The true story of Whitey Bulger, the brother of a state senator and the most infamous violent criminal in the history of South Boston, who became an FBI informant to take down a Mafia family invading his turf.
A con man, Irving Rosenfeld, along with his seductive partner Sydney Prosser, is forced to work for a wild F.B.I. Agent, Richie DiMaso, who pushes them into a world of Jersey powerbrokers and the Mafia.
The difficult 1930s is a time of robbers who knock over banks and other rich targets with alarming frequency. Of them, none is more notorious than John Dillinger, whose gang plies its trade with cunning efficiency against big businesses while leaving ordinary citizens alone. As Dillinger becomes a folk hero, FBI head J. Edger Hoover is determined to stop his ilk by assigning ace agent Melvin Purvis to hunt down Dillinger. As Purvis struggles with the manhunt's realities, Dillinger himself faces an ominous future with the loss of friends, dwindling options and a changing world of organized crime with no room for him.Written by
Kenneth Chisholm (firstname.lastname@example.org)
It's true that John Dillinger enjoyed taking photographs of police officers when the opportunity presented itself, and even late in his career, he would often attend Cubs games, and frequent bars in Chicago, but he probably didn't enter the offices of the Dillinger Squad, as depicted in the film. Dillinger also tended to brag about his exploits. As with many other events in his life, he would have surely related such a fantastic thing to his family, his lawyer, or his lawyer's investigator, Art O'Leary, a man Dillinger often confided in. However, according to Bryan Burrough's book, he did enter the same building as the Chicago Police Department on a few occasions, and he did accompany Polly Hamilton into the building to get her waitress' license. See more »
The film portrays John Dillinger driving away from the Crown Point jail in Sheriff Holley's Ford V8. Deputy Sheriff Ernest Blunk was the actual driver in the escape. Dillinger got behind the wheel only after Blunk and Saager were set free outside of Peotone, Illinois. See more »
I was a wild boy, and, well, I was foolish. I held up a grocery store, which I never should have done 'cause Mr. Morgan was a good man. And they sentenced me to 10 years in the state penitentiary for a $50 theft. When I was in prison, I met a lot of good fellows. So sure, yeah, I helped set up the break at Michigan City. Why not? I stick with my pals and my pals stick with me.
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The title of the movie is not shown until the end credits. See more »
Eighty years after the events, Michael Mann takes on the Period Chicago Gangster genre, and wins, with this entertaining story. Do not be put off by some churlish carping from the critics, much of which is generated by the very high standards that Mann's films are now judged. The lengthy 140 minute running time flies by leaving the audience wondering about what could have been added to the story, not what should have been omitted.
Essentially this is the story of the life, in his heyday, and death of Gangster John Dillinger. It bounces along, leaving little room for back story or leisurely character development, like Dillinger,it lives for the moment. Johhny Depp is superb as Dillinger, Christian Bale a thoroughly convincing Melvin Purvis, his taciturn but determined G-Man nemesis.
A plot curio is that some time is given over to J Edgar Hoover's fight to establish an FBI with Purvis operating as his local enforcer.But the role is under developed, it could be dropped with no impact on the plot, making you wonder how much extra footage was left on the cutting room floor, hopefully set for an appearance on the DVD.
Marion Cotillard, a native Frenchwoman, plays the part of the leading lady, and Dillingers love interest, well enough. In a role which offers infrequent appearances, she conforms to the genre requirements of being easily bedded, hit, and cries on demand.
Critics have queried the way that the digital film is shot.There is none of the lushness of "last of the Mohicans", nor the grittiness of "Collateral", but the compelling plot leaves little time to worry about that.Review audiences also complained of poor sound quality and mumbled dialogue, not faults that I could identify with on this showing.
The "showdown" between Dillinger and Purvis happens early on, in a scene which is played straight and without lingering fanfare, it is certainly no re-run of De Niro v Pacino in "Heat".If the film lacks anything it is a sense of Tragedy, so wonderfully apparent in De Palma's "Carlitos Way". Depp and Purvis are played so ruthlessly and efficiently by Depp and Bale that pathos and emotional attachment are on pretty short display.
The period is lovingly recreated by Mann and the action sequences, unsurprisingly, never fail to disappoint, indeed when Dillinger is first shown robbing a bank his vault over the counter is seen in graceful slow motion. Diana Krall has a pleasing cameo as a nightclub torch singer performing "Bye Bye Blackbird" and the costumes are a consistent delight.
Punchy, light on its feet and offering weighty roles for Depp and Bale, this will be enjoyed by ardent fans and the curious alike.
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