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Me and Orson Welles (2008)

PG-13 | | Comedy, Drama | 18 December 2009 (USA)
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1:50 | Trailer
In 1937, a teenager is cast in the Mercury Theatre production of "Julius Caesar", directed by a young Orson Welles.

Director:

Richard Linklater

Writers:

Robert Kaplow (based on the novel by), Holly Gent (screenplay by) (as Holly Gent Palmo) | 1 more credit »
Nominated for 1 BAFTA Film Award. Another 5 wins & 26 nominations. See more awards »

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Cast

Cast overview, first billed only:
Christian McKay ... Orson Welles
Zac Efron ... Richard Samuels
Zoe Kazan ... Gretta Adler
Megan Maczko ... Evelyn Allen
Simon Lee Phillips Simon Lee Phillips ... Walter Ash
Patrick Kennedy ... Grover Burgess
Shane James Bordas Shane James Bordas ... Conspirator
Alessandro Giuggioli ... Conspirator
Harry Macqueen ... Conspirator
Rhodri Orders Rhodri Orders ... Conspirator
James Tupper ... Joseph Cotten
Thomas Arnold Thomas Arnold ... George Duthie
Aidan McArdle ... Martin Gabel
Simon Nehan Simon Nehan ... Joe Holland
Claire Danes ... Sonja Jones
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Storyline

In November 1937, high school student and aspiring thespian Richard Samuels takes a day trip into New York City. There, he meets and begins a casual friendship with Gretta Adler, their friendship based on a shared love and goal of a profession in the creative arts. But also on this trip, Richard stumbles across the Mercury Theatre and meets Orson Welles, who, based on an impromptu audition, offers Richard an acting job as Lucius in his modern retelling of Julius Caesar, which includes such stalwart Mercury Theatre players as Joseph Cotten and George Coulouris. Despite others with official roles as producer John Houseman, this production belongs to Welles, the unofficial/official dictator. In other words, whatever Welles wants, the cast and crew better deliver. These requests include everything, even those of a sexual nature. Welles does not believe in conventions and will do whatever he wants, which includes not having a fixed opening date, although the unofficial opening date is in ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

All's fair in love & theatre See more »

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for sexual references and smoking | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

UK | Isle Of Man | USA

Language:

English

Release Date:

18 December 2009 (USA) See more »

Also Known As:

Me and Orson Welles See more »

Filming Locations:

England, UK See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$63,638, 29 November 2009

Gross USA:

$1,190,003

Cumulative Worldwide Gross:

$2,336,172
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

|

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Actor Christian McKay, who plays Orson Welles in this film, is a graduate of the Royal Academy of Dramatic Art, an accomplished concert pianist, and an established theatrical all rounder, and had been aware of his resemblance to Welles since his student days. McKay said: "People said that I resembled him a little bit. I only remember Orson as this big, gargantuan iceberg of a man and at drama school, whenever they said 'you look a bit like Harry Lime', I really thought they were having a go at my weight!. So I'd be very anti Orson. I used to think 'I'm not that big....'. Mind you, I must be the only actor who had to lose weight to play Orson Welles!". See more »

Goofs

When Orson and Richard go to the dressing room to check on George Coulouris, as they turn the corner, Orson is in a suit. When we see them complete the turn in the next shot, Orson has on a black trench coat. See more »

Quotes

[first lines]
Dr. Mewling: By the year of 1592, Shakespeare was already an actor, and a playwright. Records of how his stage career began have not survived. We do know that in 1594 he joined a theater troupe. Called... anyone remember? Not everyone at once now. The Lord Chamberlain's Men.
See more »

Crazy Credits

Gilson Lavis is listed as "Drumer" instead of "Drummer". See more »

Connections

Featured in The One Show: Episode dated 19 November 2009 (2009) See more »

