Jack Hall, paleoclimatologist, must make a daring trek from Washington, D.C. to New York City, to reach his son, trapped in the cross-hairs of a sudden international storm which plunges the planet into a new Ice Age.
A giant, reptilian monster surfaces, leaving destruction in its wake. To stop the monster (and its babies), an earthworm scientist, his reporter ex-girlfriend, and other unlikely heroes team up to save their city.
Dr. Adrian Helmsley, part of a worldwide geophysical team investigating the effect on the earth of radiation from unprecedented solar storms, learns that the earth's core is heating up. He warns U.S. President Thomas Wilson that the crust of the earth is becoming unstable and that without proper preparations for saving a fraction of the world's population, the entire race is doomed. Meanwhile, writer Jackson Curtis stumbles on the same information. While the world's leaders race to build "arks" to escape the impending cataclysm, Curtis struggles to find a way to save his family. Meanwhile, volcanic eruptions and earthquakes of unprecedented strength wreak havoc around the world.Written by
Jim Beaver <email@example.com>
Dr. Charles Hapgood, spoken about in Charlie Frost's video, died on December 21, 1982. Despite what is said in the film, Hapgood is something of a fringe figure, and his views have been denounced as pseudoscience by his detractors. See more »
Described as the AN-500 on the ground, in the air it is an AN-225. The AN-225 loads all cargo into the nose of the aircraft. It has no rear loading deck, therefore, making it impossible for the cars to drive out the rear of the aircraft. See more »
The opening scene of the movie shows the years and events leading up to 2012 (2009...2010...2011). The title card not only states the movie's title, but also seems to indicate, "And in the year 2012..." See more »
You were warned that possibly the worst movie made since The Monolith Monsters (1957) had been unleashed on the public.
Almost all of the actors are unappealing. John Cusack, Woody Harrelson, and Danny Glover are not compelling actors. Cusack, as usual, plays the weary sad sack. Harrelson's attempt to channel Dennis Hopper's maniacal character in "Apocalypse Now" is embarrassing. And Danny Glover's role as the president of the United States is an insult. In his "real" life, he despises America and praises Hugo Chavez, the thug that runs Venezuela and its drug cartels. Putting that aside, Glover's pulse can hardly be measured.
Child actors. Oh, if only we didn't need them. They are almost invariably portrayed as rude, contrary, and sullen. And the parents put up with it. But, never fear, by the end of the film, they are cuddly little teddy bears that have brokered a reconciliation between their estranged parents.
The adult characters in this movie are not believable. They are either cads, unlikely heroes, or holy men. Adults in authority almost always have bad motives. The chief bad guy is supposed to be the president's chief of staff, Anheuser, but in reality he is the only guy that knows what he's doing and is devoted to his duty. That doesn't count much, I guess, in the prevailing culture.
The story begins with some excitement, but eventually devolves into an overlong, overwrought cartoon. It's "Earthquake," "The Towering Inferno," "Krakatoa-East of Java," "The Poseidon Adventure," "The Bible," and "Airport '75" on steroids. Too many anguished characters, too many anti-heroes, too many noble savages, too many plots and subplots, no coherence, and virtual chaos.
Such is what passes today for entertainment. Yes, this is a disaster movie alright, but probably not the kind of disaster the producers intended.
21 of 27 people found this review helpful.
Was this review helpful to you?
| Report this