In Ebensee, the teenagers Nina, her boyfriend Martin, Clemens, his girlfriend Alex and Mona are best friends since their childhood. On their high-school graduation day, they all receive the... See full summary »
Julia Rosa Peer,
Horst receives the monthly pension from his grandmother. The only problem is, that she is dead. As a local politician wants to congratulate the grandmother to her birthday Horst "borrows" ... See full summary »
Terrified and bloody, Oscar Svendsen awakes clinched to a shotgun in a strippers joint. Around him 8 dead men, and police aiming at him. To Oscar it's clear that he is innocent. It all started when four chaps won 1,7 million on the pools...
On June 28, 1914, Archduke Franz Ferdinand of Austria is in Sarajevo with his wife, Sophie. While through the city by car, they are victims of an attack and die. This is the trigger of the First World War.
If the first part was up to international standards, then the sequel is, too...
...in that sequels are always a little worse than their predecessors. "In 3 Tagen bist du tot 2" is a desperate attempt to repeat the success of part 1 by cashing in on the title. Other than a few characters returning, this movie has nothing to do with the story that it is supposedly continuing (the most glaring omission being the fact that no one in this movie ever gets a text message saying that the receiver of the message will die within the following three days).
Fair enough. If they got an interesting story to tell, why not use an already popular name to sell it, right? The problem is that the story isn't very interesting at all. The first half of the movie is extremely tedious, the second one is filled with clichés. There are hardly any surprises at all. How many more times are we supposed to jump at the old trick where something terrible appears in the mirror from one shot to the next? How often do we need to see a steadicam-around-the-waist-shot à la Aronofsky?
On the plus side, though, director Andreas Prochaska does get a few things right again. The cinematography is beautiful and Prochaska really knows how to elaborate on the creepiness of old cottages in the mountains, right down to the harsh sociability of a meal of speck and Schnaps or some old soccer stickers on the wall. As he did in part 1, Prochaska presents the Austrian countryside as a place where horrible crimes could take place (made all the more believable by current events such as the abduction and abuse of Natascha Kampusch or the Fritzl family).
In the end, "In 3 Tagen bis du tot 2" may not be the most memorable horror movie, but it is another honorable effort at putting Austria on the horror-map. If it helps to create an interest in the genre among Austrian movie financiers, I'm all for it.
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