Welcome to the Rileys

"I can't come home right now. I know I'm not dead yet."

Welcome to the Rileys is certainly a flawed movie. The characters are a little flat, and don't seem to be written as genuine people, at times. The story scenario, with its focus on lost loved ones and damaged people finding healing or comfort in each other, is one that seems to be in every other movie, recently. And the ending seems a bit rushed and unfinished.

But still, I found myself enjoying it all.

The key lies in the color and atmosphere added by using New Orleans as the primary location, and the performances of the three primary cast members. 

The first point may appeal only to those who have visited or who live in the city. Filming a movie in New Orleans gives it an instant, appealing flavor to anyone who's been there before, walking past the same restaurants and down the same streets. Very cool. I'll admit that this might not be as big a deal to others as it was to me, though. 

What everyone should be able to recognize and appreciate, however, are the great performances by James Gandolfini, Melissa Leo, and Kristen Stewart. They carry this movie with some really excellent acting, even though their characters are slightly hobbled at times with some spotty writing. Especially when it comes to the dynamics of the various relationships. Still, the three of them (especially Gandolfini and Stewart) easily make Welcome to the Rileys worth at least a rental.

This independent film "Welcome to the Rileys" is one when you watch you will feel gritty and touched and see that life is full of heartache, pain and it's very complex for some and the cast is an all star lineup featuring James Gandolfini, Kristen Stewart, and Melissa Leo.

Gandolfini("The Sopranos")is Doug Riley a married man who's a humble guy yet inside he's a torched soul as he stills feels the pain and sorrow of losing his teenage daughter. And Doug decides to take a business trip from Indiana to New Orleans to get away for some pondering from his sweet yet neurotic and nervous ridden wife Lois(the great Melissa Leo). And upon arriving in the big easy he meets in a club a young exotic dancer named Mallory(Kristen Stewart). And Mallory has more problems than just being a stripper she's a messed up and foul mouthed little girl who needs direction.

And ironically Doug fills the void in his heart by feeling sorry for Mallory as he ventures to her rundown apartment and slowly yet surely he takes her under his wing. Doug even starts to fix things up and stay right with her this is love attachment not of the erotic kind. It's like this guy with daddy issues has solved his complex life and bleeding heart with a new love as this takes away the pain of his lost daughter. And finally when Lois journeys down to the big easy she sees that them being with Mallory was not meant.

Overall pretty good picture of emotional attachment and love still it proves that some connections were not meant to be still if you show a troubled heart love then hope and a new journey is possible.

Poor Kristen Stewart hasn't had an easy ride in the popular press. First she's constantly linked with - the pretty one-dimensional - Bella Swann from the Twilight franchise and then she gets her love-life in a tangle and everyone takes R-Patz' side.

Somewhere, amid the mess of her personal life, she got round to making 'Welcome to the Riley's,' with Sopranos star James Gandolfini. Sadly, not enough people seemed to notice. It was an 'indie' film that never really got much of a mainstream release, therefore she remained 'Bella' in the press' eyes all the way through this.

However, if you can give her a chance, you may get more than an hour and a half of her holding her mouth open and refusing to smile. James Gandolfini gives a - naturally - great performance as a man who had lost his teenage daughter in a car accident. On a work trip he gives his colleagues the slip and takes refuge in a strip club where he meets Kristen Stewart, who he beings a - plutonic - relationship with, treating her like a surrogate daughter.

That's about it as far as the plot goes. At first (the beginning twenty minutes) I was pretty disinterested and was wondering what I got into. However, I was very pleased with how it transpired. It's actually quite a tender story of emotionally damaged people coming together.

It's certainly not a laugh a minute and is the sort of film that you have to be in quite a deep, reflective, thoughtful mood to really appreciate (or just want to see Kristen Stewart not surrounded by computer generated monsters).

Nice film. Give it a try.

Ever since it's initial premiere at the Sundance Film Festival back in January of this year, "Welcome to the Rileys" has always been on my must see list. Unlike other film critics and journalists, I unfortunately, do not currently have a career in film journalism. I currently do it as a hobby/part time job. What does this mean? Well I don't get to hit all the festivals I would like to, but only a few per year. In the near future, I would hope to have a career in film journalism and be able to attend at least 20 festivals a year. Thankfully, I did have the opportunity to catch a screening of "Welcome to the Rileys" at the 19th Annual Philadelphia Film Festival this year.

"Welcome to the Rileys" tells the tale of Doug (James Gandolfini), a man who seems to have lost all desire for life. He lives at home with his depressed wife Lois (Melissa Leo) who hasn't left the house in several years. On top of this, he seems to have grown tired of his job as well as his marriage. One day on a business trip, Doug runs into Mallory (Kristen Stewart) who is both troubled and lost. This is when Doug realizes that he can help improve her life and seeks salvation by taking care of Mallory. This is where the underlying details of Doug's life begin to unravel...

