Me and Orson Welles (2008) - News Poster


Newswire: Josh Gad and Chloë Grace Moretz will hit up the Party Of The Century

Taking a break from playing Disney sidekicks, Josh Gad will add his interpretation of Truman Capote to the cinematic canon in the upcoming film Party Of The Century, about the author’s famous Black And White Ball. According to a release, the story is not entirely centered on Capote—instead, it focuses on the romance between a fictional starlet played by Chloë Grace Moretz and Jack O’Connell’s elevator operator. So it’s more in the vein of a Me And Orson Welles or My Week With Marilyn-type project about people who have brushes with legends.

The movie comes from Robert Pulcini and Shari Springer Berman, who wrote and directed The Nanny Diaries. One presumes they are now tasked with finding celebs to cameo as the other famous faces at the event. Who’s going to play Warhol this time?
See full article at The AV Club »

Former Pinewood and CinemaNX executive Steve Christian dies aged 53

  • ScreenDaily
Former Pinewood and CinemaNX executive Steve Christian dies aged 53
Industry veteran, co-producer of Fox’s upcoming untitled A.A. Milne biopic, died suddenly at home last weekend.

UK producer-financier Steve Christian has died unexpectedly at home aged 53.

Former CinemaNX co-founder and chairman Christian, who previously oversaw the development of the Isle of Man’s film investment programme, most recently served as co-producer on Fox Searchlight’s upcoming Untitled A.A. Milne project starring Domhnall Gleeson and Margot Robbie.

Christian, a former accountant, was intrinsic to the development of the Isle Of Man Film Commission, which invested in projects including Lawless Heart, The Libertine and Revolver as well as TV series The Shadow Line.

He launched production and distribution outfit CinemaNX, which was backed by the Isle of Man government, in 2007 alongside producer Marc Samuelson.

The outfit backed titles including Me And Orson Welles, The Disappearance of Alice Creed and Chico & Rita.

Christian joined Pinewood Pictures in 2012 when the studio took over management of the Isle of Man
See full article at ScreenDaily »

Richard Linklater: Dream Is Destiny review – intelligent examination of an 'American flaneur'

The director of films from Slacker to Everybody Wants Some!! is all enigmatic affability, concealing what is clearly an obsessive dedication to his art form

A long overdue documentary study of Richard Linklater, a film-maker whose lo-fi 90s debut Slacker pretty well reinvented “indie” as a genre, who created one of the great love stories with his Before Sunrise trilogy and whose real-time masterpiece Boyhood dominates the skyline of modern American cinema. Like Gus van Sant, Linklater has an auteur signature that he can set aside for a regular studio paycheck – and this film tactfully hints that his mainstream movies of the noughties like Bad News Bears, Fast Food Nation and Me and Orson Welles were forgivably disappointing because he had his mind on Boyhood the whole time. However, this was the time he also made very interesting movies A Scanner Darkly (2006) – and of course Before Midnight (2013).

Related: Richard Linklater
See full article at The Guardian - Film News »

Christian McKay to make directorial debut with 'Provenance'

  • ScreenDaily
Christian McKay to make directorial debut with 'Provenance'
Exclusive: Me And Orson Welles star to co-direct with Ben Hecking.

British actor Christian McKay, perhaps best known for his eponymous role in Me And Orson Welles, is to co-direct intense relationship drama Provenance with cinematographer Ben Hecking.

The independent British feature, which is in pre-production, marks the directorial debut for both McKay and Hecking and is based on an original story developed by the duo.

McKay, also known for roles in Rush, The Theory Of Everything and the upcoming Florence Foster Jenkins, will also star alongside Spanish actress Charlotte Vega (Another Me, The Refugees, El club de los incomprendidos) in her first leading English-language role and Harry Macqueen.

Macqueen is the writer, director and star of British drama Hinterland, on which Hecking served as cinematographer. He also had a small role in Me And Orson Welles.

Provenance is produced by White Horse Films and is fully funded. Shooting will begin in the south of France in April
See full article at ScreenDaily »

Criterion Close-Up – Episode 28 – Slacker

Mark and Aaron are joined by Cole & Ericca from the Magic Lantern Podcast. They are Austin, TX residents and shed a lot of insight into this landmark independent film, Richard Linklater and his involvement in the Austin Film Society. They also talk about how the film reflects the city of Austin, and how much the place has changed in the years since.

