This mini-series tells the story of Amy Dorrit (Claire Foy), who spends her days earning money for the family and looking after her proud father (Sir Tom Courtenay), who is a long term ...
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Merdle's suicide note reveals that he was a swindler, robbing his investors and leaving thousands ruined. Mrs. Merdle agrees to Fanny's suggestion they do a 'moonlight flit' to escape creditors but ...
John Chivery is heart-broken when Amy rejects his marriage proposal, telling him she will never marry, though Arthur is clearly in her thoughts. News gets back to her father, who becomes self-pitying...
The daughter of a country doctor copes with an unwanted stepmother, an impetuous stepsister, burdensome secrets, the town gossips, and the tug on her own heartstrings for a man who thinks of her only as a friend.
Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in ... See full summary »
Emma Woodhouse seems to be perfectly content, to have a loving father whom she cares for, friends and a home. But Emma has a terrible habit - matchmaking. She cannot resist finding suitors ... See full summary »
Jonny Lee Miller
In the 1840s, Cranford is ruled by the ladies. They adore good gossip; and romance and change is in the air, as the unwelcome grasp of the Industrial Revolution rapidly approaches their beloved rural market-town.
Royal Navy captain Wentworth was haughtily turned down eight years ago as suitor of pompous baronet Sir Walter Elliot's daughter Anne, despite true love. Now he visits their former seaside ... See full summary »
At 10, Fanny Price, a poor relation, goes to live at Mansfield Park, the estate of her aunt's husband, Sir Thomas. Clever, studious, and a writer with an ironic imagination and fine moral ... See full summary »
Jonny Lee Miller,
Set in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destroy her chance at happiness.
An adaptation of Flora Thompson's autobiographical novel "Lark Rise To Candleford", set in 19 century Oxfordshire, in which a young girl moves to the local market town to begin an apprenticeship as a postmistress.
This mini-series tells the story of Amy Dorrit (Claire Foy), who spends her days earning money for the family and looking after her proud father (Sir Tom Courtenay), who is a long term inmate of Marshalsea debtors' prison in London. Amy and her family's world is transformed when her boss' son, Arthur Clennam (Matthew Macfadyen), returns from overseas to solve his family's mysterious legacy and discovers that their lives are interlinked.
Brilliant Dickens dramatisation, with outstanding performances and superlative period detail
I admit I hadn't read the book for a long time, and I do remember finding it rather complicated. Reading it again, I found it an insightful piece of literature, but it isn't the easiest book to sink your teeth into at first. But along with 2005's Bleak House, this adaptation of Little Dorrit was absolutely brilliant, and by far one of the better dramatisations of 2008.
What is worth of mention is the period detail. It was stunning and truly evocative! You can never go wrong with realistic looking sets,skillful camera work, lavish costumes and breathtaking scenery, and this adaptation scored highly in all four of these areas. The music from John Lunn was gorgeous, and the scripts were of exceptional quality. The plot, may be a little complicated at times, but I will say at 17 I was hooked from minute one. I think it was to do with how every scene was shot and executed. There are a handful of poignant, bleak and truly haunting moments throughout.
Other than the overall closeness to the book and how it was filmed, what made this dramatisation was the quality of the performances. I don't think anybody gave a bad performance whatsoever. Claire Foy gives an appealing lead performance as Amy, and Matthew MacFadyen is charming and handsome. Tom Courtenay is truly heart-wrenching as Amy's father, in one of his best understated performances, and I do think Courtenay is in some ways undervalued as an actor, Allun Armstrong is as reliable as ever as Jeremiah and Andy Serkis steals every scene he's in in a truly sinister performance as Rigaud (who is a real creep). And I found his accent convincing, if anything he could have done with more screen time.
Overall, I cannot sing my praises enough of this fine dramatisation of Dickens' book. 10/10 Bethany Cox
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