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Todas las canciones hablan de mí (2010)

A boy who tries to forget a girl, a story far more difficult to bear, especially when the girl you just separated from comes back again in each of the memories of your past and you feel that "all the love songs talk about me".

Director:

Jonás Trueba
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3 nominations. See more awards »

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Cast

Cast overview:
Oriol Vila ... Ramiro
Bárbara Lennie ... Andrea
Ramon Fontserè Ramon Fontserè ... Luismi
Ángela Cremonte ... Irene
Bruno Bergonzini ... Lucas
Eloy Azorín ... Nico
Valeria Alonso Valeria Alonso ... Silvia
Daniel Castro Daniel Castro ... Gonzalo
Miriam Giovanelli Miriam Giovanelli ... Raquel
Rebeca Sala ... Bea
Isabelle Stoffel ... Chica librería
Sabrina Praga ... Vicky
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Storyline

A boy who tries to forget a girl, a story far more difficult to bear, especially when the girl you just separated from comes back again in each of the memories of your past and you feel that "all the love songs talk about me".

Plot Summary | Add Synopsis

Genres:

Comedy

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Details

Country:

Spain

Language:

Spanish

Release Date:

10 December 2010 (Spain) See more »

Also Known As:

Every Song Is About Me See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color
See full technical specs »
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Did You Know?

Soundtracks

Crujidos
Written by Nacho Vegas and Christina Rosenvinge
Performed by Nacho Vegas
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User Reviews

 
Captures the hard part of loving with heart and humor
13 August 2016 | by slowcloudSee all my reviews

What a strong debut! Jonas Trueba shows great confidence in handling that tenuous place in loving someone else from a place of ego without making our hero Ramiro (Oriol Vila) obnoxious or completely pathetic. The acting is great all around. There's a nice influence of Francois Truffaut going on with a few, sparse but insightful moments via voice over and an active camera that moves to the great jazzy score by Perico Sambeat. It builds toward a wonderful open- ended finale, following a heartbreaking monologue by Ramiro to his unreachable(?) love Andrea (Bárbara Lennie), which melds nicely with Sambeat's pièce de résistance: a chaotic yet moving instrumental. One of the best endings I've seen in a long time. It also recalls (500) Days of Summer without jumping back and forth through time. There are also jabs at other kinds of relationships -- from the purely superficial to the naive to apathetic-- and, bonus, lots of great jokes about the book store world where Ramiro works. This is a rich, well-drawn out film that hardly ever slacks, as it never compromises what a complex, inner problem it's trying to express. You should come in ready to tune into that wavelength and have some experience behind you to get these moments. Maybe I'm seeing at the right time.


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