"Beer for My Horses" tells the story of two best friends that work together as deputies in a small town. The two defy the Sheriff and head off on an outrageous road trip to save the protagonist's girlfriend from drug lord kidnappers.
Bill Racklin is a deputy sheriff in Greer County Oklahoma, the crystal meth capital of the region. His girlfriend leaves him because he's inattentive to her, but things look up when his high-school sweetheart, Annie Streets, returns home to care for her ailing mother. Annie's step-father, Buck Baker, is the local heartless rich guy, buying up farmland. On a stakeout, Rack and two other deputies arrest four men stealing fertilizer to make crystal meth; one of the four is the brother of a notorious Mexican drug dealer. The drug lord arranges Annie's kidnapping and holds her to ransom his brother. Rack and the deputies, prisoner in tow, head for Mexico to rescue her.Written by
Ted Nugent's character is a major character in the film but only says two words the whole movie. See more »
During the scene where Lonnie crashes the truck into some road barriers, there is just a piece of wood sticking out of the grille. There should be some damage on the bumper, considering all of the barriers the truck hit. See more »
I have no earthly idea what "Beer for My Horses" is supposed to be or whom it's supposed to appeal to, but it does have one of the most unusual casts I've seen in ages. Rock and country music stars Toby Keith, Willie Nelson, Mel Tillis, Ted Nugent, Mac Davis and David Allen Coe join up with actual, honest-to-God actors like Tom Skerrit and Claire Forlani in a film derived from Keith's hit country song of the same name.
In fact, Keith co-wrote, directed and plays the lead in this tale of an Oklahoma sheriff whose girlfriend is kidnapped after he and his men arrest the brother of a nefarious Mexican drug lord for stealing fertilizer, apparently a key ingredient in meth production (who knew?). Soon, the law enforcer and his posse are headed south-of-the-border to rescue the girl.
Keith has thrown just about everything he can think of into the mix: small-town buffoonery, race-tinged melodrama, low-keyed romance, a troupe of circus performers, a flatulent bulldog, and more scowling Mexicans than you can shake a sombrero at. Somehow it's all supposed to go together, but even the most accomplished filmmaker would have trouble making it all work. Still, it's so homespun, scruffy and amiable that criticizing it too harshly would be like kicking the family mutt.
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