A Complete Unknown

"So Long, It's Been Good to Know Yuh." Woody Guthrie (Scott McNairy)

Those of us alive in early '60's could not have known the nasal, raspy-voiced 19-year-old, Bob Dylan (Timothee Chalamet), would one day change folk music forever. Director James Mangold in the biopic A Complete Unknown, perfectly captures the times changing and Dylan as he takes us from Pete Seeger's traditional folk to Dylan's own brand of folk rock.

The surprise in this solid one-of-the-best of the year, is how much music Mangold and co-writer Jay Cocks give the audience. Besides, several of the tunes are played in full by the lead actors, not something I could say even in the wake of Bohemian Rhapsody. Another surprise, Chalamet can sing very well.

Inevitably, a folk star must contend with the attentions of women, either friends or colleagues. The latter are represented in the distractingly attractive Joan Baez (Monia Barbaro), both talented and beautiful. Her biopic, I Am a Noise, explained her ambivalence toward Dylan, who was her opposite with his growing selfish mien.

Lover Sylvie Russo (Elle Fanning), not as talented or beautiful as Baez, represents the collateral damage from his fame. Despite his growing disaffection, she still influenced him to write such classics as A Hard Rain's Gonna Fall and The Times They are A Changin.

Both women are treated as important parts of Dylan's life, not just weepy or ineffectually forlorn. Baez was never neutralized by his allure, whereas Sylvie shriveled. The film captures this rough spot in his life while it also champions his talent. Let's face it-he was distant, downright enigmatic, and the film doesn't try to explain why. But then, other attempts at understanding him such as Scorsese's No Direction Home and Haynes' I'm Not There failed as well. Dylan's just too interior to be flushed out.

What these and other parts of his life also show is Dylan's insensitivity while he could sing of more loving attitudes to mankind in general. It is commonly known that artists can be abrasive and dismissive but also creative beyond measure. Dylan, however, clashes with the warm and caring Pete Seeger (Edward Norton, waiting I predict for an Oscar nomination) over Dylan's electrifying folk music, one of the intriguing conflicts the film does not sugarcoat.

Besides the splendid period accuracy, A Complete Unknown offers multiple musical sequences to delight even the newest audiences. After seeing this bountiful biopic, audiences witness Dylan becoming better known and his music eternal for even the most conservative audience.

One of the best films of the year and a biopic for the ages.

Even if you've heard the songs ten-thousand times, one of the many remarkable things about "A Complete Unknown" is remembering - or reliving - the sensation of hearing them for the first time.

People who tear up just watching the trailer for this Bob Dylan biopic will know what I'm talking about.

People who don't - including a couple of generations who weren't around yet - have a lot to learn from writer-director James Mangold's magnificent retelling of Dylan's early years. They span his 1961 arrival in Greenwich Village and pilgrimage to the bedside of dying Woody Guthrie, to the Newport Folk Festival where he upended the folk music world he had championed by going electric in 1965.

The movie features incredible Golden Globe-nominated performances - more like feats of channeling - by Timothée Chalamet as Dylan and Edward Norton as Pete Seeger, along with Monica Barbaro doing a wonderful Joan Baez and Elle Fanning as long-suffering girlfriend Sylvia Russo.

But the film's real "star" is the music, rather than the prickly personality of this honky tonk American demigod destined to win a Nobel Prize in Literature in 2016, and to still be performing on his endless tour well into his 80s.

With all the stars doing their own singing, "A Complete Unknown" is a chills-up-the-spine musical treasure chest, overflowing with dozens of the greatest songs ever written. Viewers of my generation will thrill witnessing the moment of creation of songs that changed history, over and over. Not only are the songs born anew, but still images - album cover photos in particular, stared at for years - come to life before our eyes.

Backgrounds, too - Greenwich Village, Manhattan apartments, recording studios and penthouses; outdoor folk festivals from Newport to Monterey - shine, seemingly in the light generated by the idealism of that brief American moment. Filmmaker Mangold's beautiful film pulses with energy amid all the impeccably observed period details.

Burning with ambition when he arrived in New York, 19-year-old Bobby Dylan had a new name and fanciful stories of traveling with carney shows instead of true accounts of his upbringing as Robert Zimmerman in Hibbing, Minnesota. A slave of his music, he was hardly ready when the fame he had sought descended on him overnight.

His genius and intuition were once-in-a-generation gifts. His psyche and temperament were made of flimsier stuff ... even though he was almost as good at wisecracking as he was at writing songs.

"You know, you're kind of an asshole," Joan Baez tells him shortly after they get together.

That doesn't stop them from making beautiful music together, amidst all the other exhilarating performances on screen.

The tension between Dylan's almighty gift and his his very human difficulties handling it make "A Complete Unknown" unlike other music biopics. Fans know lots of the details already. Every time Bob climbs on his Triumph, we know where he's heading.

Time has always been Dylan's "thing." He's a physicist as much as a poet in understanding the nature of change. The songs he wrote in the film's time frame were astounding for summing up everything, from romantic love to geopolitics, in words everyone knew were true the first time we heard them. It was Dylan, rather than our teachers in school, who educated us.

