In the early 1960's, sixteen year old Jenny Mellor lives with her parents in the London suburb of Twickenham. On her father's wishes, everything that Jenny does is in the sole pursuit of being accepted into Oxford, as he wants her to have a better life than he. Jenny is bright, pretty, hard working but also naturally gifted. The only problems her father may perceive in her life is her issue with learning Latin, and her dating a boy named Graham, who is nice but socially awkward. Jenny's life changes after she meets David Goldman, a man over twice her age. David goes out of his way to show Jenny and her family that his interest in her is not improper and that he wants solely to expose her to cultural activities which she enjoys. Jenny quickly gets accustomed to the life to which David and his constant companions, Danny and Helen, have shown her, and Jenny and David's relationship does move into becoming a romantic one. However, Jenny slowly learns more about David, and by association ...Written by
David's nickname for Jenny is pronounced and spelled in subtitles as "bubbalub". Since David is Jewish, possibly this was intended to be the Yiddish word "bubbalah", which means "honey" or "sweetie". See more »
In the bedroom scene near the airport, there is a picture of a Boeing 747 airliner above the bed. Development of the 747 didn't begin until several years after this movie was set. See more »
In early 1960s England, a 16-year old schoolgirl becomes infatuated with a man nearly twice her age. The best thing about this handsomely made if unoriginal drama is the winning performance by Mulligan, a radiant young actress. American Sarsgaard seems an odd choice to play her British suitor, but he brings an appropriate creepiness to the role. Also notable are Molina, Williams, and Thompson. Although based on a memoir, it is hard to believe that the young lady's parents would be so gullible and idiotic as to let her go out of town for overnight stays with an older man they know nothing about. The screenplay is somewhat plodding, leading to a clichéd ending.
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