The best part of "Welcome to the Rileys" hands down are the performances. I have been following Kristen Stewart as an actress for several years now ever since I first saw her in "Panic Room." Many people seem to have a love/hate relationship with her thanks to her unemotional and stiff role as Bella in the "Twilight" franchise. I would love to convince people to give her a shot as an actress but people seem to be rather set in their ways on her. For Stewart, it's hard not being the typical hot young actress. She's a rather unique actress with a non-typical Hollywood look and that's what I like about her. As for her performance in "Welcome to the Rileys," she is both raw and risqué. The amount of bad language and how dirty Stewart looks in the film would make a sailor look clean. Stewart's performance is by far the best one in the film. She is a lost soul with very little self respect in the film. She plays a stripper, which is a role I never thought I would ever see her play but just plays it perfectly. This is without a doubt Stewart's best role to date and even tops her performance as Joan Jett in "The Runaways." I would even argue that Stewart deserves an Oscar for her performance here, that's how good I felt she was in the film.

Besides Stewart, James Gandolfini gives an Oscar worthy performance here as well. I like the fact that Gandolfini decided to step out of his typical tough guy role to play a character who had a lot of heart and emotion was nice to see. This was a real turn for him. Many people know Gandolfini from "The Sopranos" and I am happy to say this role is a complete opposite from that. In this role, he is a very troubled character with a complex background. His performance is very dramatic, heartfelt, and powerful. When he argues with either Stewart or Leo in the film, you truly believe the raw emotion that is being displayed. Stewart and Gandolfini play off one another like pros in the film. They have great chemistry. As for Melissa Leo, she was also great in the film, she did a great job playing a wife who was damaged. When Stewart and Leo were together on screen their chemistry was amazing. As I said earlier in the review, the three lead roles were terrific! Director Jake Scott did a great job on this film. This was his first film since 1999 and he really hit this one out of the park. He captured the raw emotion and the suffering of all these characters, not to mention the fact he captured the grunginess of New Orleans. The direction of the film was great and there are several memorable scenes in this film including one scene with Melissa Leo's character Lois trying to drive her car for the first time in several years.

Ken Hixon was in charge of writing the screenplay for "Rileys" and I have to give him some credit points here. Some might say the the dialog was too over the top for him but I think that really shows how uneducated and the lack of respect Stewart's character had. I think it made it much more believable to a way that someone who had that background would speak. I also think the character development in the script was on point. The characters had the perfect amount of background to not make them interesting and not clichéd.

At the end of the day, "Welcome to the Rileys" almost lived up to all the hype surrounding it. I basically went to see the film for the performance by Stewart and Gandolfini and those definitely did not disappoint. The film, itself had good character development, good performances, was raw and gritty, and had a decent storyline. The ending wasn't perfect but it fit the bill in order to not be a typical clichéd movie. Its definitely holding a spot on my top 10 of the year even though it isn't near the top. The film is worthy of admission and I can definitely see this film getting some attention come Oscar season for the performances. If you are a fan of Stewart or of Gandolfini, this is a definitely a must see as well as those who appreciate a realistic dramatic film.

MovieManMenzel's final rating for "Welcome to the Rileys" is a solid 8 out of 10.

As a movie buff, I tend to gravitate toward the art & independent material but also due to my area's theater selections, see a fair amount of mainstream movies. Yes, I catch few good films but many times I find disappointment in both worlds. This time ended differently. I can't help but remark how impressed I was by the honest writing and acting of all three characters. Struck me as rather genuine, gritty and believable plot-wise. I also was unsure if I appreciated the decision to refrain from thoroughly fleshing-out every character. One has staggering levels in which they are left to guess about all three. Ie: What happened to Stewart's character other than her mom's accident and demise to lead her on such a disheartening path? Why not more information and insight as to chronicle the downward spiral of this marriage after the child's death? Why not dig into and explore the wife's inward turn to near-hermit? Why is the husband not only so disenchanted with home but also work, albeit this desperate & hopeless soul floundering about? Well, actually wise decision to leave this unknown; I see it's not all that critical to the success of the story. Writers today over-inform.

Another area I originally thought to be a caveat to success was ending as it did. I mean everyone likes and cheers for a happy ending. But pondering this further--really how realistic is this in life? Moreover (and I've worked with troubled and lost kids) this film plays out precisely how life goes. It's not simple to intervene and turn someone around late in the game. There is wisdom, perception and integrity in this attempt to depict a more genuine article of life and that was done. I think Stewart's work was exceptional and her remark that she's "no one's little girl" (something to that affect) captures it brilliantly. You see throughout her vulnerability, survival instinct, yet damaged nature without her acting being sentimental or "hollywood". Yes, nice little gem.