A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
In honor of his late wife who died in a flaming car accident, scientist, Dr. Robert Ledgard, is trying to synthesize the perfect skin which can withstand burns, cuts or any other kind of damage. As he gets closer to perfecting this skin on his flawless patient, the scientific community starts growing skeptical and his past is revealed that shows how his patient is closely linked to tragic events he would like to forget.Written by
Bears strong similarities to the French film "Eyes Without A Face" (1960) including plastic surgery, disfigurement and face-transplantation. See more »
When Doctor Robert Ledgard is preparing the artificial skin for the surgery he grabs the scissors with his thumb and index fingers, every experienced surgeon uses thumb and ring finger for using that tool. See more »
Help me with the dumbwaiter.
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The Skin I Live In is really a film that should be seen by a very big audience, obviously it's a movie that probably doesn't appeal to a very big crowd, it appeals to an older crowd or a young hipster type crowd who enjoy foreign films. I have read the novella Tarantula that this is supposedly loosely based on, however I found that it followed the novel extremely closely, I thought a lot of the twists and stuff that were in the book would be taken out if the film but thankfully most are present and accounted for.
Antonio Banderas is so terrific as the leading man, he hasn't looked this great in screen in a long time, I think he seems more at home in his native language, and Elena Anaya is absolutely radiant on the big screen, her face just lights up the screen and she is absolutely exceptional in a very strange role. The story is really a bizarre one, it's seems like a less perverted De Sade and a more understandable David Lynch, it always takes you by surprise and it is highly original and also somewhat daring I think, and thank god a director like Almodovar decided to film it and not some silly director.
The cinematography and music is beautiful, the colours and textures in the film are picked up beautifully by the camera and the music is a great companion to each scene, it's so close to perfection in the production design department that i would go so far to say as I haven't seen a better looking film this year.
This movie is in my opinion the least accessible of all of Almodovar's films but I hope it doesn't put people off, as his touch and style is clear and present here. It's very different, strange, perverted, horrific, beautiful and always entertaining.
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