When the GTX Corporation must cut jobs to improve the company's balance sheet during the 2010 recession, thousands of employees will take the hit, like Bobby Walker (Ben Affleck). Bobby learns the real life consequences of not having a job. Not only does he see a change to his family lifestyle, and the loss of his home, but also his feelings of self-worth.Written by
Douglas Young (the-movie-guy)
William Hill who plays Ben Affleck and Kevin Costner's father is only 11 years older than Affleck and is 6 years younger than Costner. See more »
Close to the end of the movie, on top of the construction scaffolding, Bobby is telling Jack that he has received a job offer. Jack asks Bobby about the salary and when hearing the answer he states that the world is a messed up place. While saying this, he takes one step up the ladder and slams a nail into the wood using his nail gun. In the very next cut, the last part of the scene -- where Jack takes one step up the ladder and uses the nail gun -- is shown once again. See more »
Is this really the nearest Hollywood comes to understanding the real world - and the economic 'downturn' ?
A bunch of more corporate, unsympathetic characters you could not hope to imagine but they are all forced to embark on a voyage of discovery by heartless, cost-cutting conglomerates who have the audacity to fire executives further up the chain.
Chris Cooper (normally brilliant) discovers that more elderly people may struggle to find employment in the workplace whilst Ben Affleck (not normally brilliant) is made to realise that people wear gloves at work, have to carry heavy things and don't even go out to lunch on their breaks. Tommy Lee Jones just looks surly and grouches a lot... though his millions of dollars of shares increase in value, thank goodness.
The huge house and top-of-the-range German cars are on the line though as times get truly 'slightly uncomfortable' but thankfully it's Afflecks' sons' X-Box that goes first and the awful step down to manual labour doesn't seem so bad when you can master the wielding of a nail-gun in five minutes flat.
Corporate America is often an ugly thing, and this trite, patronising offering is no exception. It is almost nauseating in its' attempt to extract some sort of audience feeling for these greedy, grasping corporate 'executives'.
Who cares ?
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