The Dorrits are a family whose life revolves around the Marshalsea, a debtor's prison. Amy Dorrit's kind nature brings the family into contact with a wide swath of English society, from the ... Read allThe Dorrits are a family whose life revolves around the Marshalsea, a debtor's prison. Amy Dorrit's kind nature brings the family into contact with a wide swath of English society, from the poorest to the richest, and back again.The Dorrits are a family whose life revolves around the Marshalsea, a debtor's prison. Amy Dorrit's kind nature brings the family into contact with a wide swath of English society, from the poorest to the richest, and back again.
- Won 7 Primetime Emmys
- 8 wins & 34 nominations total
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This adaptation takes the book very seriously, and is a true adaptation. 14 episodes at first seemed a little daunting, but this series is captivating, with wonderful characters and fantastic cinematography. The soundtrack suits the series well, and just gives that extra touch to get the watcher crying, laughing, and sighing at the television screen! You truly feel like you are in the series, which makes it a series in a league of it's own. The casting is fantastic, and well done for Claire Foy - she portrayed the character brilliantly for a first large part! In the end, if I had to describe this series in one word; it's really, truly 'sweet' - there is no other word! - and will no doubt leave the viewer with a smile on their face by the end of it!
I love this version of Little Dorrit. Whilst I have not read the book, and so cannot vouch for its following the storyline faithfully, I find it interesting enough to enjoy it immensely every time I watch it.
Some characters are funny, some capricious, others are mercenary whilst a few are kind and good hearted. The juxtaposition of all the different personalities really does make good viewing, and the true Dickensian oddities are very funny and entertaining, like Mr. Panks or the extraordinary French gentleman!
The story holds a lot of events and developments that both interest and satisfy the viewer. A classic tale of love, hardship and affluence, this film is like a ray of sunlight in a darkened room: murky and mysterious, yet somehow also rather quaint and sweet.
Some characters are funny, some capricious, others are mercenary whilst a few are kind and good hearted. The juxtaposition of all the different personalities really does make good viewing, and the true Dickensian oddities are very funny and entertaining, like Mr. Panks or the extraordinary French gentleman!
The story holds a lot of events and developments that both interest and satisfy the viewer. A classic tale of love, hardship and affluence, this film is like a ray of sunlight in a darkened room: murky and mysterious, yet somehow also rather quaint and sweet.
LITTLE DORRIT is an excellent British TV version of the Dickens novel, the kind of saga that almost makes David Copperfield's struggles look pale by comparison. Here, the leading characters are mystified by the secrets involving their past and the young man ends up in debtor's prison when he can't pay his creditors. Everything is eventually cleared up, but getting to the end of all the woes is quite a struggle.
As usual, all of it has been given magnificent production values, great sets that look as though people really lived there in those times, and fine acting by an ensemble cast of fine British actors. MATTHEW MACFAYDEN and CLAIRE FOY are splendid in the leading roles and ANDY SERKIS does a fine job as the villainous Ragaud.
I'm going to have to watch the replay to see the whole story, but what I saw has certainly whetted my appetite for catching the whole story from beginning to end. I can see why this production has been winning so many awards. Fine job.
As usual, all of it has been given magnificent production values, great sets that look as though people really lived there in those times, and fine acting by an ensemble cast of fine British actors. MATTHEW MACFAYDEN and CLAIRE FOY are splendid in the leading roles and ANDY SERKIS does a fine job as the villainous Ragaud.
I'm going to have to watch the replay to see the whole story, but what I saw has certainly whetted my appetite for catching the whole story from beginning to end. I can see why this production has been winning so many awards. Fine job.
I stumbled on to this series about half way through an early episode purely by accident and within 5 minutes I was totally hooked - wow. My favorite programs are a combination of a great story, careful character development and excellent acting. This series has all these and more - the cinematography shows great sensitivity, the sets and costumes world class and even the theme music is mesmerizing. Each episode practically stands on it's own. It's the whole package.
Clair Foy is nothing short of brilliant - I have never seen a character that so completely captures your sympathies and heart. She is the perfect manifestation of beauty being so much more than skin deep.
Matthew Macfadyen is the idea counterpart and perfectly represents the goodness that mankind can (should) strive to achieve. The electricity between Matthew Macfadyen and Claire Foy is also magic.
Tom Courtenay performance is in many ways the most extraordinary of all. His role as William Dorrit is by far the most complex and challenging. Tom Courtenay's insight into this complex and rapidly evolving character is truly remarkable - I have seen very few that could compare. In my mind on the same level as George C. Scott in Patton.
The other supporting actors are also faultless almost to a man (or woman).
If you haven't seen this one - I suggest you do it's great and timeless entertainment.
Clair Foy is nothing short of brilliant - I have never seen a character that so completely captures your sympathies and heart. She is the perfect manifestation of beauty being so much more than skin deep.
Matthew Macfadyen is the idea counterpart and perfectly represents the goodness that mankind can (should) strive to achieve. The electricity between Matthew Macfadyen and Claire Foy is also magic.
