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Wuthering Heights (2011)

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A poor boy of unknown origins is rescued from poverty and taken in by the Earnshaw family where he develops an intense relationship with his young foster sister, Cathy.

Director:

Andrea Arnold

Writers:

Andrea Arnold (screenplay), Olivia Hetreed (screenplay) | 2 more credits »
6 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
James Howson ... Older Heathcliff
Solomon Glave Solomon Glave ... Young Heathcliff
Paul Hilton Paul Hilton ... Mr. Earnshaw
Shannon Beer Shannon Beer ... Young Cathy
Simone Jackson Simone Jackson ... Nelly
Steve Evets ... Joseph
Lee Shaw Lee Shaw ... Hindley
Adam Lock Adam Lock ... Pastor
Amy Wren ... Frances
Eve Coverley Eve Coverley ... Young Isabella
Jonny Powell Jonny Powell ... Young Edgar (as Jonathan Powell)
Oliver Milburn ... Mr. Linton
Emma Ropner Emma Ropner ... Mrs. Linton
Richard Guy Richard Guy ... Gamekeeper Robert
Michael Hughes Michael Hughes ... Hareton
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Storyline

A poor boy of unknown origins is rescued from poverty and taken in by the Earnshaw family where he develops an intense relationship with his young foster sister, Cathy.

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

UK

Language:

English

Release Date:

11 November 2011 (UK) See more »

Also Known As:

Svindlande höjder See more »

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Box Office

Budget:

£5,000,000 (estimated)

Opening Weekend:

£156,931 (United Kingdom), 13 November 2011, Limited Release

Opening Weekend USA:

$8,956, 7 October 2012, Limited Release

Gross USA:

$96,889, 2 December 2012
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (theatrical)

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

In a deviation from the book, neither of the two opposing houses, the Earnshaw household and the Linton household, are named in the film. In the book, the former is called Wuthering Heights and the latter is called Thrushcross Grange. See more »

Quotes

Isabella Linton: You must have some stories to tell.
Older Heathcliff: Stories?
Isabella Linton: Well, you've been gone a while. You changed. We were all wondering.
Older Heathcliff: There is nothing I want to remember.
See more »

Crazy Credits

After all credits, including distributors' credits, there is a final shot of Heathcliff. See more »

Connections

Version of The DuPont Show of the Month: Wuthering Heights (1958) See more »

Soundtracks

"Black is the Colour of My True Love's Hair'
Traditional
Performed by Shannon Beer
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User Reviews

Bold but boring and so bleak
20 November 2011 | by rogerdarlingtonSee all my reviews

Only months after I read the 1847 Emily Brontë novel and saw the 1993 film adaptation, along comes yet another version of this enigmatic work. Director Andrea Arnold has taken a bold approach to her interpretation that, like all movie representations of books, has its strengths and weaknesses.

The boldest feature of the film is its casting of Heathcliff as black (Solomon Glave as the youngster and James Howson as the self-made man). Brontë describes Heathcliff as notably dark and Arnold - who co-wrote the script - has taken the character a significant step further in a manner which underlines Heathcliff's difference from the country folk. The accents are well done with young Cathy (Shannon Beer) perhaps better than older Catherine (Kaya Scodelario). The photography is wonderful with stunning views of the Yorkshire Dales (such a contrast to the more frequent very tight shots) and the sound is brilliant with a real sense of the wild natural setting.

Set against these undoubted virtues, it has to be said that the dialogue is so sparse (and sometimes muted) that, unless one has read the novel, it's often unclear what's going on and, even if you've read the novel, you sometimes yearn for the film to get a move on and, while some of the exchanges are taken straight from the novel, others are so crude that one cannot imagine Brontë ever penning such vulgarities. The leisurely pace means that, like all except the 1992 version, this one can only deal with the first half of Brontë's uncomfortable, indeed bleak, tale, so that one does not see the full, sustained vindictiveness of the anti-hero.


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