Rango

We all face an existential crisis at some time or another, just usually not when we're seven, which will likely be the mean age of children watching this newest non-Pixar non- DreamWorks animated feature. No, "Rango" won't challenge kids to contemplate their role in the cosmos, but that's precisely the predicament of its main character, a theatrical lizard who finds himself — as many animals in animated films do these days — thrust out of domestic bliss and forced to reckon with the untamed and unforgiving nature of the wild natural world. But in addition to all its verboseness and abstract homage to classic Westerns, "Rango" equally dishes out top-notch physical humor and creative characters for the young ones to lap up, even if they're not exactly of age to, as the film puts at least once, "ruminate."

We don't learn much about Rango's life as a pet lizard. In fact, his name is not even Rango; he adopts it as his identity during his adventure. We do see him create his own theatre productions with the random items in his tank and he pretends that they give him feedback and criticism. When he determines that his latest show needs some intense conflict, he finds himself flung from his tank and on the side of the dry desert road. At the advice of an old armadillo (Molina), he seeks out water and stumbles upon the town of Dirt, a classic Wild West locale full or critters and experiencing a nasty drought.

Johnny Depp quickly loses himself into Rango, a character that's somewhere between his take on Willy Wonka and his turn as Hunter S. Thompson. Depp churns out an outstanding animated protagonist, one who is equal parts boisterous and insecure. As the ultimate outsider in Dirt, our lizard hero has an epiphany: he can reinvent himself out here. He takes up his new name and makes up a fantastical tall tale and then with a pinch of luck, becomes the toast of the town and gets anointed sheriff. All seems swell, but something's up in the town with regards to the dwindling water supply and the local critters are getting restless. Rango must truly be the hero he masquerades as.

The creatures of Dirt are fascinatingly animated. They are gritty and unpleasant looking, but awing in their detail. Rango's facial expressions even out-Depp the man behind them as embodied in the scrawny asymmetrical lizard. The animators do a particularly fine job of creating the hot and dry climate of the desert, enough so to recommend that the film is best enjoyed with a beverage in hand. It's so effective that it magnifies the problematic nature of this simple predicament done hundreds of times before. Hidden underneath it all somewhere has to be an environmental message, but not an overt one and not the main lesson to learn from the story.

The language and texture of the film might be decidedly adult, but the conventions of the story and the degree of action aims specifically for children. Rather than aim for a middle ground, "Rango" somehow takes the highest road and the lowest road simultaneously. The dialogue and the situations are sophisticated but the physicality of the characters and the high-flying Western frontier action still plays to a child's understanding. This only proves that "Pirates of the Caribbean" director Gore Verbinski has a real gift for all-ages entertainment.

In addition to Rango's existential quandary, children will not understand the cinematic homages either, particularly to spaghetti Westerns. One of the film's most affecting scenes comes at the moment when our animated hero, as they all do, hits the lowest of lows after he's exposed as a "fraud." Rango has a run-in with "The Spirit of the West," an instantly recognizable figure who has some old-fashioned advice about toughness and walking tall on the path you're given. It's a tender moment as what has been considered a bygone era of cinema plays an important thematic role in such a modern mainstream story.

"Rango" doesn't quite capture the degree of humor and emotional depth that the Pixar greats of the last few years have, but it's a fun adventure with exquisite animation, tasteful characters and a good heart, which puts it as an above-average offering compared to others of its kind. Adults will simply marvel at the intellectual boldness of this pure and simple kids movie and rightfully so. Only with a Pixar gold standard in place does "Rango" come across as flawed; otherwise it's an absolutely pleasant watch from start to finish.

~Steven C

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"Rango" is more appealing to adults than to kids. It has a lot of reference to the old western movies which kids might not understand. There is nothing new about this movie but "Rango" is visually stunning, full of decency and totally hilarious.Though there are problems about the story but it's dark, crazy, and exciting.

The story is nothing but reference of other western movies. It's kind of a remembrance but it's not compelling and new. There is nothing new about the story. It's just a western relic.

