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Moon (2009)

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Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.

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Won 1 BAFTA Film Award. Another 26 wins & 33 nominations. See more awards »

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Cast

Complete credited cast:
... Sam Bell
... GERTY (voice)
... Tess Bell
Rosie Shaw ... Little Eve
Adrienne Shaw ... Nanny
... Eve
... Thompson
... Overmeyers
... Technician
... Sam Bell Clone
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Storyline

Sam Bell has a three year contract to work for Lunar Industries. For the contract's entire duration, he is the sole employee based at their lunar station. His primary job responsibility is to harvest and periodically rocket back to Earth supplies of helium-3, the current clean and abundant fuel used on Earth. There is no direct communication link available between the lunar station and Earth, so his only direct real-time interaction is with GERTY, the intelligent computer whose function is to attend to his day to day needs. With such little human contact and all of it indirect, he feels that three years is far too long to be so isolated; he knows he is beginning to hallucinate as the end of his three years approaches. All he wants is to return to Earth to be with his wife Tess and their infant daughter Eve, who was born just prior to his leaving for this job. With two weeks to go, he gets into an accident at one of the mechanical harvesters and is rendered unconscious. Injured, he ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

The last place you'd ever expect to find yourself See more »

Genres:

Drama | Mystery | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

10 July 2009 (USA)  »

Also Known As:

Kuu  »

Filming Locations:

 »

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Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend:

£157,867 (United Kingdom), 19 July 2009, Limited Release

Opening Weekend USA:

$136,046, 12 June 2009, Limited Release

Gross USA:

$5,009,677, 15 November 2009

Cumulative Worldwide Gross:

$9,760,104, 19 November 2009
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Since Duncan Jones came from an effects background in commercials, he drew upon his past experiences in creating effects under low budgets when making this film. See more »

Goofs

Lunar regolith that has been turned over by harvesters is shown as darker than untouched regolith, but in fact newly exposed regolith, for example that which has been exposed by meteorites, is bright, becoming darker with age. See more »

Quotes

Sam Bell: Well then I'm goin back, that's it for me.
Clone #2: Pfft!
Sam Bell: What?
Clone #2: Is that what you really think?
Sam Bell: Yea, I've got a contract... I'm, I'm goin home.
Clone #2: You're a fuckin' clone, you don't have shit!
Sam Bell: Hey, I'm goin home!
Clone #2: You're not going anywhere! You know you've been up here too long man, you've lost your marbles. Whuddya think, that Tess is back home waiting for you on the sofa in lingerie? What about the original Sam, Uh?
Sam Bell: I'M THE ORIGINAL SAM... I'M SAM FUCKIN' BELL, ME! ME!
Clone #2: Hey, whoa!
[...]
See more »

Crazy Credits

The fictional company which owns and operates the lunar base is called Lunar Industries Ltd. As a nod to this, the production company used to make the movie is also called Lunar Industries Ltd (UK Companies House company number 06346944), whose company directors are Duncan Zowie Hayward Jones (the movie's director) and Stuart Douglas Fenegan (one of the movie's producers). See more »

Connections

Features Bewitched (1964) See more »

Soundtracks

One and Only
Written by Nik Kershaw
Performed by Chesney Hawkes
Published by Imagem Music
Licensed courtesy of EMI Records Ltd
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Frequently Asked Questions

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User Reviews

 
A worthwhile one-man show
12 June 2009 | by See all my reviews

Originally posted to titsandgore.com, April 2009:

Moon is an auspicious debut from Duncan Jones (née Zowie Bowie), a talented new director who happens to be the son of David Bowie (let me officially be the first person to predict that every review of this film in the mainstream press will have the tagline "SPACE ODDITY!"). Sam Rockwell gives a truly remarkable performance as Sam Bell, a lunar miner who is nearing the end of his 3-year contract at a single-man mining outpost. His only companion is the station computer, Gertie, a straight-up HAL homage that tantalizingly suggests how a culture informed by decades of watching 2001 might choose to design a companion robot.

To say too much more about the plot would be to spoil its central conceit, and while I'm sure many reviewers will talk openly about it, I want to preserve the surprise if at all possible at least until the film gets its theatrical release this coming June.

Suffice it to say that Jones admirably mixes together stock genre tropes, paying tribute to a number of classic science fiction features while retaining his own idiosyncratically dark vision. Familiar filmic concepts of the "clean future" and the "dirty future" are mixed together to create a unique atmosphere; the milieu is suitably claustrophobic, the cramped quarters of the mining station serving the film's conceptual purposes while masking the shoestring budget. In fact, it may be hard to spare a glance at the meticulously designed sets with your eyes glued to Rockwell for the duration of the picture. His performance is utterly mesmerizing, inhabiting the role so completely that it is impossible to imagine any other actor having the chutzpah to pull it off.

Which is not to say that Moon is without its problems; the pacing is hardly consistent and Jones' reliance on Rockwell tends to undersell his direction. Parts of the film veer dangerously close to identical thematic elements in Steven Soderbergh's recent adaptation of Solaris, without being as emotionally potent. But what it lacks in originality is mostly compensated for by the sheer audacity of its central performance and the careful economy of its direction.

Moon may be dressed in familiar clothing, but it is a singular experience, a clever, darkly funny and genuinely moving journey into the nature of individuality. Jones is already at work on a second science fiction feature, and it is welcome indeed to see such a promising new talent continue to develop his voice by working in genre film-making!


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