventeen minutes) The yellow note seen pinned to the shelf in the cabin at the wilderness outpost reads "*NEW* LATRINE Tom (N) leave the shovel there ffs. and the bears use it too, heads up--"

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Goofs

There are no nonstop flights from the Eastern United States to Manila in the Philippines. If the CIA was intent on stopping Cross and Dr. Shearing and knew they were on a flight to the country, they could have had the plane stopped in Los Angeles or any of the overseas refueling/departure points before it arrived. Additionally , there would have been significant layovers from when the plane departed from the other airports meaning that unless the CIA didn't figure their destination before they arrived, they would have been detained and captured INSIDE the United States.

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Quotes

[last lines]
Dr. Marta Shearing: Are we lost?
Aaron Cross: No, I was just looking at our options.
Dr. Marta Shearing: Oh, I was kinda hoping we were lost.

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Connections

Featured in Music to the Extreme: The Sounds of Moby (2012)

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Soundtracks

Cleaning This Gun (Come on in Boy)
Written by Casey Beathard, Marla Cannon-Goodman
Performed by Rodney Atkins
Courtesy of Curb Records, Inc.
By arrangement with Warner Music Group Film & TV Licensing

User Reviews

Much better than it had any right to be thanks in part to its two lead actors (Jeremy Renner and Rachel Weisz), who work acting miracles with a poor script.

Questionable follow up to the Bourne trilogy that has the right pieces in place but lacks the conviction to justify its existence. Taking place almost at the same time of the climax of the third Bourne film (Ultimatum), this film deals with the fall out of the exposure of "Operation Blackbriar" and how an another agency with in the government is trying to cover up their program in order not to be caught up with the coming scandal create by Jason Bourne. "Outcome", the program in question is an offshoot of both "Treadstone" and "Blackbriar" but with a huge difference, they are tabbing into science to create super agents that are faster and stronger than any other agent before them.

In order for me to tell you what is good about this movie, I have to explain what is wrong with it and that is the fact that you get the feeling fifteen minutes into the film that there is no reason for it to exist. The last film (Bourne Ultimatum) pretty much closed the book on the series, with little to no wiggle room for an encore. This movie feels like a studio trying to milk dried what was good from the original trilogy in order to make more sequels. The bad part is that they did it in the most unbelievable way, so much so that you really need to forget what you saw in the last three films in order to believe what was going on in this movie. Tony Gilroy (Who wrote the first three movies) directs and writes this one but falls flat on his face with halfhearted explanations that try to justify this movie's existence. Not to mention the fact that the villain of the movie is a lightweight compared to what came before him plus the glaring fact that Edward Norton's performance as the heavy is pretty much phoned in. He does not have the confidant arrogant swagger that Chris Cooper's character had in the first film nor the desperate menace of that Brain Cox's character brought to the second. Norton's character is more in line with the villain of the third, who was played by David Strathaim (who has a cameo in this film). However, Strathaim's character had a sense of justifiable menace that drove him, while Norton's character just seems like a man trying to justify his actions for the greater good, making him more of a government shill than a villain. The science fiction angle that comes up is insulting to what the last three films were, not to mention the fact that the direction here lacks the kinetic energy that Paul Greengrass brought to the last two movies of the series. Say what you may about the shaky camera work but he knew how to stage a thrilling action piece of pop art. Gilroy's motorcycle chase towards the climax is decent but lacks kinetic spark. He is however very good in staging small intimate moments within this movie but that is more a compliment to the A + cast (Mainly his two lead actors) than the terrible script that they are forced to working with.

Jeremy Renner is a talented actor with serious range and complexity. However, the character he plays is not much of a character and the script that he has to work with is riddled with cliché after cliché. He can do anything a secret agent can do but better but the character is not very compelling or interesting to say the least. Jason Bourne was a compelling character that needed to find himself and through that journey in the original trilogy, we saw complexities that were compelling and thoughtful. He was a conflicted man whose drive was dictated by an inner sense of redemption. The character of Aaron Cross is a cartoon character compared to Jason and that is the main problem of the script for this movie. It is though Renner's efforts as an actor that we care about the character of Aaron Cross and that is one of the few bright spots this film has. Renner injects likability and vulnerability to this character and because of it, we want him to succeed in beating the bad guy and save the girl but Renner is working with a script that goes against itself and we are left with a half fast story that deals with supermen than a human story about survival. It is through Renner's efforts as an actor that we see humanity and conflict in this character while the script itself does not give that sort of detail and Renner is working overtime to accomplish that. Renner would have done wonders with a compelling character like Jason Bourne, unfortunately that is not found with the character of Aaron Cross.

Rachel Weisz is one of the most versatile, gifted and complex actors working today. An actor's actor in every sense of word but like Renner, she does not have much of a character thanks to the cliché script they both have to work with. Her character is on the run with Cross through out the film and acts as his doctor and object of protection. It is through Weisz's amazing strength and range as an actor that we are able to witness levels of complexity and humanity in the character of Dr Marta Shearing that we really do not get from the script. Because of that, we are not only able to care and identify with her but Weisz actually makes her character more complex and interesting than Aaron Cross himself. You can tell that Weisz was working overtime in achieving that and her efforts pay off ten fold, which is a blessing considering that most of the characters outside of her and Renner come across as cardboard cutouts.

It is a shame because Renner and Weisz try their best and for the most part succeed despite all odds but they like the fans deserved better.

Details

Official Sites:

Official site Official site [Japan]

Country:

USA Japan

Language:

English Russian Filipino Ukrainian

Release Date:

10 August 2012 (USA)

Also Known As:

Marcher

Filming Locations:

Calgary, Alberta, Canada

Box Office

Budget:

$125,000,000 (estimated)

Opening Weekend USA:

$38,142,825, 12 August 2012

Gross USA:

$113,203,870

Cumulative Worldwide Gross:

$276,144,750

Company Credits

Production Co:

Universal Pictures, Relativity Media, The Kennedy/Marshall Company

Technical Specs

Runtime:

135 min

Sound Mix:

Dolby Digital Datasat SDDS Dolby Atmos DTS (DTS: X)

Color:

Color

Aspect Ratio:

2.39 : 1