Tom Courtenay performance is in many ways the most extraordinary of all. His role as William Dorrit is by far the most complex and challenging. Tom Courtenay's insight into this complex and rapidly evolving character is truly remarkable - I have seen very few that could compare. In my mind on the same level as George C. Scott in Patton.
The other supporting actors are also faultless almost to a man (or woman).
If you haven't seen this one - I suggest you do it's great and timeless entertainment.
Oh, I do love a good period drama
I got interested enough after one episode of this to re-read the book for the first time in 10 years, and was impressed by how very dark and cynical Dickens' tone is. The show is well-shot and well made, and does the book justice in almost every way. The only thing which is so far slightly lost is the cynicism: the staggering incompetence and idleness of the Circumlocution Office is meant to be an attack on the whole governmental administration system. Likewise, the inordinate raising up of one person above others on a great balloon of hot air, and the great, national disgrace that was the imprisonment of whole families for debt. The intensity of the satire is missing which is a great shame, since a central part of the story finds its perfect parallel in events unfolding both in this country and elsewhere right now. That was a missed opportunity but I suspect the show wouldn't have attracted such ready funding and promotion if it laid the satire on too thick at the expense of say, the costumes (yawn).
The casting is excellent, and it seems almost unfair to single out individuals from the list, including Judy Parfitt's cold Mrs Clennam, Tom Courtenay's vain, haunted Mr Dorrit, Russell Tovey's charmingly emotional young Chivery, Claire Foy's delicate, youthful Amy and Matthew McFadyen's kind-hearted, generous Arthur. Ruth Jones' wondrous recreation of the voluminous Flora is bettered only by Annette Crosbie's frankly terrifying Aunt. (She's how I want to be when I get old!) I'd been disappointed by McFadyen's Mr Darcy in the Joe Wright film "Pride & Prejudice" - it was almost at times as if he had been stuffed, and his looks were somehow lost in the mix. Here all his best attributes are to the fore his eyes, his height, his voice and manner, the excellence of his diction all these create a warm, breathing man out of really quite flimsy material. In the book and even in this dramatisation, Arthur is a rather shadowy presence, on the sidelines while things happen to those around him. Yet his appearance each week is like a beacon, a feeling of warmth, like home.
Claire Foy does a really wonderful job as the title character. Dickens' heroines used to drive me mad so tiny and blushing and always so very, irritatingly good, drat them. Foy manages to be all of these things, but to be likable too, and I very much admire her for it. The way she looks at her father half with love, half with pity is spot on. Tom Courtenay is brilliant I can't imagine anyone else being able to bring so much to the character of this foolish, vain, blind Mr Dorritt. I kept missing episodes and having to watch them on the (BBC's excellent i-player) catch up site. Now I've at last seen the final episode I think it's sadly rushed, missing a few voyeuristic opportunities for catching up on some of the minor characters seen in the series. However the scenes between John Chivery, Arthur and Amy are moving and beautifully handled. I will definitely be getting hold of the DVD. This one's a keeper.
The casting is excellent, and it seems almost unfair to single out individuals from the list, including Judy Parfitt's cold Mrs Clennam, Tom Courtenay's vain, haunted Mr Dorrit, Russell Tovey's charmingly emotional young Chivery, Claire Foy's delicate, youthful Amy and Matthew McFadyen's kind-hearted, generous Arthur. Ruth Jones' wondrous recreation of the voluminous Flora is bettered only by Annette Crosbie's frankly terrifying Aunt. (She's how I want to be when I get old!) I'd been disappointed by McFadyen's Mr Darcy in the Joe Wright film "Pride & Prejudice" - it was almost at times as if he had been stuffed, and his looks were somehow lost in the mix. Here all his best attributes are to the fore his eyes, his height, his voice and manner, the excellence of his diction all these create a warm, breathing man out of really quite flimsy material. In the book and even in this dramatisation, Arthur is a rather shadowy presence, on the sidelines while things happen to those around him. Yet his appearance each week is like a beacon, a feeling of warmth, like home.
Claire Foy does a really wonderful job as the title character. Dickens' heroines used to drive me mad so tiny and blushing and always so very, irritatingly good, drat them. Foy manages to be all of these things, but to be likable too, and I very much admire her for it. The way she looks at her father half with love, half with pity is spot on. Tom Courtenay is brilliant I can't imagine anyone else being able to bring so much to the character of this foolish, vain, blind Mr Dorritt. I kept missing episodes and having to watch them on the (BBC's excellent i-player) catch up site. Now I've at last seen the final episode I think it's sadly rushed, missing a few voyeuristic opportunities for catching up on some of the minor characters seen in the series. However the scenes between John Chivery, Arthur and Amy are moving and beautifully handled. I will definitely be getting hold of the DVD. This one's a keeper.
Did you know
- TriviaThe composer, John Lunn, also composed the score for "Downton Abbey" (2010), which is why many of the musical themes are similar and nearly identical.
- ConnectionsFeatured in The Big Fat Quiz of the Year (2008)
- How many seasons does Little Dorrit have?Powered by Alexa
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- Also known as
- 小杜麗
- Filming locations
- Luton Hoo Estate, Luton, Bedfordshire, England, UK(Bleeding Heart Yard)
- Production companies
- See more company credits at IMDbPro
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