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A husband and wife who recently lost their baby adopt a 9 year-old girl who is not nearly as innocent as she claims to be.

Director:

Jaume Collet-Serra

Writers:

David Leslie Johnson-McGoldrick (screenplay) (as David Leslie Johnson), Alex Mace (story)
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1 win & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Vera Farmiga ... Kate
Peter Sarsgaard ... John
Isabelle Fuhrman ... Esther
CCH Pounder ... Sister Abigail
Jimmy Bennett ... Daniel
Margo Martindale ... Dr. Browning
Karel Roden ... Dr. Varava
Aryana Engineer ... Max
Rosemary Dunsmore ... Grandma Barbara
Jamie Young Jamie Young ... Brenda
Lorry Ayers ... Joyce
Brendan Wall Brendan Wall ... Detective
Genelle Williams ... Sister Judith
Mustafa Abdelkarim Mustafa Abdelkarim ... Daniel's Friend
Landon Norris Landon Norris ... Daniel's Friend
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Storyline

Kate and John Coleman are rebuilding their troubled marriage after the loss of their baby. The couple decide to adopt a child. When they meet 9-year-old Esther at the St. Marina Orphanage, they immediately fall in love with the well-educated orphan. Their son, Daniel is hostile to his new sister, but their deaf mute daughter, Max is enchanted with her - at first. Eventually, Kate begins to feel that Esther is manipulative and possibly even psychologically damaged. John refuses to listen to his wife's misgivings. Kate calls Sister Abigail at the orphanage, and the nun informs her that Esther has a troubled and mysterious history. Kate delves further into Esther's past and discovers she is not what she seems to be. Written by lisakoffler1967@gmail.com

Plot Summary | Plot Synopsis

Taglines:

Can you keep a secret? See more »


Motion Picture Rating (MPAA)

Rated R for disturbing violent content, some sexuality and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA | Canada | Germany

Release Date:

24 July 2009 (USA) See more »

Also Known As:

The Orphan See more »

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Box Office

Opening Weekend USA:

$12,871,483, 26 July 2009, Wide Release

Gross USA:

$41,596,251

Cumulative Worldwide Gross:

$78,769,428
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Vera Farmiga said that the film was appealing in so many ways, but largely because she got "a paycheck, for once," and because she wanted to work with Peter Sarsgaard. See more »

Goofs

When Esther broke her arm and was taken to the hospital it should have been revealed then that she had fused growth plates and was therefore an adult. See more »

Quotes

[first lines]
John Coleman: Hang on. I know. You're doin' so good. You're doin' so good, honey. You all right?
Kate Coleman: Yeah.
See more »

Crazy Credits

At both the beginning and end of the movie, the title briefly changes to a scratchier, more sinister font, surrounded by fluorescent paint. This effect also occurs with many of the names shown in the end title sequence. See more »

Connections

Referenced in Home Bound (2014) See more »

Soundtracks

Les Saisons
Composed by Pyotr Ilyich Tchaikovsky (as Tchaikovsky)
Performed by Mario Feninger
See more »

Frequently Asked Questions

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User Reviews

 
Remarkably well-acted, darkly humorous, and effectively disturbing
22 July 2009 | by yfguitaristSee all my reviews

Dark, edgy, twisted, effective, clever, intense, and blackly comic - one of the best "evil child" films I've seen. It's brilliantly cast - Vera Farmiga and Peter Sarsgaard are top-notch as usual, but what really stood out where the natural performances director Jaume Collet- Serra was able to get from the child actors. Usually child actors are painful to watch, but 12- year-old Isabelle Fuhrman gives a terrifying, chilling performance that is worthy of praise. Aryana Engineer in her screen debut as the deaf little sister Max is adorable and almost steals the show in every scene. The stylish cinematography, editing, and sound are fantastic as well.

I saw Orphan at a packed advance screening and the audience had a blast. Collet-Serra knows how to pull the strings and engage the audience, as they were screaming and laughing at all the right moments. There are plenty of fun and playful tension-relieving scenes, and several cathartic moments when the audience erupted into cheers. When the credits rolled the audience even applauded.

The second showing I went to was just as receptive - the audience went nuts. They were collectively screaming, cheering, yelling at the screen, cringing, applauding, and enthusiastically welcoming the comic relief. One guy commented afterwards: "I never get scared by movies but that was the scariest movie I've ever seen." Audience participation for both screenings I went to were very high.

The film improves upon second viewing, with the knowledge of the twist. I was able to focus more on details and clues, and the anticipation of my favorite scenes made for a much more rewarding experience. It's even more chilling and cathartic the second time around.

It's far from perfect though - there are way too many predictable jump/false scares, with the soundtrack blaring to try to startle the viewer. The last part of the movie becomes a slasher flick replete with clichés and a one-liner. There is a talky scene where Esther reveals herself to her adoptive mother that is totally unneeded, as well as a crucial line regarding Danny, the older son, which really should've been cut. It's also a bit long at 2 hours - for an exploitative "B" movie this is unusual, although time is devoted to character development. Esther is multi-dimensional and even sympathetic at times - I would love to see a prequel based on her character.

Orphan is definitely not for kids - aside from the "anti-adoption" angle, there is plenty of dangerous imitable behavior. The violence committed by and toward children is shocking, realistic, and brutal. This is a ballsy film that throws kids into horrific ordeals.

It may be a "B" movie, but it's a damn good one that knows its audience. The basic idea is nothing new (except for the unexpected twist), but you knew that from the trailer and synopsis. If you were still interested or if you're a horror fan that is able to look past some clichés and logical jumps in exchange for horrific chills, you'll have a fun time. The phenomenal child performances alone are enough to recommend Orphan.


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