The series tells the story of Amy Dorrit, who spends her days earning money for the family and looking after her proud father, who is a long term inmate of Marshalsea debtors' prison in ...
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Merdle's suicide note reveals that he was a swindler, robbing his investors and leaving thousands ruined. Mrs. Merdle agrees to Fanny's suggestion they do a 'moonlight flit' to escape creditors but ...
John Chivery is heart-broken when Amy rejects his marriage proposal, telling him she will never marry, though Arthur is clearly in her thoughts. News gets back to her father, who becomes self-pitying...
The daughter of a country doctor copes with an unwanted stepmother, an impetuous stepsister, burdensome secrets, the town gossips, and the tug on her own heartstrings for a man who thinks of her only as a friend.
Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in ... See full summary »
In the 1840s, Cranford is ruled by the ladies. They adore good gossip; and romance and change is in the air, as the unwelcome grasp of the Industrial Revolution rapidly approaches their beloved rural market-town.
Emma Woodhouse seems to be perfectly content, a loving father whom she cares for, friends, and a home. But Emma has a terrible habit - matchmaking. She cannot resist finding suitors for her... See full summary »
Jonny Lee Miller
Royal Navy captain Wentworth was haughtily turned down eight years ago as suitor of pompous baronet Sir Walter Elliot's daughter Anne, despite true love. Now he visits their former seaside ... See full summary »
Set in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destroy her chance at happiness.
At age 10, Fanny Price is sent by her destitute mother to live with her aunt and uncle, Sir Thomas and Lady Bertram. As a child she was often made to feel that she was the poor relation but... See full summary »
At the center of the story is Augustus Melmotte, a European-born city financier, whose origins are as mysterious as his business dealings. Trollope describes him as 'something in the city',... See full summary »
The series tells the story of Amy Dorrit, who spends her days earning money for the family and looking after her proud father, who is a long term inmate of Marshalsea debtors' prison in London. Amy and her family's world is transformed when her boss's son, Arthur Clennam, returns from overseas to solve his family's mysterious legacy and discovers that their lives are interlinked. Written by
The gold overdress worn by one of the dancers leaving the theatre while Amy waits for Fanny is the same costume Juliet Stevenson (Mrs. Elton) wears at the Box Hill picnic in Emma (1996). The costume is also worn by a guest at the London party where Byron meets Annabella Milbanke in Byron (2003). See more »
... hardly "Little" when you see it spread over 12 half-hour and two hour-long bookend episodes, BBC's new production repeats the successful episodic template of the previous "Bleak House", with adaptor-extraordinaire Andrew Davies' latest dramatisation of classic Dickens again, proving, on the whole to be a successful and highly entertaining epic. The novel (no pun intended) idea of breaking down the book to bite-size half-hour chunks to echo the monthly magazine serialisation in Dickens' own time, certainly kept me looking forward with anticipation to the next one, even if it does cater to the half-hour-soap mentality and attention-span of much of today's target audience. The settings were superb, with every background filled in and peopled appropriately, from the squalor of The Marshalsea Prison to the grandeur of the stately homes of London and Venice as The Dorrits make their parabolic journey on the path of moral regeneration. The direction was well-paced and occasionally imaginative while the acting, with a few exceptions was excellent, particularly in the crucial main roles where Claire Foy and Matthew Macfadyen in arguably the leads convey without too much sentimentality (Dickens' goodly characters frequently teeter on the edge of over-sentimental caricature) their traits of honesty, loyalty, self-sacrifice and humility. The story has elements of Trollope's "The Way We Live Now" (another recent BBC/Davies triumphant adaptation) in its exposure of the unprincipled fat-cats at the centre of high finance, with of course echoes of today's post-credit-crunch collapsing banks in the depiction of Mr Merdle as the epicentre of the bubble that has to burst sometime. Plus ca change... Everyone will have their own favourites amongst the rest of the cast. I was particularly impressed by Eddie Marsan as the tough rent-collector with a heart, the snorting Pankes, Russell Tovey as the lovelorn lock-keeper's son John Chivery, Ruth Jones as Clennam's blowsy, bloated childhood sweetheart, Flora Flinching (her transformation from the slim teenager of his memory to today's fat frump, was deftly rendered) and Flora Robson lookalike Judy Parfitt as Arthur's cold, immovable (in every sense of the word) "mother". The biggest star on board, arguably, is Tom Courteney who skilfully makes sympathetic the basically aloof, pompous, self-deluding Mr Dorrit, particularly his descent into madness and sudden death. On the debit side, I found Freema Agyeman miscast and tending to overact in the admittedly difficult part of Tattycoram and if I was being picky just a little too much of the archetypal Victorian melodramatic villain in the performances of John Alderton and Andy Serkis as the rogues of the piece, Casby and Rigaud/Blandois. Davies' screenplay as ever can't resist the odd allusion to today, but I always find such moments jarring and there are certainly some crudities here which I don't recall Dickens employing. Seems such a shame to go to all the trouble of period recreation to besmirch it with clever-clever in-jokes to a modern audience. That said however, I was thoroughly transported into the Dickens' world that I love and wait with anticipation, the next production. Davies should take on a real challenge in my opinion next time with "Edwin Drood" and fashion us a credible conclusion to Dickens' death-shortened final work.
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