A crime writer living in Venice while working on his new novel meets and soon marries his real-estate agent. Relocated to a remote house on Sant'Erasmo Island, his obsession with his wife's daily whereabouts takes a dark turn.
When his daughter goes missing from their prairie town east of France, Alain and his young son, Kid, head out to find her. The journey takes the men to some far-off and unsettling places in what begins to feel like an endless quest.
In the woods, a 13-year-old boy is grabbed by an escaped convict and told to bring money later that day. The boy does as he's told, only to be attacked by the convict's partner. A murder ... See full summary »
Jeanne is a young woman, striking but otherwise without qualities. Her mother tries to get her a job in the office of a lawyer, Bleistein, her lover years ago. Jeanne fails the interview but falls into a relationship with Franck, a wrestler whose dreams and claims of being in a legitimate business partnership Jeanne is only too happy to believe. When Franck is arrested, he turns on Jeanne for her naivety; she's stung and seeks attention by making up a story of an attack on a train. Is there any way out for her? In a subplot, Bleistein's grandson, Nathan, prepares for his bar mitzvah and, through an encounter with Jeanne, experiences intimations of manhood.Written by
Concerti da Camera vol 2
Performed by Il Giardino Armonico
Music by Antonio Vivaldi
(p) 1991 Teldec Classics International GMBH - Warner Music
Avec l'authorisation de Warner Music France
A Warner Music Group Company See more »
Frustrating, a key social theme diluted and squandered
The Girl on the Train (2009)
The hook that made this movie successful is not enough to make the movie good. The added plot in the first half fizzles and seems ultimately irrelevant. Yes, the main actress plays the part of an "airhead," as the subtitle translates her stupidity. But the movie itself has some of the same disease. It lacks formal intelligence, and it stretches out a few basic ideas over 105 minutes, posing as a serious movie with serious implications.
Not that it's misery to watch. In a way, the fact that you get sucked in waiting and waiting for some basic conflict to formulate says something about the acting and editing. This is contemporary Paris, or a cozy, idealized side to it. And you can't dismiss the theme of anti-Semitism, which gets some elaboration and complexity as you go, including some great, if simplified, conversations between Jews at their country house about what it means to be a contemporary Jew. It's conveniently packaged, but adds some needed interest to the events.
This leads eventually to a rather long and oddly placed bar mitzvah celebration, and some more roller blading filler. It's a frustrating thing to see all this content watered down by a single turn of events, the faked hate crime attack, which happens well past the halfway point of the movie. And around which the suspense of being fooled is left out of the movie, because we are told everything as it happens.
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