Dr. Adrian Helmsley, part of a worldwide geophysical team investigating the effect on the earth of radiation from unprecedented solar storms, learns that the earth's core is heating up. He warns U.S. President Thomas Wilson that the crust of the earth is becoming unstable and that without proper preparations for saving a fraction of the world's population, the entire race is doomed. Meanwhile, writer Jackson Curtis stumbles on the same information. While the world's leaders race to build "arks" to escape the impending cataclysm, Curtis struggles to find a way to save his family. Meanwhile, volcanic eruptions and earthquakes of unprecedented strength wreak havoc around the world.Written by
Jim Beaver <jumblejim@prodigy.net>
The first name of the Curator of the Louvre in this movie is Roland, which is the same first name as Roland Emmerich. See more »
Goofs
When already in 2012, we see almost exclusively old analog television sets everywhere: on board Genesis cruise ship, in a Yellowstone convenience store, etc. As we know now, after the 2009 digital transition, old analog sets were very quickly phased out because prices for LCD and LED sets dropped almost 100% within less than 2 years, so by 2012 it is highly unlikely than a state of the art cruise ship had an analog set even in the kitchen. All hotels, ships, restaurants, were retrofitted with flat panels in 2012. During the making of the film, even in 2008-2009, they should have easily predicted that by 2012 all sets would have LCD panels. See more »
Quotes
Scotty:
It's been upgraded to a 10.9 by the guys at Harvard.
Adrian Helmsley:
What does Caltech have to say?
Professor West:
The whole city of Pasadena was wiped out just a few minutes ago.
See more »
Crazy Credits
The opening scene of the movie shows the years and events leading up to 2012 (2009...2010...2011). The title card not only states the movie's title, but also seems to indicate, "And in the year 2012..." See more »
Alternate Versions
There were some deleted scenes that were featured on the DVD:
Jackson drives Alec and Oleg to the airport while trying to get through some doomsdayers.
President Wilson and his secretary Sally talk about plans to make arrangements to address the nation one last time.
After the discovery that the impact drill is stuck and before the mega-tsunami hits, Anheuser blames Adrian for what his decision cost them and makes a comment about having sex with Laura. Dr. Helmsley punches him before taking Laura and some crew members down to the Hydraulics Chamber.
Jackson finds Gordon's cell phone under the water after Gordon was crushed by the gears.
In a follow-up to the alternate ending, Anheuser (after hearing that Dr. Helmsley's dad is still alive) apologizes to Dr. Helmsley for what he said.
I loved the first half of the movie with Roland Emmerich seemingly back to form (from his disastrous "10,000 B.C."). But as the movie drags on, even the smallest character gets his "i have to say goodbye to my loved ones"-scene - which becomes quite annoying after you've watched this for the 5th time in a row. then comes a great destruction scene and then we're back in soap-opera territory. don't get me wrong, basically that can be said about most of Emmerich's movies - they are just popcorn cinema - leave your brain at the ticket counter. still, i enjoyed the likes of "Independence Day" or even "The Day After Tomorrow". But the one thing, he can't do properly is "good"-emotional cinema - which works fine in some of his other movies when his pathos-laden, goofy dialogue writing doesn't get in the way of the big explosions - it fit's, makes them funnier to a point. unfortunately this doesn't work for 2012. if somebody could actually cut this movie down to 90minutes running time, i'd even be lining up for a second ticket.
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I loved the first half of the movie with Roland Emmerich seemingly back to form (from his disastrous "10,000 B.C."). But as the movie drags on, even the smallest character gets his "i have to say goodbye to my loved ones"-scene - which becomes quite annoying after you've watched this for the 5th time in a row. then comes a great destruction scene and then we're back in soap-opera territory. don't get me wrong, basically that can be said about most of Emmerich's movies - they are just popcorn cinema - leave your brain at the ticket counter. still, i enjoyed the likes of "Independence Day" or even "The Day After Tomorrow". But the one thing, he can't do properly is "good"-emotional cinema - which works fine in some of his other movies when his pathos-laden, goofy dialogue writing doesn't get in the way of the big explosions - it fit's, makes them funnier to a point. unfortunately this doesn't work for 2012. if somebody could actually cut this movie down to 90minutes running time, i'd even be lining up for a second ticket.