| Credited cast: | |||
| Rafi Pitts | ... | Ali Alavi | |
| Mitra Hajjar | ... | Sara P. Alavi - Ali's Wife | |
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Mahmoud Babai | ... | Policeman |
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Malek Jahan Khazai | ... | Ali's Mother |
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Ismaïl Amani | ... | Young boy |
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Javad Nazari | ... | Policeman |
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Ali Nicksaulat | ... | Police Officer - Commander |
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Ebrahim Safarpour | ... | Police Officer |
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Naser Madahi | ... | Basiri - Old Night guard |
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Manoochehr Rahimi | ... | Inspector |
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Hossein Nickbakht | ... | Hotel Receptionist |
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Amir Ayoubi | ... | Police Officer |
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Ali Mazinani | ... | Reza - Young night guard |
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Mansour Dowlatmand | ... | Police Officer |
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Gholamreza Rajabzadeh | ... | Nazem - Police Officer |
In an act of vengeance, a young man randomly kills two police officers. He escapes to the forest, where he is arrested by two other officers. The three men are surrounded by trees, the woods. They are lost in a maze, a desolate landscape, where the boundaries between the hunter and the hunted are difficult to perceive. Written by Anthony Ray
There are things I liked about Iranian drama 'The Hunted': the scenes of quiet dialogue, where the meaning lies in what's not said, or the surreal waiting-for-Godot quality that the movie takes on as it nears its end. It's also interesting to see an Iran of stormy coasts and rain-swept forests, far from the classical image of a land of deserts. But the first half of the film is overly quiet and slow, and there are also a number of low-key scenes that have self-evidently been written and shot that way not for effect, but for budgetary reasons: the car chase, for example, is supremely low-energy, while other critical moments occur off-camera. More than anything else, however, the film is let down mostly by its odd plot, and the seemingly random motivations of its characters. It feels like the debut feature of someone with more than a few ideas, but without the practice of how to actually make them work as a film.