After another teenager disappears from the idyllic suburb of Sunshine Hills, Suzy, the girl-next-door of every boy's dreams, persuades Daniel, a fourteen-year-old with an obsessive crush, to... Read allAfter another teenager disappears from the idyllic suburb of Sunshine Hills, Suzy, the girl-next-door of every boy's dreams, persuades Daniel, a fourteen-year-old with an obsessive crush, to help her uncover the truth.After another teenager disappears from the idyllic suburb of Sunshine Hills, Suzy, the girl-next-door of every boy's dreams, persuades Daniel, a fourteen-year-old with an obsessive crush, to help her uncover the truth.
- Awards
- 1 nomination total
- Suzy
- (as Tahyna Tozzi)
- Boy Playing Cricket
- (as Nat Nilson)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
But don't think too much because then it will all be for naught. There are dangling and unanswered major questions that we are to fill in and the ending is too clever for its own good, revealing that it is not that clever after all.
It is gripping enough but ultimately loses it and we are left with unsolved mysteries and dream like disconnects and the result is a good looking film with some artistic touches, but overall it remains something like an urban legend. There is something there, but just out of reality's reach.
There's the key phrase ... urban legend ... which you hear more than once throughout this movie! This story is just an urban legend. That weird neighborhood with those big odd houses and equally odd residents. How could a policeman own that huge house that Danny lived in? And the neighborhood seemed totally uninvolved with their fellow neighbors. Suzy outside showing herself off and then again inside? There's a couple having sex and nobody closes the curtains on the ground floor of their houses? Then number 46, the house at the end of the road ... the mystery house with the woman forever standing at the window. None of these characters comes across as real. There's just enough reality to them to be believed - just like an urban legend.
Then there is Danny, the withdrawn fourteen year old obsessed with taking photos and with Suzy next door. For a loner young boy he has nerves of steel and no fear of taking the challenges Suzy gives him to earn her attention. Just boil this story down to the opening stories of the missing girls - Danny - Suzy - house 46 - the strange woman inside - the detective magazines - and Max; you have yourself a full blown urban legend.
This is an OK movie with just enough edge to it to keep your interest up and then the powerhouse ending to bring it all into focus! None of it ever really happened.
I think the movie is called 'Beautiful' because director Flaherty was hung up on Sebastian's face - all those closeups of that most innocent wide eyed actor with that halo of black hair!
This is an atmospheric thriller. No, the plot isn't ridiculously tangled and doesn't have countless twists, like many Hollywood thrillers that seem to feel obligated to throw dozens of red herrings at the audience so that they feel sufficiently fishy when they leave the theater.
But neither is this movie trying to be an over-the-top freakfest like a Lynch film. I love David Lynch's style and the effect his films have on me, but this is quite different.
This movie was slow and calculated, with plenty of scenes to build atmosphere -- and thereby deepen the sense of character and environment. No, every scene does not advance the plot. Yes, you can tell most of what's going to happen in advance.
But for a strange story about a demented youth for whom everything goes terribly wrong, I thought this was wonderful. All the actors are top-notch, and the cinematography is delightful.
A more accurate frame of reference than the above-mentioned movies would be "Heavenly Creatures," Peter Jackson's tale of the disturbed fantasy life of two girls that explodes into violence. I felt shades of that story throughout "Beautiful." If you want a fast-moving, keep-you-guessing thriller, don't look here. You'll be disappointed. But if you want to see a nicely shot, atmospheric tale that slowly spins out of control, this is well worth your time.
Storyline
Did you know
- TriviaDebut theatrical feature film of Adelaide-based production house Kojo Pictures.
- GoofsThe film is made by an Australian company, and seems based in Australia, but the vehicles used are a mix of right-hand drive (used in Australia, Great Britain, etc.) and left-hand drive (used in U.S., Canada, etc.). When Alan drives Daniel home, it's right-hand drive; when one of the abducted girls gets into the black car, it's right-hand drive; when Sherrie gets up in the morning and goes to the doctor, it's left-hand drive... and yet, she is shown driving on the left-hand side of the road, as they do in Australia.
- Quotes
[first lines]
Suzy: When people visit Sunshine Hills, they comment on the beauty, and the serenity. What they don't talk about, is the real theater resides in our minds. I recall the exact moment that our fear was born. It started when the teenage girls in our neighborhood were being abducted. And number 46 - the *bad* house, with an equally dubious history of rape, and murder - very few tenants.
- ConnectionsFeatured in The Beautiful Vision (2009)
Details
Box office
- Gross worldwide
- $38,098
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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