Sixty years later, at the other end of the timeline, his lyrics are just as just as immediate, just as profound, just as funny.

Bob Dylan was, and is, the voice of our culture in our time.

There's no way this movie can't be an homage and tribute, but it doesn't glorify.

Instead, it's more honest ... more interesting ... more ambiguous ... For all the books, PhD dissertations and decades of efforts to know the man behind the voice, Bob Dylan remains as elusive and enigmatic as ever. There's no "answer" to what, or who, he is.

He just is.

"A Complete Unknown" is just a new way of connecting some of the dots, resulting in a wonderfully alive film experience, a musical thrill show, a return to our youth.

When it opens in theaters Christmas Day, I imagine I won't have been the only one sitting through the final credits just to hear the songs one more time.

I was more impressed by the film's technical aspects than its narrative. Mangold has returned to the vibrant color palette he employed in Identity (2003), departing from the muted tones of films like 3:10 to Yuma (2007) and Logan (2017).

The visuals, captured with Sony Venice cameras at an ISO of 12800, create a stunning New York composition.

Those who, like me, have seen Todd Haynes' I'm Not There (2007) won't be claiming that Timothée Chalamet "became Bob Dylan," despite his undeniably strong performance.

However, Monica Barbaro truly embodies Joan Baez.

Certain shots in the film so closely resemble Bob Dylan's photographic archive that I found myself exclaiming "I've seen this photo!" over thirty times throughout the viewing. It's as if there was no script, and an AI was simply tasked with creating a film using chronologically arranged Bob Dylan photographs. Bob Dylan collectors like myself might particularly enjoy seeing the photographs from the album sleeves come to life.

Yes, this is an excellent biopic, but that's largely due to the dearth of well-made biographical films that aren't filled with decontextualized anecdotes.

And yes, this is a superb New York film. The technical achievements I mentioned earlier contribute to a magnificent depiction of the era's New York. I suspect the film's Oscar prospects might lie in these categories.

Incidentally, while Chalamet claims to have performed many of the songs himself, there's a clear technical enhancement in the vocal delivery.

The truth is, the Coen Brothers' Inside Llewyn Davis (2013), despite its understated narrative, captures the era, the people, and the New York depicted in this film far more effectively, and in monochrome. I hadn't realized how deeply Inside Llewyn Davis (2013) had resonated with me until I saw this film.

I do like a music based film, and I'm old enough to know and like Bob. I think Timothy is good, but previously so young looking I struggled with some of his roles. Here he grows up. Bob Dylan is a great part for him, and he plays him well, maturing physically and as an actor.

The film seemed a little "clean" and in the midst of the mid 60's onward, drugs seem to be limited to cigarettes! Even Bob himself has talked about drugs issues related to opioids and psychedelics, so it did seem an important admission, maybe related to Bob still being with us.

However still an entertaining biopic with great music which was the focus (as it should bet) for the Nobel prize winning icon.

Driving home from the cinema happily singing along to Bob which clearly had the desired effect. 7/10.

A Complete Unknown is a prelude into Bob Dylan's (Timothée Chalamet) career and it begins when Dylan arrives in New York City to visit his folk music hero Woody Guthrie (Scoot McNairy), an American singer-songwriter and composer, who is hospitalized at Greystone Park Psychiatric Hospital due to a neurodegenerative disease that left him mobility impaired. Woody is notably known for the song This Land Is Your Land, which we see Pete Seeger (Edward Norton) playing this song during his court trial - for contempt of Congress, which was overturned on a technicality. The song has some deep fascinating history, and Norton did it some justice with his remarkable singing. Later in the movie, Norton sings The Lion Sleeps Tonight while playing the banjo, which was pure enjoyment.

The film also depicts how Pete Seeger is captivated by Bob Dylan's talent and his easygoing personality that he decides to promote his music career. Like your typical musician, Dylan finds himself caught in a love triangle with Sylvie Russo (Elle Fanning) - the one that encourages his song writing and supports him financially, and Joan Baez (Monica Barbaro) - the one that introduces Dylan to her audience and boosts his music career. Monica Barbaro's singing was beyond impressive and heavenly. She hit those high notes so delicately and precise.

Huge praise to Director and Writer James Mangold in successfully illustrating Bob Dylan's journey in becoming one of the greatest songwriters of all time. James Mangold, known for Walk the Line, included Johnny Cash (Boyd Holbrook) as Dylan's motivation for not becoming a novelty act and encouraged him to make a statement and bring out his rebel side regarding change - Civil Rights Movements, which can be heard throughout the lyrics in the songs, The Times They Are a-Changin' and Like a Rolling Stone - where he performed it at the Newport Folk Festival with an electric musical instruments, and history was made.

Timothée Chalamet certainly had some big shoes to fill taking on the challenge of portraying the young enigmatic Bob Dylan. Chalamet truly stuns the audience radiating that Bob Dylan 60s folk rock vibe with the symbolic harmonica and those fashion iconic sunglasses. A Complete Unknown will leave you wanting an encore.