Soundtracks

Solitude
Written by Edgar De Lange, Duke Ellington(ASCAP) & Irving Mills
DeLange Music Co/BRT rights administered by Bughouse ASCAP/Bug Music Ltd.
Published by EMI Music Publishing Ltd.
Published by Sony/ATV Harmony LLC (ASCAP)
Used by Permission of Shapiro Bernstein & CO, Ltd.
Performed by Duke Ellington
Courtesy of Columbia Records
By arrangement with Sony BMG Entertainment
Also Performed by The Mills Brothers
Courtesy of Geffen Records
Under License from Universal Music Enterprises
See more »

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User Reviews

 
Breezy, nostalgic celebration of film and theater and one of the most dynamic figures to impact them
5 September 2008 | by pyrocitorSee all my reviews

The career of Richard Linklater has proved one of the most delightfully eclectic in the film industry, veering between works as diverse as teenage subculture films (Dazed and Confused) to philosophical romances (Before Sunrise) to drug-addled paranoid thrillers (A Scanner Darkly) to mainstream comedies (School of Rock). But even with such a varied body of work, it is difficult to deny Linklater's latest still seeming somewhat of an anomaly: a lighthearted period piece examining the timeless figure of Orson Welles, making his name through a 1930s theater production of Julius Ceasar still seems an odd about face even for such a versatile director. And yet it is somewhat fitting that such a whimsically talented modern director should examine one of cinema's most legendary mavericks as Linklater's latest, Me and Orson Welles is a charming addition to his body of work, a breezy, self- reflexive yet nostalgic celebration of the mediums of performance as experienced alongside one of the most dynamic and influential figures ever to impact them.

The agile script ably captures the conflicting clashes of the behemoth of a personality that was Orson Welles, from the explosive temper tantrums to the slyly manipulative charm to the casual womanizing, painting a vivid (but likely not larger than life) portrait of the man without either romanticizing or demonising him. It is ultimately the presence of the titular character which rescues the film from becoming yet another "cast rehearsing a play" film, as the dynamo of Welles tearing through the film at all the least expected moments creates a sporadic force of havok keeping the film continually off kilter, preventing it from descending into cliché and keeping it consistently interesting as consequence. While the story's lightness of touch does make some of the plot points either overly obvious or unbelievable, a film so unassumingly enjoyable fails to evoke much complaint - whether dabbling in the dramatic or the comedic, Me and Orson Welles remains refreshingly cheerful and earnest, and all the better for it. Completing the package, Linklater's rare tackling of a period piece demonstrates his typically astute ability to capture the feel and flavour of the times, with the earnest ambition of the 1930s well complimented by subtly stylish sets and costumes while simultaneously avoiding beating the audience over the head with more overt details of the time (instead of the potential hackneyed Nazi allusions, Linklater includes merely a brief radio snippet which is quickly cut off, a classy and subtle inclusion).

Undergoing a difficult transition from teenage heartthrob to dramatic lead, Zac Efron gives a surprisingly solid performance as the idealistic young actor swept into the wild world of Welles, convincingly contributing charm, comedy and genuine sympathy to the emotional centerpoint of the film. However, given the title, it isn't difficult to imagine the inevitable highlight of the show, and true enough, as the infamous Welles, British stage actor Christian McKay doesn't so much steal scenes as seize and throttle them, exploding on screen with the same engrossing bluster that only the real Welles himself could conjure up. Blending the conflicting elements of an indisputably difficult character as easily as he nails the trademark voice and appearance, McKay's Welles alternates between devilish charmer and explosive force to be feared, shaking up the film with similar vigour and nuanced genius - one of the most impressive cinematic debuts in recent memory. Claire Danes is also on top form as a good hearted but endlessly ambitious member of Welles' company, and Ben Chaplin and James Tupper are endearing presences as eccentric members of Welles' calamitous company.

As unconventional a project as it may be, Me and Orson Welles remains one of the most unashamedly lighthearted and enjoyable forays into nostalgia in many a year, breezily blending the serious with the silly while never skimping on historical fact. The addition of McKay's brilliantly combustive Welles make the theatrical rehearsal sequences a joy to behold instead of drearily formulaic, making Linklater's latest film a charm to behold for even the most cynical of audiences.

-8/10


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