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Title: You Will Meet a Tall Dark Stranger (2010)
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| Cast overview, first billed only: | |||
| Gemma Jones | ... | Helena | |
| Pauline Collins | ... | Cristal | |
| Anthony Hopkins | ... | Alfie | |
 |
Rupert Frazer | ... | Jogging Partner |
|
|
Kelly Harrison | ... | Personal Trainer |
| Naomi Watts | ... | Sally | |
| Josh Brolin | ... | Roy | |
| Freida Pinto | ... | Dia | |
| Eleanor Gecks | ... | Rollerblading Friend | |
| Antonio Banderas | ... | Greg | |
| Fenella Woolgar | ... | Jane | |
| Ewen Bremner | ... | Henry Strangler | |
| Christian McKay | ... | Poker Friend | |
| Philip Glenister | ... | Poker Friend | |
| Jonathan Ryland | ... | Poker Friend | |
Follows a pair of married couples, Alfie (Sir Anthony Hopkins) and Helena (Gemma Jones), and their daughter Sally (Naomi Watts) and husband Roy (Josh Brolin), as their passions, ambitions, and anxieties lead them into trouble and out of their minds. After Alfie leaves Helena to pursue his lost youth and a free-spirited call girl named Charmaine (Lucy Punch), Helena abandons rationality and surrenders her life to the loopy advice of a charlatan fortune teller. Unhappy in her marriage, Sally develops a crush on her handsome art gallery owner boss, Greg (Antonio Banderas), while Roy, an author nervously awaiting the response to his latest manuscript, becomes moonstruck over Dia (Freida Pinto), a mystery woman who catches his gaze through a nearby window. Written by Sony Pictures Classics
You Will Meet a Tall Dark Stranger, the latest Woody Allen's film is light, airy, lacy, elegant, sad, bittersweet and tender, just like a Boccherini musical piece for guitar that a beautiful young woman was playing sitting next to the window in a London apartment/flat. It is also funny, sharp, mocks the absurdity of existence, and manages to highlight the insignificance and callousness of the characters yet not to judge them while letting them search for "bell' alma inamorata", and are not we all searching? Allen is still the master of his craft, the creator of charming dra-medies. His favorite and constant themes of lives and deaths of the relationships, of growing older and refusing to accept it, of trying to postpone the inevitable meeting with a "tall dark stranger", of struggle to find the reason in a tale, "full of sound and fury", are all here. But he knows how to look at the familiar material from the unusual angle by mixing masterfully humor and seriousness, light touch and insight in the right proportions to explore the desires, longings, and motivations of the characters. One of the themes Allen was interested while working on the Tall Dark Stranger was faith in something because it is for humans to prefer the power of self-delusions over the darkness of bitter truths. He said: "This sounds so bleak when I say it, but we need some delusions to keep us going. And the people who successfully delude themselves seem happier than the people who can't." Sounds too serious but it is Allen's film, and is ironic, witty, and light. I ask myself why I love Allen's films so much and always wait for them impatiently. One of the reasons, he makes them for adults and about adults. His target audiences want to see a clever intelligent film without being manipulated or spoon fed. I admire Allen for respecting his viewers: "I never write down to them. I always assume that they're all as smart as I am . . . if not smarter". Or, more likely, I love his films because the beauty lies in the eye of the beholder, and my eyes are always open to the beauty of his films. They are so perfectly constructed and framed. They look and sound terrific. While watching them, I don't understand how can they not be liked and admired by everyone? His short films are not small to me. I need them and I always will.