8.0/10
51,468
159 user 237 critic

Waltz with Bashir (2008)

Vals Im Bashir (original title)
Trailer
2:06 | Trailer

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ON DISC
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

Director:

Ari Folman

Writer:

Ari Folman
Nominated for 1 Oscar. Another 45 wins & 58 nominations. See more awards »

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Photos

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Cast

Complete credited cast:
Ari Folman ... Himself (voice)
Ori Sivan Ori Sivan ... Himself - Interviewee (voice)
Ronny Dayag Ronny Dayag ... Himself - Interviewee (voice)
Shmuel Frenkel Shmuel Frenkel ... Himself - Interviewee (voice)
Zahava Solomon Zahava Solomon ... Herself - Interviewee (voice) (as Prof. Zahava Solomon)
Ron Ben-Yishai Ron Ben-Yishai ... Himself - Interviewee (voice)
Dror Harazi Dror Harazi ... Himself - Interviewee (voice)
Mickey Leon ... Boaz Rein-Buskila (voice) (as Miki Leon)
Yehezkel Lazarov ... Carmi Cna'an (voice)
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Storyline

One night at a bar, an old friend tells director Ari about a recurring nightmare in which he is chased by 26 vicious dogs. Every night, the same number of beasts. The two men conclude that there's a connection to their Israeli Army mission in the first Lebanon War of the early eighties. Ari is surprised that he can't remember a thing anymore about that period of his life. Intrigued by this riddle, he decides to meet and interview old friends and comrades around the world. He needs to discover the truth about that time and about himself. As Ari delves deeper and deeper into the mystery, his memory begins to creep up in surreal images. Written by intlpress@aol.com

Plot Summary | Add Synopsis

Taglines:

We may forget the past, but the past won't forget us. [Theatrical trailer.]


Motion Picture Rating (MPAA)

Rated R for some disturbing images of atrocities, strong violence, brief nudity and a scene of graphic sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Language:

Hebrew | Arabic | German | English

Release Date:

12 June 2008 (Israel) See more »

Also Known As:

Waltz with Bashir See more »

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Box Office

Budget:

$1,500,000 (estimated)

Opening Weekend USA:

$69,055, 28 December 2008, Limited Release

Gross USA:

$2,283,276, 10 May 2009
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Artist David Polonsky is right handed, but did most of the illustration for this film with his left hand, as he felt that his original drawing were 'too pretty.' See more »

Goofs

The song used in the film, "This Is Not A Love Song" by Public Image Ltd., came out in 1983, even though the war and the massacres depicted in the film happened in 1982. See more »

Quotes

[from trailer]
Ari Folman: After the 1982 invasion of Lebanon, I lost my memory. Now in order to remember, I am looking for those who can never forget.
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Connections

Featured in AniMat's Classic Reviews: Waltz with Bashir (2013) See more »

Soundtracks

Enola Gay
Written by Andy McCluskey (as Andrew McCluskey)
Performed by Orchestral Manoeuvres in the Dark (as OMD)
Published by EMI Music Publishing Ltd
Courtesy of Virgin Records Ltd
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Frequently Asked Questions

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User Reviews

 
Powerful
9 June 2008 | by leo-dorSee all my reviews

Waltz with Bashir may not deliver everything you expect after seeing the trailers, but it is powerful. Director Ari Folman presents a personal view of historic events in which he took part as a young soldier, but which he cannot remember due to repression. A full-length documentary, filmed with animation over the recorded speech of actual participants in the 1982 Lebannon War, Waltz with Bashir is beautifully done and get its message across clearly.

It's a shame that some of the stronger artistic points in the movie were left undeveloped, such as the imaginary ghost of the soldier's ex-girlfriend following him around (as seen in the trailer). The way comedy and tragedy are interspersed in the latter parts of the film may also seem inappropriate to some viewers. The film presents a highly personal point of view for a documentary, justified partly by staying true to the factual material, and partly by its author having been there on the scene.

Overall, despite its shortcomings, this film makes a strong statement and is definitely worth seeing for its visuals and score.


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