Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
A 14-year-old video enthusiast is so caught up in film fantasy that he can no longer relate to the real world, to such an extent that he commits murder and records an on-camera confession for his parents.
Gradually succumbing to dementia, George Laurent, the octogenarian patriarch of the Laurents, an affluent upper-bourgeois family, is uncomfortably sharing his palatial manor in Calais, the ... See full summary »
A European family who plan on escaping to Australia, seem caught up in their daily routine, only troubled by minor incidents. However, behind their apparent calm and repetitive existence, they are actually planning something sinister.
From July, 1913 to the outbreak of World War I, a series of incidents take place in a German village. A horse trips on a wire and throws the rider; a woman falls to her death through rotted planks; the local baron's son is hung upside down in a mill; parents slap and bully their children; a man is cruel to his long-suffering lover; another sexually abuses his daughter. People disappear. A callow teacher, who courts a nanny in the baron's household, narrates the story and tries to investigate the connections among these accidents and crimes. What is foreshadowed? Are the children holy innocents? God may be in His heaven, but all is not right with the world; the center cannot hold.Written by
The film made a major sweep of awards with four wins at the Cannes Film Festival, including the Palme d'Or, a rare achievement since the Palme D'or winner usually don't get any other prizes, specially three more - and the film that win three awards frequently don't get the Palme d'Or. Besides the Palme, Haneke's film won the FIPRESCI Prize, the Cinema Prize of the French National Education System and a Prize of the Ecumenical Jury (Special Mention). See more »
In the scene when the farmer sits next to his wife's corpse, the actress's breathing is noticeable. See more »
I need to know! Not just who is Michael Heneke but also who does he think he is? The arrogance of his work is only comparable to its brilliance. Here he visits Bergman territory without telling us so but just the faces of the actors in glorious black and white scream of Bergman. What a delightful annoyance. As anybody who is familiar with the work of Michael Heneke will suspect, this new opus, will provoke you in so many different ways that you will want to leave theater many times but you won't be able to, I certainly couldn't. This man is a wizard of sorts. I can't think of no other director who could get away with this in the new millennium. I haven't even started to talk about the film yet and I'm not going to. I'm just going to say that it's a mystery in more ways than one and that you may hate it but won't be able to forget it.
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