Reeling from a brutal break-up, Kira sleeps with Max, a charming but disheveled wreck already committed to long-term girlfriend Sara. Max (no emotional sophisticate) becomes obsessed, ...
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Host and executive producer Jeff Probst thinks this celebrity would make the perfect "Survivor" contestant.
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Cast
| Credited cast: | |||
| Wiley Wiggins | ... | Max Callahan | |
 |
Kenya Miles | ... | Kira Marks |
| Andrew Bujalski | ... | Mason | |
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Donovan Baddley | ... | Simon |
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Ia Hernandez | ... | Sara |
| Rest of cast listed alphabetically: | |||
|
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Mia Blankensop | ... | Penny |
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Jaime Borschuk | ... | Girl with Black Glasses |
|
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Alyssa Campbell | ... | Amy |
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Mark Capraro | ... | Movie Goer #1 |
|
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Keith Cowling | ... | Concession Stand Cashier |
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Naomi Daysog | ... | Woman in Bathroom |
|
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Derek Fagerstrom | ... | Jonathan |
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Fay Ferency | ... | Pancake |
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Elvie Hernandez | ... | Aunt Suze |
|
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Spencer Hicks | ... | Movie Goer #2 |
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Plot Summary
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Storyline
Reeling from a brutal break-up, Kira sleeps with Max, a charming but disheveled wreck already committed to long-term girlfriend Sara. Max (no emotional sophisticate) becomes obsessed, mostly with Kira, but vaguely with his curious lack of conscience as well. Kira, fighting to win a job she hates and running aimless romantic loops, faces the precarious double challenge of choosing a next step and charting a course back to sanity. Good luck leading with your heart, when your heart is an utter emotional idiot. Written by sorrythanksfilm.com
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An unromantic comedyGenres:
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Details
Country:
USALanguage:
EnglishRelease Date:
14 March 2009 (USA) See more »Also Known As:
Perdón, gracias See more »Filming Locations:
San Francisco, California, USACompany Credits
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This movie seems like it was made by film students whose lives are like this and they got a kick out of putting it on film. The actors/characters just seemed like people they liked, thought were cool, and wanted to put them in a movie. The photography was competent enough but the direction and editing left it in the realm of many independent films that have a lot of non essential scenes that do not push the story forward. There were enough scenes of devoid of both verbal and non-verbal acting. An attempt to carry a "moral' character that was to straighten the hero out and get him to get his s**t together but that never really seemed to take hold. The antihero protagonist character was just annoying but I can see how the filmmakers who like that kind of character feel great about seeing him in a movie. He's cool to them. But just not to most people.