Paris, summer 1979. Anne is a producer of gay porn at discount. When Loïs, her editor and companion, leaves her, she attempts to reclaim her by turning a film more ambitious with the flamboyant Archibald.
A couple who is expecting their first child travel around the U.S. in order to find a perfect place to start their family. Along the way, they have misadventures and find fresh connections with an assortment of relatives and old friends who just might help them discover "home" on their own terms for the first time.
A French woman hits menopause, quits her job as waitress, and feels everything going downhill. But then she meets her old love from before she got married, had 2 daughters and got divorced. Is this a new beginning?
Thibault de Montalembert,
This movie plodded along listlessly with no particular message. Finally, I could take it no more. I mercifully killed it, gave it one star on Netflix and moved on to other things.
It started well enough. Had it just stuck to that theme, you might have been able to salvage some of it. You don't throw Catherine Deneveux into a movie unless it is a serious movie. The scenes were way too long, there were too many characters, and you could not really identify with any of them. Frankly, it was no different from taking your camera to your office and filming your colleagues in various states of mischief and trying to pass it on as a serious movie.
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