The best thing about this movie is its animation. The visuals are wonderful and eye candy. The character design looks old fashion zany and I love it. Kind of reminded me of "The Misadventures of Flapjack" a TV show from CN. While this movie is from Nickelodeon there are some humor that kids will perhaps laugh. The movie is not in 3D. "Rango" proves us that 3D is not necessary to our lives. 3D shrinks the scale of a movie.

There are no flaws with the voice acting. Johnny Depp is really meant for Rango. Isla Fisher did this before in Horton Hears A Who so it's okay. Bill Nighy is an amazing villain. I want more Ned Beattys' sexy voice. Too bad Timothy Olyphant didn't have enough scenes but it's still great.

My favorite thing about the visuals is the environment. Look at the sky and the desert. Cinematography is also great. Every visuals are eye candy. The scene when Rango and his friends are being chased by bats and gophers is truly breathtaking.

Maybe the reason why Ebert gave this movie a perfect rating because it's not in 3D. Well Rango is not flawless but it is still entertaining. If you like beautiful visuals then I will recommend this movie to death. The story is not really unique. It's still worth watch. The merits makes us ignore the flaws of this movie.

I heard from a number of people that this was excellent so I went to see it myself being a fan of animated movies and of film in general. And I absolutely loved it, other than being a little too long, which is such a minor complaint, it was a wonderful film with some surprisingly mature themes and does very well at trying something different.

The animation for starters is outstanding. Not only do the characters move convincingly, but the colours look gorgeous and the backgrounds are imaginative and stunning. The soundtrack is another plus, the score is wonderful with a sense of fun, great use of instruments and nods to Ennio Morricone, without being too generic or over-the-top with some inspired musical flavour to it.

The script is funny, smart and quirky as well- loved the Chinatown(Ned Beatty based his performance on that of John Huston's), Fear and Loathing in Las Vegas and Star Wars references- the characters are genuine and likable with heart and don't fall into the trap of being too cliché(there are some but it works in the film's favour and I loved the title character), the film goes at a great pace while remaining wholly satisfying at its end with an almost elegiac quality that is there with almost all the best westerns, the slapstick action bounces along nicely and the story is far from formulaic instead it is original and inventive. The voice acting is wonderful, both Johnny Depp and Bill Nighy- Rattlesnake Jake is awesome!- give knockout performances, while Isla Fisher, Ned Beatty, Alfred Molina, Harry Dean Stanton and Abigail Breslin are equally terrific.

In conclusion, a wonderful film that I wasn't expecting to be this good this early on in the year. On a side note, for those complaining about suitability for children, I actually wouldn't say this was a film for kids but more adult-oriented. 9/10 Bethany Cox

So a slight blurb about how surprised I was that Nickelodeon was tackling several mature themes: Rango boasted quite a number of darker undertones that you wouldn't normally expect from a PG, animated Nickelodeon movie. Such areas included language (sporting such lines as "You son of a-"!, "Go to hell!", and "Can I gut-shoot someone?"), violence (an impressive amount of shooting and dying), sexual themes (making references to how "active" one's mother was and a joke about a mammogram), and the film's portrayal of death (where characters constantly expect Rango's death and at one point, parody death by hanging). That is, you could arguably find just as much material in other animated films, such as The Incredibles- but it just goes to show that Nickelodeon is ready to experiment with a braver sort of film, much like Disney did with Pirates of the Caribbean. Okay, disclaimer over.

Rango is beautiful film that, regardless of its content, gave everyone in the theater a darn good time. Borrowing heavily from classic Westerns (The Good, The Bad, and The Ugly) and Western comedies (The Three Amigos), the film brings reinvents a past formula in an amusingly creative way. Rango, a pet chameleon unsure about how he wants his identity to develop, is suddenly cast to into the life of the wild wild west and decides to assume the duties of the sheriff in a troubled town. When the gunslingin' enemies arrive, the trouble begins...

