Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
A 14-year-old video enthusiast is so caught up in film fantasy that he can no longer relate to the real world, to such an extent that he commits murder and records an on-camera confession for his parents.
A European family who plan on escaping to Australia, seem caught up in their daily routine, only troubled by minor incidents. However, behind their apparent calm and repetitive existence, they are actually planning something sinister.
From July, 1913 to the outbreak of World War I, a series of incidents take place in a German village. A horse trips on a wire and throws the rider; a woman falls to her death through rotted planks; the local baron's son is hung upside down in a mill; parents slap and bully their children; a man is cruel to his long-suffering lover; another sexually abuses his daughter. People disappear. A callow teacher, who courts a nanny in the baron's household, narrates the story and tries to investigate the connections among these accidents and crimes. What is foreshadowed? Are the children holy innocents? God may be in His heaven, but all is not right with the world; the center cannot hold.Written by
The film made a major sweep of awards with four wins at the Cannes Film Festival, including the Palme d'Or, a rare achievement since the Palme D'or winner usually don't get any other prizes, specially three more - and the film that win three awards frequently don't get the Palme d'Or. Besides the Palme, Haneke's film won the FIPRESCI Prize, the Cinema Prize of the French National Education System and a Prize of the Ecumenical Jury (Special Mention). See more »
In the scene when the farmer sits next to his wife's corpse, the actress's breathing is noticeable. See more »
I gave God a chance to kill me. He didn't do it, so he's pleased with me.
See more »
The opening and closing credits are shown in complete silence. There is no music or other sounds during both entire credit sequences. See more »
In an interview with the French newspaper "Le Monde" on 10/20/09, published on 10/21/09, Michael Haneke has explicitly and unequivocally declared his intentions in making the movie "The White Ribbon":
He intended to make a movie about the roots of evil. He said that he believed that the environment of extreme, punitive and sexually repressive protestantism in Germany, has laid the groundwork for Fascism and Nazism. He also said that he saw the same patterns developing in fundamentalist Muslim societies today, and that it is those societies that today were spawning terrorists and suicide bombers. Finally, he expressed the sentiment that "The White Ribbon" is a movie against ALL extremisms.
Michael Haneke has directed his vision in a very masterful and artful way: the cinematography, the acting, and the script are all superb.
The only problem I have is with the vision itself: The environment certainly plays a role, but to explain evil exclusively as the product of one's environment is simplistic and goes against common sense observation: The majority of people on this earth have grown up under repressive regimes and yet have NOT turned out to become murderers, mass murderers, terrorists or suicide bombers. Something is missing in the equation.
117 of 161 people found this review helpful.
Was this review helpful to you?
| Report this