About the film:

Slacker, directed by Richard Linklater, presents a day in the life of a loose-knit Austin, Texas, subculture populated by eccentric and overeducated young people. Shooting on 16 mm for a mere $3,000, writer-producer-director Linklater and his crew of friends threw out any idea of a traditional plot, choosing instead to create a tapestry of over a hundred characters, each as compelling as the last. Slacker is a prescient look at an emerging generation of aggressive nonparticipants, and one of the key films of the American independent film movement of the 1990s.
See full article at CriterionCast »

War Book movie review: the fate of humanity

Riveting, terrifying, and unafraid to confront its own quiet horror. One of the most important movies ever about nuclear weapons and modern governance. I’m “biast” (pro): nothing

I’m “biast” (con): nothing

(what is this about? see my critic’s minifesto)

Over the weekend of the 70th anniversary of the first — and so far only — use of atomic bombs in anger, cinemagoers in and around London will have an opportunity to see one of the most extraordinary movies about nuclear warfare ever made. (And then it will air on the BBC next week.) There are no mushroom clouds in War Book. There are no screams of fear or pain. There are no ticking countdowns that may or may not be defused in the nick of time. There is no disaster porn. No stock footage of test blasts from the 1950s is deployed. There are just civil servants
See full article at FlickFilosopher »

Mr. Holmes movie review: the case of the missing myth

It looks lovely and Ian McKellen is amazing, of course, but it’s not very Holmesian. I suspect Holmes himself would snort in derision at its sentimentality. I’m “biast” (pro): big fan of Sherlock Holmes and Ian McKellen

I’m “biast” (con): nothing

I have not read the source material

(what is this about? see my critic’s minifesto)

I love Sherlock Holmes in all his many incarnations, and when I heard that director Bill Condon was making a movie about an elderly Holmes played by Ian McKellan, I cheered. The two had previously collaborated on the wonderful Gods and Monsters — about the classic Frankenstein filmmaker James Whale in his later years — so this new film was bound to be great, wasn’t it? I was a tad sorry to learn that Mr. Holmes, though based on a novel, was not based on the fabulous Mary Russell
See full article at FlickFilosopher »

Magician: The Astonishing Life and Work of Orson Welles review – a heady ride

Chuck Workman’s documentary offers an excellent primer on the maestro’s career

“A magician is just an actor playing the part of a magician.” Released alongside a Welles retrospective at BFI Southbank (Touch of Evil returns to selected cinemas on 10 July), this watchable documentary provides an excellent primer on the maestro’s brilliantly chaotic career. Divided into biographical segments (The Boy Wonder, The Outsider, The Gypsy etc), Chuck Workman’s film intercuts archive interviews with clips of Welles’s work from stage, screen and radio. It’s a heady ride; from the national panic which greeted the War of the Worlds broadcast, through the “confidence of ignorance” of Citizen Kane (“I didn’t know what you couldn’t do”), to the butchering of The Magnificent Ambersons, and Welles’s subsequent status as an accidentally path-breaking indie film-maker. Clips from films in which he appears as a character (Christian McKay in Me and Orson Welles,
See full article at The Guardian - Film News »

Movie Review – Magician: The Astonishing Life and Work of Orson Welles (2015)

Magician: The Astonishing Life and Work of Orson Welles, 2015

Directed by Chuck Workman


A documentary exploring the life and work of Orson Welles

Vincent van Gogh, famously, sold only one painting in his lifetime. Leonardo Da Vinci struggled to finish many of the commissions he was given – his Last Supper is technically unfinished as he intended to include a roof on the mural. Magician: The Astonishing Life and Work of Orson Welles lifts the widely-respected filmmaker to such heights. Akin to van Gogh and Da Vinci, his canon of films includes multiple financial losses, alongside incomplete masterpieces that, even now, are rumoured to be lost in the deepest depths of Southern America. From Citizen Kane to F for Fake, his history is fascinating, and director Chuck Workman, takes us on the bumpy journey through his life.

Split into small, bite size chunks such as ‘The Boy Wonder’ and ‘The
See full article at Flickeringmyth »

Set Fire to the Stars | Review

Suffer the First Vision: Goddard’s Debut Anchored in Episode of Literary Distress

Doomed Welsh poet Dylan Thomas gets a contemporary biopic treatment in Set Fire to the Stars, taking its name from the last line of his poem “Love in the Asylum.” The film marks the feature debut of British television alum Andy Goddard (“Torchwood,” “Downton Abbey”) and is presented in striking black and white, giving the visual attributes a dramatic edge over the familiar succession of beats often evidenced in these portraits of mad artists. Told through the perspective of poet and literary critic John Brinnin, the man responsible for bringing Thomas to the Us for the first time, the treatment is based partially on his highly criticized account, Dylan Thomas in America. Goddard and co-writer Celyn Jones (who stars as Thomas) don’t appear to take many liberties and/or risks, despite some slight implications concerning Brinnin’s latent desires.
See full article at »

Cinderella movie review: fifty shades of ash

A product of the Disney princess machine. Its highest ambition is to move a new line of toys. Or to evoke despair in the fairy-tale-ization of girls’ lives. I’m “biast” (pro): I’ve enjoyed director Kenneth Branagh’s movies

I’m “biast” (con): I’m so done with princess crap

(what is this about? see my critic’s minifesto)

This is how it begins, the fairy-tale-ization of little girls’ lives. Make sure to get ’em while they’re young, and tell ’em: You don’t need any discernible personality or interest in the world to be successful as a lady. Just “be kind,” even to the point of being a doormat; for god’s sake, don’t make waves or complain, just endure whatever abuse the world throws at you even if you could easily walk away from it. As a reward, eventually, luck and magic will
See full article at FlickFilosopher »

Oscars 2015: Which Film Deserves to Win Best Picture?