If anything, the film is revolutionary in its animation. The quality and textures of the animals and landscape is simply spot-on and never ceases to amaze. By far this is the movie's greatest strength- and supporting the beautiful visuals is a whole slew of jokes. Like I said before, sometimes the humor is a bit awkward for its targeted audience (there were definitely a lot of times adults laughed instead of the kids) but for the most part the theater as a whole enjoyed the comedic spots. The voice acting cast is of course lively and fun, bringing a unique quality to each and every animal character. And lastly, the score by Hans Zimmer is once again majestic and exciting (influences from his work in Pirates and Sherlock Holmes are easily heard, but with a Mexican twist!).

Overall, Rango is a beautiful and exciting western adventure that you shouldn't miss! As long as you know what you're in for, the humor and the visuals will take you for an unforgettably pleasing ride. 8/10

After an extremely weak first quarter in the cinematic world full of remakes, re-dos, 3-D flicks and movies about gnomes (really…really?) we finally have something fresh, original, and quite trippy to kickoff 2011. Once again reaching into his Western roots, Gore Verbinski makes up for what he did to World's End and delivers one heck of an animated film. Rango is full of surprises: surprisingly violent, surprisingly smart, surprisingly full of western references left and right, and with a surprisingly incredible western score that matches that of Ennio Morricone (never thought I'd say that). If you can muster its sluggish start, extremely fast-pace humor and rather bizarre moments throughout, then you will thoroughly enjoy Rango and its Western mayhem. And who said the Western genre is dead....

Rango (Johnny Depp) is a chameleon that after a mishap inside his tank comes across a town full of desperation and hopelessness. With a little bit of luck and a lot of lying, Rango becomes sheriff of the town but runs into a lot of trouble when the water supply hits low and tensions start rising. The storyline is nothing new, but the script (Good work John Logan) is full of fresh ideas, fun action pieces, and a great assortment of characters. In the midst of the script lie so many homages and references to classic westerns you can make up one heck of a drinking game.

A strong factor into the fun of Rango is the excellent voice acting, which rivals that of Pixar's best casting work (See: The Incredibles and Finding Nemo). Johnny Depp is phenomenal in all his crazy roles, and his performance of the hilarious Rango is nothing short of brilliant. But, let's not forget the great work of Isla Fischer (as the lead female), Bill Nighy (as the sinister Rattlesnake Jake), and the great singing of the owl mariachi (Los Lobos). And speaking of singing, let's talk about music. Hans Zimmer was robbed when Inception didn't win Original Score, but he deserves even more praise with the score here. It is an incredible mix of guitar, strings, orchestra, and nods to masterful Morricone, and is hands-down the best score since Michael Giacchino's "Up." I am strongly contemplating buying the soundtrack if it's out in stores.

The three main reasons why Rango works: Johnny Depp, Hans Zimmer, and Gore Verbinski. Very few blockbuster directors have the zaniness and range of Verbinski; as his repertoire includes Pirates of the Caribbean (epic blockbuster), The Ring (horror), The Mexican (I still don't know...) and Mousehunt (underrated dark family comedy). His talents can be shown here as he interweaves strange dream sequences with unique action sequences and plenty of hilarious moments. This movie also doesn't hold back for the kiddies, as it has the language, adult dark humor, strong themes, and heavy violence of a good-ol' western. Just picture what were to happen if Chuck Jones directed a tamed Quentin Tarantino script. And Lord knows there is not enough Chuck Jones influence in the modern animated movie world.

Bottom Line: Rango works because of its fresh originality and its refusal to follow the clichéd rules of children animated flicks. It ditched the 3-D, ditched the watered-down tone we see all too much, while we experience a very unique take on Westerns while at the same time see plenty of odes and homages to them. The zany edge of classic Warner Brothers doesn't happen enough in this millennium (With Emperor's New Groove being the outstanding example) so its great whenever we see a Chuck Jones-style of entertainment. While the movie is quite gritty for a PG flick and some of its off-color content may throw you off, I am confident when I say that Rango is the first good flick of 2011. Once again Depp, great job. Your career is astounding and even underrated in critical acclaim standards. Zimmer, I think its time to start making an Oscar dedicated to you, because that was quite a musical trip. And Verbinski, I forgive you for World's End.