A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
Attempting to impress his ideologies on religion, relationships, and the randomness (and worthlessness) of existence, lifelong New York resident Boris Yellnikoff rants to anyone who will listen, including the audience. But when he begrudgingly allows naive Mississippi runaway Melodie St. Ann Celestine to live in his apartment, his reclusive rages give way to an unlikely friendship and Boris begins to mold the impressionable young girl's worldly views to match his own. When it comes to love, "whatever works" is his motto, but his already perplexed life complicates itself further when Melodie's parents eventually track her down.Written by
The Massie Twins
First of two Woody Allen films to feature a two word alliterated title. Moreover, both films actually featuring the same first letter in each title word, that being "W". The two films are "Whatever Works" (2009) and "Wonder Wheel" (2017), both made and first released about eight years apart. See more »
When Boris and Melody discuss the female leads in Gone With The Wind, Boris says that Scarlett has green eyes. If you watch Gone With The Wind, you will see that Scarlett (Vivien Leigh) has blue eyes. See more »
That's not what I'm saying, imbecile. You guys completely misrepresent my ideas, why would I even want to talk with those idiots.
Just calm down.
That's not true, Boris.
No, don't tell me to calm down, I am calm. Just stop.
Don't jump on us just because we don't understand what you're saying.
I didn't jump on you. It's not the idea behind Christianity I'm faulting, or Judaism, or any religion. It's the professionals who've made it into corporate business. There's big money in the ...
[...] See more »
Greetings again from the darkness. Such an odd experience ... watching an old Woody Allen for the first time. Well that's the best way I can describe this. The script was from the 70's and certainly, Mr. Allen made a few changes to make it fit the 21st century, but still we can't help but think it's 1977 all over again ... especially since Woody has been away from NYC for awhile.
Larry David is cast in the "Woody Allen" role and does his best to bring his Curb Your Enthusiasm delivery. The only problem, his character here, Boris Yellnikoff, is just a very bitter, abusive, negative force ... so even some of the best comedic moments are a bit tainted by the mean spiritedness.
Evan Rachel Wood has been a star in the making since "Thirteen" and really brings a new dimension not just to her career, but also the film. Her runaway southern belle is a flat out hoot. When her parents (Patricia Clarkson and Ed Begley, Jr.) arrive, we gain some insight into Allen's thought process ... he thinks NYC is the be all and end all ... and can even enlighten those southern "crackers".
Mr. Allen has always been obsessed with three topics ... dying, sex and intellect, and all three are on prominent display here. He really has an innate ability to exaggerate life subtleties and slap us upside the head in his films. I believe his message is that the big picture of life is overwhelming and disheartening, but as individuals, we can each find happiness.
53 of 87 people found this review helpful.
Was this review helpful to you?
| Report this