From July, 1913 to the outbreak of World War I, a series of incidents take place in a German village. A horse trips on a wire and throws the rider; a woman falls to her death through rotted planks; the local baron's son is hung upside down in a mill; parents slap and bully their children; a man is cruel to his long-suffering lover; another sexually abuses his daughter. People disappear. A callow teacher, who courts a nanny in the baron's household, narrates the story and tries to investigate the connections among these accidents and crimes. What is foreshadowed? Are the children holy innocents? God may be in His heaven, but all is not right with the world; the center cannot hold.Written by
O Sacred Head Now Wounded
Lyrics from a mediaeval Latin poem
Music by Hans Leo Hassler
Sung in the church See more »
Gripping, exciting, focused
Das Weisse Band represents the kind of cinema that is cerebral, cognitive and dialectic without deviating from the conventions of classic storytelling. In examining the origins and nature of terrorism in human societies and psychology, the film quickly resigns from a simple depiction of country rural life in 1913 and transforms into a sadistic 'whodunnit' thriller with the main protagonists being two conflicting generations: the elderly and the youth. Das Weisse Band takes the risk of setting off too many narratives in accordance to the individual stories that occur, but the utterly terrifying aspect and power-point of the film is what we do not see happening in front of our eyes. Gripping, exciting, focused cinema.
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