A celebration of the musical work of a group of session musicians known as "The Wrecking Crew", a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys and Bing Crosby.
A documentary that celebrates Rick Hall, the founder of FAME Studios in Muscle Shoals, Alabama, and the signature sound he developed in songs such as "I'll Take You There", "Brown Sugar", and "When a Man Loves a Woman".
The count has stolen enough gold to cause a financial crisis in the world markets so I.C.E. sends in ace spy Matt Helm to stop him. As Matt works alone, the British send in Freya to aid ... See full summary »
Ginger Baker looks back on his musical career with Cream and Blind Faith; his introduction to Fela Kuti; his self-destructive patterns and losses of fortune; and his current life inside a fortified South African compound.
Big Star: Nothing Can Hurt Me is a feature-length documentary film about the dismal commercial failure, subsequent massive critical acclaim, and enduring legacy of pop music's greatest cult phenomenon, Big Star.
Backup singers live in a world that lies just beyond the spotlight. Their voices bring harmony to the biggest bands in popular music, but we've had no idea who these singers are or what lives they lead, until now.
A documentary film about session and touring musicians that are hired by well established and famous bands and artists like Metallica, KISS, and Billy Joel. These hired guns may not be household names, but are still masters of their craft.
A celebration of the musical work of a group of session musicians known as "The Wrecking Crew", a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys and Bing Crosby.
A sequence showing an unseen hand flipping through a record bin containing albums on which the Wrecking Crew played. But one of the LP's is the Supremes' "Where Did Our Love Go?," whose backing was played by Motown's Detroit-based house band, the Funk Brothers, not the Wrecking Crew. See more »
Quotes
Hal Blaine:
[last line of Movie]
What do you call a trombone player with a beeper?
Hal Blaine:
An optimist.
See more »
First-rate documentary on the evolving group of Los Angeles session musicians self-dubbed The Wrecking Crew who, throughout the 1960s and early '70s, performed mostly without credit on many of the greatest songs in music history. Directed by Denny Tedesco, whose father Tommy was a guitarist in the Crew, this lively, lovely document of the music scene in southern California during rock and roll's heyday is alive with memories and awash in marvelous tunes. Candid interviews with Tommy Tedesco (before his passing), Glen Campbell and Leon Russell (both onetime members of the Crew), drummer Hal Blaine, saxophonist Plas Johnson, bassist Carol Kaye, keyboardist Don Randi, and artists such as Brian Wilson, Cher, Nancy Sinatra, Mickey Dolenz and Peter Tork, Herb Alpert and producer Lou Adler add to the rich experience. A highly entertaining way to get acquainted with these talented musicians, whose music one instantly recognizes yet whose names and faces have heretofore remained anonymous. ***1/2 from ****
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First-rate documentary on the evolving group of Los Angeles session musicians self-dubbed The Wrecking Crew who, throughout the 1960s and early '70s, performed mostly without credit on many of the greatest songs in music history. Directed by Denny Tedesco, whose father Tommy was a guitarist in the Crew, this lively, lovely document of the music scene in southern California during rock and roll's heyday is alive with memories and awash in marvelous tunes. Candid interviews with Tommy Tedesco (before his passing), Glen Campbell and Leon Russell (both onetime members of the Crew), drummer Hal Blaine, saxophonist Plas Johnson, bassist Carol Kaye, keyboardist Don Randi, and artists such as Brian Wilson, Cher, Nancy Sinatra, Mickey Dolenz and Peter Tork, Herb Alpert and producer Lou Adler add to the rich experience. A highly entertaining way to get acquainted with these talented musicians, whose music one instantly recognizes yet whose names and faces have heretofore remained anonymous. ***1/2 from ****