A celebration of the musical work of a group of session musicians known as "The Wrecking Crew", a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys and Bing Crosby.
A documentary that celebrates Rick Hall, the founder of FAME Studios in Muscle Shoals, Alabama, and the signature sound he developed in songs such as "I'll Take You There", "Brown Sugar", and "When a Man Loves a Woman".
Gold bullion worth USD 1 billion has been stolen from a hijacked train in Denmark. The main suspect is Count Massimo Contini. The US government sends Matt Helm, one of its top agents, to investigate and recover the gold.
Ginger Baker looks back on his musical career with Cream and Blind Faith; his introduction to Fela Kuti; his self-destructive patterns and losses of fortune; and his current life inside a fortified South African compound.
Big Star: Nothing Can Hurt Me is a feature-length documentary film about the dismal commercial failure, subsequent massive critical acclaim, and enduring legacy of pop music's greatest cult phenomenon, Big Star.
A documentary film about session and touring musicians that are hired by well established and famous bands and artists like Metallica, KISS, and Billy Joel. These hired guns may not be household names, but are still masters of their craft.
Backup singers live in a world that lies just beyond the spotlight. Their voices bring harmony to the biggest bands in popular music, but we've had no idea who these singers are or what lives they lead, until now.
A pair of troubled marriages become intertwined via philandering mates and the maverick therapist they encounter during an intense counseling session. A weekend at the therapist's cabin retreat brings forth struggle, hope, and a secret journey to the brink of death.
A celebration of the musical work of a group of session musicians known as "The Wrecking Crew", a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys and Bing Crosby.
Although completed in 2008, the film wasn't released until 2015. The reason for the gap was problems with music licensing rights. It took a Kickstarter campaign to raise the $200,000 to clear them. See more »
Goofs
A sequence showing an unseen hand flipping through a record bin containing albums on which the Wrecking Crew played. But one of the LP's is the Supremes' "Where Did Our Love Go?," whose backing was played by Motown's Detroit-based house band, the Funk Brothers, not the Wrecking Crew. See more »
Quotes
Hal Blaine:
[last line of Movie]
What do you call a trombone player with a beeper?
Hal Blaine:
An optimist.
See more »
Green Acres
Theme from Television Series "Green Acres"
Written and Performed by Vic Mizzy
Courtesy of Metro-Goldwyn Mayer Music Inc.
Published by Unison Music Company
Administered by Next Decade Entertainment Inc. See more »
If you have ever heard "Happy Together" by the Turtles, The Byrds "Mr. Tambourine Man", "Day Dream Believer" song by the Monkees, or "Close to You" by the Carpenters, you have heard the group of studio musicians called "The Wrecking Crew." They were regular contributors to hit songs in Los Angeles from about 1958 to 1965. The composition of the Crew varied, but if you lived in Los Angeles and needed bass, drums, guitar, horns or other instruments for your recording, you called on the in The Wrecking Crew.
According to the film, the musicians got the name "Wrecking Crew" from jazz musicians who felt they were "wrecking" music with their rock and pop stylings. Whatever they case, this group of musicians were called if you wanted to record a hit song.
The film features interviews with the players, old footage of them performing together and interviews with musical luminaries such as Cher and Brian Wilson of the Beach Boys. Wilson used The Crew for most of the backing tracks on the seminal album, "Pet Sounds." The crew could read musical scales, take direction, and write parts for the songs if needed. They were flexible and served the client first even if they talked about them behind their back after the session and on camera during the film. And as the film implies, the Crew was responsible for more than one song becoming a hit.
The footage and interviews in the film proves how important these musicians were to popular music of the late 50s and early 60s. In the 60s, bands such as the Beatles, Rolling Stones, The Doors, and so forth, left the Wrecking Crew with fewer jobs, for they had the talent to play their own instruments. Some of the musicians from the Crew, notably father of the director, guitarist Tommy Tedesco, got jobs playing for film soundtracks other records after the studio jobs dried up. Other members went on to record their own records, some even becoming big stars on their own such as Leon Russell and Glen Campbell. Yes, those stars were part of the Crew.
The film shares a unique time of music and a unique set of musicians with us. Watching the film gives us a view of the inner workings of one of the greatest groups of studio musicians in the history of popular music. And it entertains us all the way.
The set and filming is nothing scream and shout about, but the music leaves us with Good Vibrations.
Rating: Pay Full Price.
People who play or like music will enjoy by this film.
Peace, Tex Shelters
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If you have ever heard "Happy Together" by the Turtles, The Byrds "Mr. Tambourine Man", "Day Dream Believer" song by the Monkees, or "Close to You" by the Carpenters, you have heard the group of studio musicians called "The Wrecking Crew." They were regular contributors to hit songs in Los Angeles from about 1958 to 1965. The composition of the Crew varied, but if you lived in Los Angeles and needed bass, drums, guitar, horns or other instruments for your recording, you called on the in The Wrecking Crew.
According to the film, the musicians got the name "Wrecking Crew" from jazz musicians who felt they were "wrecking" music with their rock and pop stylings. Whatever they case, this group of musicians were called if you wanted to record a hit song.
The film features interviews with the players, old footage of them performing together and interviews with musical luminaries such as Cher and Brian Wilson of the Beach Boys. Wilson used The Crew for most of the backing tracks on the seminal album, "Pet Sounds." The crew could read musical scales, take direction, and write parts for the songs if needed. They were flexible and served the client first even if they talked about them behind their back after the session and on camera during the film. And as the film implies, the Crew was responsible for more than one song becoming a hit.
The footage and interviews in the film proves how important these musicians were to popular music of the late 50s and early 60s. In the 60s, bands such as the Beatles, Rolling Stones, The Doors, and so forth, left the Wrecking Crew with fewer jobs, for they had the talent to play their own instruments. Some of the musicians from the Crew, notably father of the director, guitarist Tommy Tedesco, got jobs playing for film soundtracks other records after the studio jobs dried up. Other members went on to record their own records, some even becoming big stars on their own such as Leon Russell and Glen Campbell. Yes, those stars were part of the Crew.
The film shares a unique time of music and a unique set of musicians with us. Watching the film gives us a view of the inner workings of one of the greatest groups of studio musicians in the history of popular music. And it entertains us all the way.
The set and filming is nothing scream and shout about, but the music leaves us with Good Vibrations.
Rating: Pay Full Price.
People who play or like music will enjoy by this film.
Peace, Tex Shelters