Jean is taken hostage at a bank by a foolish bank robber. As Jean left prison an hour earlier, the police assume he's the robber. Everything goes comically wrong. The robber's little daughter joins the fugitives.
With 'little captain' Cambrai raising serious doubts about the reality of the so-called "super spy", Colonel Toulouse kidnaps Christine and forces Francois to play again the character of "... See full summary »
An aging mobster is being transported from prison to the courthouse in Nice where he may name names. Milan, a hit man, checks into a hotel with a view of the courthouse; he sets up with a high-powered rifle to wait. François, a self-pitying photographer whose wife has left him, checks into the room next to Milan, intent on suicide. His bumbling, his constant chatter, and his calls to his ex and her husband threaten to keep Milan from success.Written by
Why is this film rated so poorly? It's a decent little comedy.
"A Pain in the Ass" ("L'emmerdeur") was originally a play from Francis Veber--one of France's best writer/directors. The story was made into a film in 1973, remade as "Buddy, Buddy" in the States a few years later and now is remade here in 2008. In between, Veber also was responsible for "The Dinner Game" (recently remade as "Dinner for Schmucks"). These are a lot of films with essentially the same idea. In every case, a bad person ends up having their lives destroyed by an idiot--a well meaning idiot, but an idiot nonetheless.
The film begins with the police taking a witness across the country testify. However, there's a price on his head and the police are taking a caravan with several cars, an armored truck and lots of well-armed men. What they don't know is that an assassin is waiting across from the court in a hotel--waiting to pick off the witness. The problem is that a total idiot living next door starts a series of events that roll out of control when he attempts suicide. In addition, a guy who's stolen the idiot's wife gets pulled into it--and he, too, has his life ruined by the idiot and a lot of weird coincidences. It's all very dark--but also quite funny--even if it has been filmed many times already. While not among Veber's best work, it is still quite good--and I have no idea why it currently only have an IMDb score of 4.9--as this would seem to indicate it's a bad film.
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