Oscars 2015: Which Film Deserves to Win Best Picture?
Justin Chang: We don’t always agree, Guy (no two critics ever should), but it’s safe to say we’ve been more simpatico than usual over the course of this very long and happily almost-over awards season. I think we would both argue, for example, that “Foxcatcher” was ridiculously worthy of an Oscar nomination for best picture, and that its failure to nab one seems all the more inexplicable given that Bennett Miller managed to crack the much more competitive directing race. Likewise, I don’t know anyone else who had almost precisely the same reaction and counter-reaction to “Birdman” as I did — an initial thrill that almost completely fell apart on second viewing.

Clearly the industry feels otherwise, if “Birdman’s” presumed Oscar-frontrunner status is to be believed — which I fear it is, even as some of us are still clinging desperately to the hope that “Boyhood” will prevail.
See full article at Variety - Film News »

Who is ‘Dick Poop’ — er, Dick Pope?

By Anjelica Oswald

Managing Editor

Nothing could stop ‘Dick Poop’ from becoming a Twitter ‘Trending Topic’. The site exploded with clever responses to the Academy Award nominations Jan. 15 — from surprises to snubs to the unfortunate pronunciation of one cinematographer.

This flub occurred when Cheryl Boone Isaacs, president of the Academy of Motion Picture Art and Sciences, announced Dick Pope as a nominee for achievement in cinematography.

So who exactly is Dick Pope?

Pope received his second Oscar nomination this year for his work on Mike Leigh’s Mr. Turner, about the obsessive British landscape artist J.M.W. Turner (portrayed by Timothy Spall). The film also received nominations for production design, costume design and original score. For his work on the film, Pope has earned BAFTA Award and Critics’ Choice Award nominations. Pope won the Vulcan Prize for Technical Artist at the Cannes Film Festival, where the film premiered. He
See full article at Scott Feinberg »

Richard Linklater for career achievement by Casting Society of America

  • Hitfix
Richard Linklater for career achievement by Casting Society of America
When you make movies about people, an eye for casting becomes an auteurist stamp. Richard Linklater knows his characters so well — their personalities, their movements, their sounds — that by the time he inserts actors into each part, the choices feel like absolutes. Take the "Before" series. It’s a war crime to fantasy cast alternatives for Celine and Jesse. Julie Delpy and Ethan Hawke are too perfect. Just try. Nope. Not the same movie. Can’t do it. Impossible. In a testament to Linklater’s knack for spotting talent, the Casting Society of America will present two-time Academy Award-nominee with their Career Achievement Award at the 30th Annual Artios Awards. “Richard is a filmmaker whose work is both current and timeless. With Boyhood, he worked with casting director Beth Sepko to make casting choices, which sustained the film’s emotional truth over the 12 years it took to shoot. It demonstrates
See full article at Hitfix »

Norman Lloyd at 100: Hollywood’s Living Memory

The earliest surviving footage of broadcast television in America is a fragment of “The Streets of New York,” an adaptation of playwright Dion Boucicault’s 19th-century drama, aired by the experimental New York NBC affiliate W2XBS on August 31, 1939. All that now remains of the hour-long program is a silent, 11-minute kinescope, filmed off a TV screen and archived at the Paley Center For Media. And there, in those primitive flickering images, you can catch a glimpse of one of the show’s actors: the 24-year-old Norman Lloyd.

Next July, you can see the 99-year-old Lloyd in the Judd Apatow comedy “Trainwreck,” which shot on location in New York this summer and in which Lloyd plays, by his own admission, “a lecherous old man.” In between those unlikely bookends is a career that has quite literally spanned the 20th century and edged into the 21st, during which Lloyd has shared the stage,
See full article at Variety - Film News »

Trailer for Orson Welles Documentary Magician

A wonderful trailer has been released for a documentary called Magician: The Astonishing Life and Work of Orson Welles. Welles is a legendary filmmaker who is best known for his film Citizen Kane and his famous War of the Worlds radio broadcast. He was an incredible artist and visionary, and the doc focuses on his Hollywood career as a star and troubled director. According to IndieWire,

