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Public Enemies (2009)

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The Feds try to take down notorious American gangsters John Dillinger, Baby Face Nelson and Pretty Boy Floyd during a booming crime wave in the 1930s.

Director:

Michael Mann

Writers:

Ronan Bennett (screenplay), Michael Mann (screenplay) | 2 more credits »
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Popularity
1,068 ( 79)
1 win & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
Christian Bale ... Melvin Purvis
Christian Stolte ... Charles Makley
Jason Clarke ... 'Red' Hamilton
Johnny Depp ... John Dillinger
Stephen Graham ... Baby Face Nelson
David Wenham ... Harry 'Pete' Pierpont
John Judd ... Turnkey
Stephen Dorff ... Homer Van Meter
Michael Vieau Michael Vieau ... Ed Shouse
John Kishline John Kishline ... Guard Dainard
Carey Mulligan ... Carol Slayman
James Russo ... Walter Dietrich
Giovanni Ribisi ... Alvin Karpis
Wesley Walker ... Jim Leslie
John Scherp John Scherp ... Earl Adams
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Storyline

The difficult 1930s is a time of robbers who knock over banks and other rich targets with alarming frequency. Of them, none is more notorious than John Dillinger, whose gang plies its trade with cunning efficiency against big businesses while leaving ordinary citizens alone. As Dillinger becomes a folk hero, FBI head J. Edger Hoover is determined to stop his ilk by assigning ace agent Melvin Purvis to hunt down Dillinger. As Purvis struggles with the manhunt's realities, Dillinger himself faces an ominous future with the loss of friends, dwindling options and a changing world of organized crime with no room for him. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Taglines:

America's Most Wanted


Motion Picture Rating (MPAA)

Rated R for gangster violence and some language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Japan

Language:

English

Release Date:

1 July 2009 (USA) See more »

Also Known As:

Enemigos públicos See more »

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Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend USA:

$25,271,675, 5 July 2009, Wide Release

Gross USA:

$97,104,620, 28 July 2012

Cumulative Worldwide Gross:

$214,104,620, 28 July 2012
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

SDDS | Dolby Digital | DTS

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

In the DVD audio commentary for the film, Michael Mann praised Jason Clarke repeatedly, calling him one of the most talented actors he had ever encountered. See more »

Goofs

When Billie and John start dancing, she has a hand on his right shoulder, in the next shot she instantly has a hand on his left instead, where it remains for the rest of the dance. See more »

Quotes

John Dillinger: [nodding at money left by a bank teller in front of his booth] You can put it away. Not here for your money. Here for the bank's money.
See more »

Crazy Credits

The title of the movie is not shown until the end credits. See more »

Connections

Features Manhattan Melodrama (1934) See more »

Soundtracks

Dark Was The Night, Cold Was The Ground
(1927)
Written by Blind Willie Johnson (uncredited)
Performed by Blind Willie Johnson
Courtesy of Yazoo Records/Shanachie Entertainment Corp.
See more »

Frequently Asked Questions

See more »

User Reviews

 
It is an entertaining backseat ride into the life of a country boy turned bank robber
1 July 2009 | by RafacusSee all my reviews

With Billie Holiday singing her heart out and the subtle details of cracked nail polish and $3 dresses, Public Enemies brings you into the era of the Great Depression without boring you with back stories and explanations.

It is an honest bio-pic with little factual variations outside of John Dillinger's romantic ambitions. It is an entertaining backseat ride into the life of a country boy turned bank robber in a time where America hated money-makers and banks. A time when people were starving and in need of a gun-toting, charismatic mid-western boy to stir things up a bit, one bank robbery at a time.

A Cast of Winning Players Director Michael Mann is known best for Heat, Collateral and Miami Vice. His attention to detail is known and it is said that he went above the call of duty in his research for this movie. Obviously he deemed it important to depict a true version of the Dillinger story with a bit of Hollywood sprinkled in to keep our attention. Johnny Depp is solid as the charismatic bank robber, adopting his mannerisms, speech and swagger and even the trademark smirk that is seen on all of Dillinger's photos. Christian Bale is perfect as Melvin Purvis, looking similar to the "G man" and confidently playing the role convincingly.

Digital Camera and No true sense of good and Bad The camera threw me off a bit switching from an old sepia toned look to a digital one during fights. At times it made you feel as if you were an observant on the street while other times it felt just like a movie. I wasn't sure why this was but I concluded that Mann wanted us to be there with Dillinger most of the time and at other times we are to observe from a distance. There was no great love felt for any of the dark heroes, the charismatic Dillinger was likable but I never felt concern for his well-being. The FBI agent in Purvis (Christian Bale) was the typical white knight archetype and was given little personality outside of this so I felt nothing for him either. The romance between Dillinger and Billie Frechette (Marion Cotillard) was interesting but felt clichéd (gangsters always have THAT chick in these movies) and just like real life that political blowhard J.Edgar Hoover (Billy Crudup) is the only real "bad guy" in the entire film.

Final Thoughts It felt like a different time period and the choreography of the gunfights were done well enough to keep me interested. With as colorful a crew as the boys who ran with John Dillinger, it would have been hard to direct a movie like this while keeping everyone relative. Men like Alvin Karpis (Giovanni Ribisi), Pretty Boy Floyd (Channing Tatum) and Baby Face Nelson (Stephen Graham) are given screen time, as well as Capone's number one do-boy Frank Nitti (Bill Camp). Still there was so much shown that you tend to lose your familiarity with Dillinger's quest for whatever it is he wanted and the hopelessness of his situation settles in after awhile. It is a good movie with no real emotional weight, just a "this is what happened" gloss to the entire thing with a sprinkling of charisma to top it off. If anything, you will go researching Dillinger and gang after the movie has piqued your interest.

www.SpicyMovieDogs.com


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