In the early 1960's, sixteen year old Jenny Mellor lives with her parents in the London suburb of Twickenham. On her father's wishes, everything that Jenny does is in the sole pursuit of being accepted into Oxford, as he wants her to have a better life than he. Jenny is bright, pretty, hard working but also naturally gifted. The only problems her father may perceive in her life is her issue with learning Latin, and her dating a boy named Graham, who is nice but socially awkward. Jenny's life changes after she meets David Goldman, a man over twice her age. David goes out of his way to show Jenny and her family that his interest in her is not improper and that he wants solely to expose her to cultural activities which she enjoys. Jenny quickly gets accustomed to the life to which David and his constant companions, Danny and Helen, have shown her, and Jenny and David's relationship does move into becoming a romantic one. However, Jenny slowly learns more about David, and by association ...Written by
The author of the original account, Lynn Barber stipulated in her contract that she would be allowed to see and comment (but not alter) every draft written by the screenwriter, Nick Hornby. She mentioned that she was happy with most of the changes, but her one regret was that Hornby changed the name of her lover, Simon, to David, which was her real husband's name. She stated that "I wish in retrospect I'd put up a fight". See more »
When David places Jenny's cello in to his car in the rain storm he places it in headstock first from the passenger side, putting the headstock on the driver's side. When they arrive at Jenny's house, she comes to the driver's side and pulls the cello out bottom first. The cello turned 180 degrees during their drive. See more »
Why can't American movie makers make a movie this great?
You don't need to know the plot to understand that this movie has all of the magic of true art-a wonderful story, an actress and director seemingly out of nowhere, and a cinematic style that is dramatic and completely engrossing and satisfying. What is amazing is that this film shows how American cinema has completely lost its touch. In the old studio days young American actresses, and actresses from around the world were somehow discovered and developed. When is the last time that has happened in Hollywood? Our movie machine is run by a bunch of bean counters that don't know art from bank notes, casting the same tired names over and over again in endless overblown works of absolute drivel. Here is a movie with a relatively small budget, relatively unknown actors, and a plot that seems pedestrian. If you don't see this film you will probably miss one of the most touching, true and completely cinematic works of many years. This movie is a miracle.
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