In Los Angeles, Nikki is homeless, car-less and closing in on 30, but he's amoral, good-looking, and adept in the sack, moving from one wealthy woman of 35 or 40 to another, a kept boy-toy. His newest gig, with Samantha, an attorney whose house overlooks L.A., is sweet, although it's unclear how long she'll put up with him. Then Nikki meets Heather, a waitress. Is the player being played, or might this be love? What will Nikki discover?Written by
The party scene very early in the movie that introduces Anne Heche is an impressively orchestrated long take (no cuts) lasting more than three and a half minutes. See more »
As the fiancee's family own the NY Rangers, he would not likely send an overnight letter from his home address. It would be from a corporate address. See more »
My whole life it was obvious I was going to end up in this city. I don't want to be arrogant here, but I'm an incredibly attractive man. I can't help it, I don't try to be, I just am. When I was a kid my mother's best friend used to tell me that I was gonna be a little heart breaker. Turns out she was right. Her husband came home from work one day and found us fuckin' on the Stairmaster. Los Angeles, California - that's where all the beautiful little heart breakers go to live the ...
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I was surprised to find so many descriptions for this movie describing it or tagging it as a comedy... by my reckoning it's more of a light drama expressing the costs of inconsiderate over-indulgence. The players and performers all did their job as one would hope in any movie, but emptiness in the script and storyline left me wishing I'd spent my time more productively. I can't speak to any sense of realism in it, but perhaps there are worldly examples I'm simply unaware of. I did enjoy a few aspects of it, but there's little in the way of empathy that one can generate for the characters within as they're all between 'hollow & insensitive' and 'dishonest & abusive'.
My suspicion is that it will have greater appeal for younger audiences, mainly because some of the scenes portray rampant levels of decadence that they'll be more likely to appreciate than those of us in our 40s.
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