Newsroom drama detailing the 2004 CBS 60 Minutes report investigating then-President George W. Bush's military service, and the subsequent firestorm of criticism that cost anchor Dan Rather and producer Mary Mapes their careers.
Fonda and Redford will star as Addie Moore and Louis Waters, a widow and widower who've lived next to each other for years. The pair have almost no relationship, but that all changes when Addie tries to make a connection with her neighbor.
In this new comedy adventure, celebrated travel writer, Bill Bryson, instead of retiring to enjoy his loving and beautiful wife, and large and happy family, challenges himself to hike the Appalachian Trail - 2,200 miles of America's most unspoiled, spectacular and rugged countryside from Georgia to Maine. The peace and tranquility he hopes to find, though, is anything but, once he agrees to being accompanied by the only person he can find willing to join him on the trek - his long lost and former friend Katz, a down-on-his-luck serial philanderer who, after a lifetime of relying on his charm and wits to keep one step ahead of the law - sees the trip as a way to sneak out of paying some debts and sneak into one last adventure before its too late. The trouble is, the two have a completely different definition of the word, "adventure". Now they're about to find out that when you push yourself to the edge, the real fun begins.Written by
Broad Green Pictures
During the beginning of their hike they run into Mary Ellen. She guesses that Bill Bryson was a Gemini. Bill tells her that he is actually a Leo. Robert Redford, who plays Bill, was born in August and is actually a Leo in real life. See more »
When the two hikers are crossing the dam, there are four consecutive shots, in each of which the men are at about the same spot. They keep approaching the curve in the dam, but they never quite get there. See more »
It's just kinda insane, Dad. The whole thing, at your age? Fit people in their 20's can't do it, Dad. It takes five months and five millions steps.
I've been doing it for a while, you know.
Dad, hiking is not walking. Two thousand people a year try to do this. Less than 10% make it.
You ought to see the statistics on how many people finish writing a book.
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A peaceful close to a summer featuring a wide variety of strong and memorable films
"A Walk in the Woods" is precisely what I expected from a comedy-drama about two geezers hiking across the Appalachian Trail as a means of reacquainting themselves with the soil of their homeland. This is a film for the often neglected baby-boomer crowd that doesn't get out to see films quite often, mainly because most of what's out doesn't appeal to them. Amidst the noise of "Straight Outta Compton," the mind-numbing nonsense of "Hitman: Agent 47" and "The Transporter: Refueled," there's this low-key gem that provides for a restful trip to the theater.
The film is a biopic of author Bill Bryson (Robert Redford), who has lived out the last two decades exploring Britain and authoring books before returning to New Hampshire and living peacefully with his wife. In his sixties, he has put writing to the side, living out the last years of his life in solitude and tranquility, but is suddenly moved by the death of a friend enough to have one last adventure in him. Spontaneously, he comes up with the idea to hike over 2,000 miles along the Appalachian Trail as a testament to the will of a person and to become reacquainted with the soil he left decades ago.
He inquires numerous friends, most of whom dismiss him in rude or casual ways, and figures that he'll have no one to embark on this journey with. Again, out of nowhere, Stephen Katz (Nick Nolte) a former friend from Bill's homestate of Iowa, phones and vocalizes his excitement about the trip. However, upon meeting one another, we see that Bill, a lean, well-built man, even for sixty, poses a stark contrast to Stephen, a portly, unkempt alcoholic in remission with the voice of a phlegm-filled smoker and the look of a street bum. The two set course for the long haul ahead of them by packing heavily and working to rekindle the fire that was their friendship.
No matter which way you dissect the film, "A Walk in the Woods" belongs to Redford and Nolte. Here are two veteran actors who, much like their characters, have a great deal of experience under their belts and know how to command a screen. Giving these actors the Appalachian Trail as their playground is like giving a seasoned artist a paintbrush and as much free time as he or she needs; they will just do what they do best and surprise you every step of the way.
Screenwriters Rick Kerb and Bill Holderman, working off of Bryson's biography of the same name, exhaust the humor possibilities of Redford and Nolte, and while a handful come in the form of situational comedy, most come from their casual conversations and musings on life. Redford's conservative, mild-mannered presence contrasted with Nolte's vulgar, brutally honest demeanor, with a voice that seems to speak from the realms of pain, doubt, and years of alcohol dependency, create the age-old contrast in a buddy movie. Looking past formula and basic structure, Redford and Nolte know how to make this simple script work and that is by way of charm and emphasis on character and life experience.
This is a more straight-forward film than last year's "Wild," which, while very strong, was bogged down by a heavy emphasis on symbolism and too much exposition. Here, the humor in the film is consistent enough to call this a comedy, and the drama is just enough to make you feel without being overwhelmed. Much like the chemistry on display here, "A Walk in the Woods" is a decidedly amiable picture, predicated off of simplicities and amiable charm that's good for a few chuckles and a peaceful close to the summer of a wide variety of strong and memorable films.
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