Magician digs into Welles' oeuvre on the eve of his centenary. Workman covers the midwestern childhood demons that fueled Citizen Kane, young Welles' prodigious theatrical accomplishments, love of Shakespeare, and move toward radio and cinema with "Citizen Kane," which was demolished by the film's fictionalized subject, William Randolph Hearst, as well as how Welles was his own worst enemy in terms of protecting his work. There is rarely seen footage of such masterpieces as Chimes at  Midnight (he plays Falstaff) and Macbeth, The Trial and Mr. Arkadin.
See full article at GeekTyrant »

Susan Jackson Dead: Freestyle Releasing Co-Founder Was 54

Veteran distributor Susan Jackson, who co-founded indie film distribution label Freestyle Releasing in 2004, died Tuesday morning in Los Angeles after a long battle with breast cancer. She was 54. The UK-born Jackson dove into the distribution game after serving in exec positions in sales, acquisitions and marketing at the Samuel Goldwyn Co, Vestron, Goodtimes, BMG/Bertelsmann, Sony and the BBC. She headed BMG Independents, snagging rights to indie titles for BMG’s North American Video and DVD collection.

In 1999, she founded independent sales company Turtles Crossing in Los Angeles. Three years later, she became more directly involved in filmmaking as executive producer of Eli Roth’s Cabin Fever, which she helped finance and sold to Lionsgate out of the Toronto Film Festival. Similarly, she helped finance, co-produce and sold the Juno Temple starrer Dirty Girl in 2010 out of Tiff.

Jackson co-founded Freestyle Releasing in 2004 with partner Mark Borde, and the company
See full article at Deadline Movie News »

Susan Jackson, Producer and Co-Founder of Freestyle Releasing, Dies at 54

Susan Jackson, Producer and Co-Founder of Freestyle Releasing, Dies at 54
Susan Rosenberg Jackson, who co-founded Freestyle Releasing and exec produced “Cabin Fever” during a long career in independent film, died in Tuesday in Los Angeles of breast cancer. She was 54.

Jackson worked in film distribution for 20 years, holding executive positions at the Samuel Goldwyn Co., Vestron, Goodtimes, BMG/Bertelsmann, Sony and the BBC. Her last job before launching her own company was heading up BMG Independents in New York.

Born in the U.K., she moved to Los Angeles in 1999, she launched sales company Turtles Crossing. She came on to “Cabin Fever” at script stage, brought in investors and sold it to Lionsgate at the Toronto Film Festival. She was sales agent and co-producer of “Dirty Girl,” starring Juno Temple.

Jackson co-founded Freestyle Releasing with Mark Borde, releasing such films as “The Illusionist,” “Bottle Shock,” “Me and Orson Welles,” “God’s Not Dead” and “Left Behind.”

She is survived by her husband,
See full article at Variety - Film News »

“There’s No Slacker In That Slacker”: Watch The Trailer For ’21 Years: Richard Linklater'

It’s nice to see director Richard Linklater getting his due. A few years ago circa “Me and Orson Welles," the filmmaker was having a rough time: he wasn't able to finance a picture and the aforementioned indie film barely received a release (and its box-office gross was one of his lowest ever). His comeback started quietly with “Bernie” in 2011, but by the time “Before Midnight” arrived in 2013, Linklater was back in a big way. And now, his “Boyhood” is seen by many as one of the best movies of the year. So if it seems like it’s time to tip our collective hats to the filmmaker, a new documentary has arrived like clockwork. Featuring folks like Ethan Hawke, Jack Black, Keanu Reeves, Billy Bob Thornton, Matthew McConaughey, Jason Reitman, Julie Delpy, Zac Efron, Billy Bob Thornton, Mark Duplass, Kevin Smith, Parker Posey among others, “21 Years: Richard Linklater” is
See full article at The Playlist »

Review: Willem Dafoe can’t anchor Abel Ferrara's overwrought 'Pasolini'

  • Hitfix
Review: Willem Dafoe can’t anchor Abel Ferrara's overwrought 'Pasolini'
Venice — "Pasolini is me." So sang erstwhile Smiths frontman Morrissey on single "You Have Killed Me" from "Ringleader of the Tormentors," an album recorded in Italy. The very next track on the album opens with a sample of a very distinctive sound: the siren of an Italian ambulance. At the Venice festival, it's impossible to go for more than a day without hearing this dolorous yet urgent wail on the Lido; it's an unofficial soundtrack. These congruences were very much slushing around my head as I sat down for Abel Ferrara's "Pasolini." Prior to the festival, Maestro Ferrara, the man who brought "The Driller Killer," "King of New York," and the original "Bad Lieutenant" into the world gave various interviews about the project. Like Morrissey, he is an inveterate quote machine, an expert in controversy, and the words that drew the most attention were electrifying: "I know who killed him.
See full article at Hitfix »
An error has occured. Please try again.

See also

Showtimes | External Sites